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80 pages 2 hours read

Victor Hugo

Les Miserables

Fiction | Novel | Adult | Published in 1862

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Part 4, Books 1-7Chapter Summaries & Analyses

Part 4, Book 1 Summary: "A Few Pages of History"

The narrator discusses the two years immediately following the July Revolution, which took place in France in 1830. Napoleon was defeated at Waterloo in 1815, which gave the French monarchy an opportunity to reestablish itself in France. The new regime struggles to match Napoleon's success, however. France is marked by military failures and growing social inequality, as the monarchy tries to undo any social progress achieved in the revolutionary era. Pressure on the monarchy increases until a revolt breaks out in June 1830. Even after the revolution, however, many of the problems remain. Louis-Philippe is made the King of France, and his attempts to appease the masses succeed only in making everyone even more furious. As such, he is "held responsible for all the charges history lays against him" (605), though the narrator describes how the conditions in France made another revolution inevitable. Social inequities remain, and in 1932 the students rally around Enjolras as he tries to lead another revolt in Faubourg Saint-Antoine, one of the Parisian districts. People make their own ammunition, and the police fail to seize the revolutionaries.

Part 4, Book 2 Summary: "Eponine"

Marius moves out of his apartment. Unsure how to honor his father's savior now that he knows Thénardier is a criminal, he anonymously sends money each week to the imprisoned Thénardier. As the months pass, he cannot stop thinking about Cosette, even though he does not know her actual name. In his mind, he refers to her as the lark, and he is delighted to find a park named the Field of the Lark. Marius visits the Field of the Lark every day. He does not know that, while he has been drifting through the city in a fit of emotional blur of "hazy notions" (633), Eponine has located the young lady whom Marius loves. She finds Marius and tells him that the lark is now living in a house in the Parisian suburb Saint-Germain. Eponine neglects to mention that she spotted Cosette while studying a house on behalf of a criminal who is currently in prison. She leads Marius to the house. He agrees to follow her, still unaware that Eponine is in love with him. When Marius tries to pay Eponine for her help, she lets the coin fall to the ground. She tells him that she does not want money from him.

Part 4, Book 3 Summary: "The House in Rue Plumet"

Valjean and Cosette live comfortably in their two-story villa in Saint-Germain. Valjean left his job at the Petit-Picpus convent after the death of Fauchelevent; he did not want to deprive Cosette of the pleasures of life which are denied to nuns. Although they are safe, Cosette is beginning to question her situation. Having been under Valjean's protection since she was a young girl, she is now aware that she has grown into a beautiful woman. As she nears adulthood, Cosette suspects that Valjean is overly protective toward her. She believes that they have relocated to Saint-Germain to isolate her from the world, rather than simply to hide from Javert. She also noticed Marius in the gardens and was equally attracted to him, though she is concerned that Valjean will detect and disapprove of her feelings toward the young stranger. The end of their daily trips to the park suggests to Cosette that Valjean does not want her to develop an interest in men. Cosette has no faith that Valjean, whose past is a mystery and who seems completely uninterested in romance, is in any position to help her deal with her feelings toward the unknown young man.

Part 4, Book 4 Summary: "Help From Below May Be Help From on High"

For Valjean, the prospect of losing Cosette is devastating. She is all he has left in his life, and he cannot stand the thought of losing her. When he returns one day with a large, infected wound on his arm from his encounter with Thénardier, Cosette begins to worry. She nurses Valjean back to health, forgetting for the time being about the stranger in the park.

Later, Gavroche overhears Mabeuf talking about his financial situation. Destitute, Mabeuf is worried that he will starve. Gavroche leaves, only to spot the criminal Montparnasse. He sees Montparnasse line up and attack an old man. The old man—actually Valjean—is able to fight back against the criminal. Valjean knocks Montparnasse down and instructs him to change his ways, as his "idleness is misguiding [him]" (668). Unprompted, Valjean takes out his wallet and gives Montparnasse all his money. Montparnasse is allowed to leave, though Gavroche passes him by and, with a subtle flick of his wrist, picks Montparnasse's pocket. Gavroche takes the wallet and, remembering Mabeuf's complaints, throws it over the wall into Mabeuf's garden. Mabeuf is delighted by the sudden good fortune. His housekeeper claims that the money is a godsend.

Part 4, Book 5 Summary: "Which Does Not End the Way It Began"

After a few months of quiet unrest, Valjean and Cosette settle into their happy, familiar arrangement. This harmonious moment is interrupted by the arrival of Marius. Ever since learning about the location of the mysterious young woman, he has been spying on the house. He leaves a small booklet for Cosette, explaining his love for her. The next day, Valjean steps out alone for his routine evening walk. Marius visits Cosette in the garden and repeats his love for her. She tells Marius that she feels the same way about him. Feeling enraptured, they finally tell each other their real names.

Part 4, Book 6 Summary: "Young Gavroche"

Gavroche continues to roam the streets in the harsh and bitter cold. Unlike many of his peers, he lives according to a code of social morality. For example, he uses whatever money he has recently stolen to feed two starving children who have been abandoned in the street. Gavroche has no idea that these children are his brothers, who have also been kicked out by Madame Thénardier. After, Gavroche meets a freezing woman. He takes pity on her and gives her whatever of his own clothes that he can spare and finds her food. Gavroche leads the two starving children to the place that he has made his home: a hollow statue of an elephant—"forty feet high, built of timber and masonry" (689)—which is located near the famous Bastille prison. The children try to sleep, but they are scared of the rats, which also live in the elephant statue. That night, a group of criminals escape from the Bastille. Among the group is Thénardier himself. As the criminals scramble for freedom, Thénardier slips on a rooftop. Gavroche saves his father, despite the man’s abuse and abandonment of the boy. In turn, Thénardier fails to recognize his own son.

Part 4, Book 7 Summary: "Slang"

The narrator pauses the narrative to detail the rich and storied history of street slang in Paris. Slang, the narrator says, "is both a nation and its linguistic expression" (707). Slang is inventive, fascinating, and expedient. It evolves much faster than normal language and has a huge, untapped literary potential, but it is dismissed because it comes from "the poor minds of the wretched" (716).

Part 4, Books 1-7 Analysis

Here, Hugo goes into greater detail about the political developments which led to this profound historical moment in the book: the June Rebellion. Given all the uprisings, battles, and massacres that took place in the preceding half-century of French history leading up to the novel’s publication, it is notable that Hugo chose to set his novel during the June Rebellion. It was an event that, until the author helped popularize it, was not immensely well-known. It involved only around 3,000 revolutionaries, and the revolt was crushed within 48 hours. Yet perhaps because Hugo was intimately involved in the event, dodging bullets while caught between two barricades, the June Rebellion likely looms large in the author’s mind. Moreover, the revolt’s long odds of success lend it a tragic dimension. By focusing on the June Rebellion, Hugo shows that revolution is at once inevitable and doomed to fail.

In Part 4 of Les Misérables, Cosette begins to grow up. Her added maturity prompts her to question her circumstances, and though she never quite says as much, she realizes that she is not like most girls. Her relationship to Valjean, for example, is ill-defined, but she knows that she loves him. Her struggles to understand this relationship and her circumstances lead her to search beyond her house for a different kind of love. Marius emerges as a recipient of her love, and as she begins to suspect that the affection is mutual, Valjean is no longer a savior figure in Cosette's eyes. Instead, he is a restriction. The same man who saved her from the abuse of the Thénardier family is now an impediment to her first romance. The same house which was once a safe haven from the outside world feels increasingly like a prison to her. Valjean is not innocent in this respect. His desire to be with Cosette as much as possible is selfish. He is never romantically attracted to her, but he is deeply in love with what she represents. To Valjean, she is a figure of innocence who represents his capacity for good. She is his redemption, so having her close to him is proof that he is capable of satisfying the promise he made to the bishop. Valjean's obsession with keeping Cosette to himself ironically has the opposite effect, and his overprotective guardianship of the young woman contributes to her realization that she is in love with Marius.

Marius is a young man in search of an identity. After growing up in his grandfather's house, he was molded in his grandfather's image. However, his efforts to define his identity on his own terms prompted him to adopt his deceased father's politics, argue with his grandfather, and then reject his father's politics while fraternizing with his revolutionary peers. After becoming disillusioned with these people, Marius is at a loss. His love for Cosette hits him at exactly the moment when he is going through this identity crisis, and the effect is that his entire life becomes dedicated to the pursuit of a woman he hardly knows. He becomes a helpless romantic and—in his own mind, at least—a tragic victim of fate and circumstance. Marius's infatuation with Cosette is as immediate and as gripping as his adoption of his father's name and politics, and in essence it reveals that he is a young man in search of love. Without the love of his parents, and having retreated from the love of his grandfather, he searches for a substitute and finds one in Cosette. Fortunately for Marius, the love is mutual. If it were not, Marius would be sent into another obsessive search for some way to define himself.

Part 4 of Les Misérables delves deeper into the criminal underworld. The chapters explain the importance of slang within the criminal fraternity, bringing nuance and complexity to the novel's stock villains. Even a hulking brute like Montparnasse is shown to be fluent in a complex mode of communication which takes many pages to outline. These passages show the hidden complexity of a world which many dismiss as sheer brutal, violent chaos.

However, the portrayal of the criminal underworld also contains a tragic element. Gavroche is a sympathetic figure, a street urchin who is forced to make his own way in the world after being thrown out of the house by the Thénardiers. Like his parents, Gavroche turns to crime to survive. Unlike his parents, Gavroche retains some semblance of morality. He encounters two young boys starving on the street and does his best to feed and protect them. Unknown to Gavroche, these are his younger brothers, also thrown out by his cruel parents. Whereas Monsieur and Madame Thénardier knew about their male children and abandoned them anyway, Gavroche helps these boys regardless of any relationship they might have. His desire to help is prompted by pure sympathy. The added irony of this interaction is that Gavroche is called upon to help his father escape from prison. Gavroche helps, and although he recognizes Thénardier, Thénardier does not recognize him. Thénardier takes advantage of Gavroche's help, and when asked whether the urchin might be his son later, Thénardier reveals that he simply does not care. The stark difference between father and son reiterates the novel's point that poverty and immorality are not necessarily linked. The poor, like Gavroche, can retain their morality or, like Thénardier, completely abandon it.

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