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45 pages 1 hour read

Rumaan Alam

Leave the World Behind

Fiction | Novel | Adult | Published in 2020

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Chapters 13-19Chapter Summaries & Analyses

Chapter 13 Summary

In the morning, Rose wakes up Amanda because the TV is not working. Amanda tells Rose that she will be up in a minute, then looks at her phone to find more updates about the blackout, a hurricane, and a final breaking news update followed by random letters, indicating a glitch. She wakes Clay to show him, but the notifications are gone, and she can’t access them again. They debate whether there’s something wrong with cell service or if it’s just their remote location.

The two get up and Amanda starts making coffee while telling Rose that G. H. and Ruth had car trouble last night, thinking that a lie is better than scaring her daughter. Rose is more concerned with the TV, and she asks Clay to fix it. When he tells her that the problem isn’t something he can fix, she storms out into the backyard, where a group of hundreds of deer moving through the woods beyond the yard startles her.

Chapter 14 Summary

Ruth wakes up desperate for her daughter Maya but cannot reach her. She lets G. H. sleep and heads upstairs to try the land line they had installed at Danny the contractor’s recommendation. She sees Clay and Amanda, and they talk about what’s going on. Amanda admits to Ruth that she doesn’t know what to tell her children and that she doesn’t want to scare them. Ruth worked in a prestigious private school for a time, which gave her little sympathy for children, but thinking of Maya and her grandchildren has softened her attitude.

While Clay dresses, Ruth and Amanda talk about their educations; when Ruth admits she used to work at the private school, Amanda considers if there is a way to turn this situation into enrollment for her children. They trade comparisons about their upbringings as a way of feeling each other out.

G. H. comes upstairs and they update him. He suggests that they go see what Danny thinks, which Ruth finds ridiculous—he’s their paid contractor, not a friend or family member. She tells Amanda she’d like to get to her clothes, but Clay is still dressing in the master bedroom. Ruth then admits that she’s afraid as her thoughts return to Maya.

Chapter 15 Summary

Rose ponders whether she should tell people about the deer while noticing it’s very hot out even though the sun isn’t fully up yet. She goes inside, where Clay and G. H. are talking, and after introductions the two men go outside together.

Outside, Clay smokes a cigarette. G. H. talks about how his job is in information, and how they can’t make choices without information. Clay says he’s going to drive into town; G. H. suggests going to see Danny, but Clay would rather just go buy a newspaper and see what’s going on for himself (he desires to be the one who comforts everyone). G. H. says he would go too if not for Ruth. The two notice how hot it is, despite the cold weather the night before.

Chapter 16 Summary

Clay drives slowly past crop fields, thinking as he does about the money G. H. promised the night before. He’s confident that he can find the highway like he did previously. He stops to smoke a cigarette and has a sudden desire for a Coke; he decides he will get one in town. As he drives, his mind wanders, and he suddenly realizes that he’s lost. He also neglected to bring the directions Amanda wrote down for him. He reckons that his reliance on his phone has taken away his ability to easily follow written directions anyway.

Clay continues driving, not knowing if he should turn around or not. When he does turn around and still sees nothing familiar, he becomes troubled by the fact that there are no other cars, though he does not know if that’s normal or not. Not knowing what else to do, he keeps driving, aware that his desire to seem like a man has led him to this situation.

Chapter 17 Summary

Since the weather is so hot, the children go swimming while the adults lounge by the pool. When Rose wants Amanda to blow up a float for her, Ruth notes that Rose is a plain-looking child for whom she can’t help feeling sorry.

Bored, Amanda announces she’ll make lunch. Ruth joins her, though Amanda doesn’t want the company, and Ruth privately takes umbrage that Amanda is using the kitchen as though it’s hers, making an odd-but-delicious sandwich (chocolate and brie) that is part of Amanda’s family history. Amanda worries about Clay, and thinking of him almost makes her cry. Ruth comforts her but is also eager for Clay to return with news that confirms her story.

They both admit that not having access to information through their phones is unnerving, but Ruth thinks that though they are trapped, they have simple pleasures of food, the pool, and even each other.

Chapter 18 Summary

Amanda opens a bottle of wine, and they eat lunch together, talking about their children. An offhand comment makes Amanda aware of how few Black people she knows, and how poorly she does with having diverse connections in general. Ruth thinks about how she isn’t sure what G. H. thinks of their daughter and Maya’s protectiveness of the grandchildren; these aren’t thoughts she’s willing to say in front of Amanda. Amanda’s informal nature with her children also perturbs Ruth, though she knows this is an old-fashioned attitude.

Chapter 19 Summary

Archie and Rose, bored, decide to go in the woods. Rose tries to tell Archie about the deer, but he doesn’t listen. Still, he’s willing to go with her, and they find a shed and swing on the other side of the fence. They’re both a little afraid of the shed, but Archie convinces Rose to open it. There’s nothing inside, and Archie complains that this place is boring.

Archie begins trying to convince Rose that someone lives in the shed, and he tries to scare her by convincing her that someone is watching her at night while she sleeps. She tells him to stop, and then she tries to explain again about the deer. Both bored and frustrated, they wishing something would happen. Little do they know that something huge is happening all around them.

Chapters 13-19 Analysis

The different roles each of these characters must play, and their negotiations within those roles, becomes the foreground of the novel in these chapters, as the two couples pair off by gender and slip into their own assumptions about how to be parents. For Ruth and Amanda, they find more points of conflict in their situations, as Ruth thinks about her own daughter and grandchildren and begins to envy Amanda’s access to her own children. Ruth’s experience at a privileged school has hardened her against the charms of children like Amanda’s, which is likely amplified by her knowledge that she was hired at the school in the first place to increase diversity.

Amanda is operating from a much more sheltered worldview. Her community is largely White, and her queer and nonbinary acquaintances make her aware of her discomfort with gender-neutral pronouns. Amanda doesn’t deal with problems of race or sexuality in her day-to-day life, even though she lives in a bohemian part of town. Ruth is far more aware than Amanda of the real complications of these matters, especially as it effects the strained relationship Ruth has with her queer daughter Maya.

Though Ruth and Amanda are both competent and caring mothers in their own way, G. H. and Clay are much more poorly-suited for the roles they expect of themselves, as each proves to be ill-equipped to step into the patriarchal role of capable problem-solver. G. H. is more comfortable with this, eager to pass that responsibility off to Danny the contractor in the same way he always has with home renovation projects, preferring to outsource his traditional ideas of masculinity. Clay, however, has something to prove, which leads to him losing his way without the help of his cellphone.

Meanwhile, more hints arrive that something terrible has happened, though the characters don’t note their significance. The novel never spells out precisely what disaster has occurred, leaving the reader with the same sense of the unheimlich that the characters feel (though typically in literary analysis unheimlich means being unable to differentiate between the rational and the supernatural, here it takes on a different meaning: being unable to distinguish between normal and apocalyptic). There is plenty of evidence, though, to suggest that whatever is happening is like an intentional or accidental nuclear holocaust. Regardless, the characters remain disconnected from the world and must deal with more immediate problems.

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By Rumaan Alam