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Constantine is a movie starring Keanu Reeves and is based on a comic book series by DC Comics; the character of John Constantine is known for hunting demons and sending them back to hell. Just as Constantine’s actions implicitly mirror Lark’s serial killings, the film is also thematically tied to Lark’s developing relationship with Lachlan. Early in the novel, for example, Sloane tells Lark that Lachlan looks like Keanu Reeves from Constantine. This is Lark’s favorite movie, and the film also becomes symbolic of Lachlan’s growing understanding of Lark’s true identity. When Lachlan is initially struggling to understand Lark, he finds her various trophies from her kills hidden behind her poster of Constantine, and this implies that Lark feels a kinship with the character when she engages in killing other serial killers.
Later, while trying to fall asleep at the insomnia retreat, Lark asks Lachlan to read to her, and he reads her the script of Constantine. Because of this, Lark asks him how many times he has seen it, and he admits, “Twelve, I reckon” (233). This also reveals Lachlan’s character, for he had never seen the movie before meeting Lark. While it might seem simple to watch a love interest’s favorite movie one time to better understand her, Lachlan watches the film repeatedly and memorizes every detail. In the same way, he watches Lark constantly so that he can understand every facet of her personality. Because of Lachlan’s willingness to learn more about Lark, he is finally able to love her. When Lark realizes the depths of Lachlan’s interest, she forgives him for his actions when they first met and commits to loving him in return.
Both Lachlan and Lark create art throughout the novel, and their respective artwork becomes a symbol of their own personal growth and healing, as well as the new intensity of their love. Lachlan creates physical art through his leatherworking, and he also delves into Lark’s medium and creates resin art when he has the heart of Lark’s most significant victim encased in resin as a gift. Lachlan’s leather art is highly personal, and his vulnerability is illustrated when he gives the leather harness to Lark. This vulnerability is rewarded when she forgives him later that evening.
By contrast, Lark’s artistic interest manifests as music and crafts, the latter of which she creates to commemorate the murders that she commits. Lark is a talented musician, but her past trauma prevents her from composing music. It is only when Lachlan helps her confront her trauma that she is finally able to write a song and experience The Healing Power of the Arts. In this song, she forgives Lachlan and helps to heal their relationship. At several crucial moments, art and music help the protagonists to intensify their connection and heal from their trauma.
Lark keeps “trophies” of the men whom she has killed, most of which are hidden in a hole in the wall behind a Constantine poster. These trophies symbolize her attempt to make something artistic from violence and trauma, thereby developing a twisted angle on The Healing Power of the Arts. The trophies often include actual body parts, but Lark has attempted to turn her visceral medium into beautiful and functional crafts. For example, she keeps a finger with a ring in a jar, which she turns into a snow globe, puts human teeth into maracas, and even encases a man in resin to create a grisly coffee table. This coffee table is particularly important because Lark keeps the coffee table a secret even after Lachlan has found her other “trophies” and knows that she is a serial killer. It is only when they have grown closer that she reveals the true nature of the coffee table. Rather than being disturbed, Lachlan accepts it and her unconditionally, and because the world of the novel embraces lurid displays of violence and conforms to the conventions of dark romance, this moment is meant to be interpreted as an encouraging sign of a strengthening relationship.
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