37 pages • 1 hour read
Gary PaulsenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The story’s idyllic take on capitalism elevates the importance of family and community amid the boy’s rising fortune and entrepreneurial success. The book’s middle school relatability arises from the boy’s ordinariness: He gets average grades, has normal interests, and expects a quiet summer. His eccentric family adds depth to the average-protagonist archetype; Grandma’s roundabout wisdom, Dad’s unusual creativity, and Mom’s gentleness deeply inform the boy’s worldview. Despite their financial difficulties, the family is good-natured and humorous, upbeat and optimistic when facing setbacks, supportive of each other’s endeavors, and patient with each other’s delays. When the boy first tries to reveal his double life, Mom first assumes that he wants to offer his parents money. Touched, she declines what she assumes is a couple hundred dollars because she’d never want to impose on her son’s hard work and spending cash. Despite the boy keeping his real wealth a secret for the whole summer, when he finally comes clean, Mom and Dad respond empathetically: “They nodded, sometimes they shook their heads, then nodded more. Listening, always listening” (77). They immediately start brainstorming solutions and deliberate the best possible outcome for everyone involved, including Pasqual’s family. The boy’s upbringing shows when he prioritizes compassion: When making consequential decisions, he defaults to his ingrained response—treating people well.
Trust and loyalty also bear some responsibility for the boy’s success. Family and community values are the elements that resolve each narrative conflict. The first conflict is the boy’s secrecy, which resolves when he confesses his business success to his parents, revealing everything because involving the police might expose the workers’ legal status. The boy sacrifices his double life to protect his employees and seeks his parents’ help—the only people he trusts absolutely. The second conflict involves the main antagonist, Rock. Despite not being in danger himself, the boy feels responsible for his workers’ safety, so he gathers his resources and devises a solution. The boy is not the only character who prioritizes community. Joey involves himself because he is loyal to his generous sponsor. The boy’s parents go one step further, encouraging Joey to show Rock mercy because they see Rock’s humanity. Material abundance doesn’t solve any conflicts, though readers can presume the boy’s family will benefit from newfound wealth. The narrative presumes that riches do not change priorities, and that those of means will continue to value other people’s welfare over winning or success, thus maintaining the story’s wholesome heart.
The boy’s unexpected adventures teach him (and, by extension, the reader) about finance, economy, and capitalism. As the boy’s business grows, he inevitably enters complicated adult systems. When Arnold explains the boy’s financial situation, he says, “Your problem […] is both simple and a bit complex” (42), encapsulating the tension between comprehending marketplace operations and actually profiting from them. Even Arnold sometimes struggles to turn a profit in the stock market, as he admits. The boy is an attentive listener as he processes Arnold’s explanations, but the economy’s complexities frustrate him. Unfortunately, the world doesn’t always have simple answers, and the boy must draw upon his new business partners and family to navigate the adult world’s challenges.
The more the boy understands, the more he enjoys the world of money. Yet, he repeatedly wishes for his old, simpler life, where he understood the rules, his role, and how to fix problems. The boy’s family most clearly represents this straightforwardness. Despite their financial problems, their home is not a stressful environment. The family’s solutions always follow the principles of compassion and basic human decency, which the boy applies to his relationships. The lawn mower also represents simplicity. The mower causes the boy’s success, but he regards it as a humble, benevolent machine that he can understand and operate. The mower doesn’t have hidden nuances; it runs when he starts the engine, and if something doesn’t work, he can identify a specific reason.
The boy is more comfortable working with limited resources because of his background. The more moving pieces, the more complicated the operations are, we see as the boy’s business grows: Mowing jobs are simple to track while the business consists of the boy and his mower, but as he accumulates more clients, employees, and money, his work becomes increasingly intricate. The stock market also teaches him the macro side of his business—supply and demand between customers and employees impacts business growth, a random company’s net worth affects their stock’s value, etc. By the end, the boy’s family, Pasqual and the employees, and Joey all depend on the boy. The more the boy participates in the world, the more of it he affects.
The boy spends the first half of the book mostly mowing lawns and landing more customers. His summer job consumes his time, and the full-time workload’s effect on the boy’s subconscious generates a theme about the nature of work itself. The first month of summer passes uneventfully, and the boy reduces those days to accumulating numbers:
Two weeks passed Fourteen days passed, three hundred and thirty-six hours flew by, twenty thousand one hundred and sixty minutes whistled past, twelve million ninety six thousand seconds roared away…. Numbers, all numbers. And that’s what happened to the time. It turned to numbers (30).
The boy’s trade is repetitive: He spends all his waking hours driving a mower, making grass lines, and maintaining the machine. The higher the client numbers grow, the faster time passes. His mind begins working in loops and patterns, fixating on lawns. Time the boy would normally spend perusing Sports Illustrated athlete profiles is replaced with studying photographs of baseball diamonds’ mowing patterns. The boy burrows so deeply in work-mode that even his mom half-jokingly asserts she hardly recognizes his face anymore. Work doesn’t necessarily make the boy mature faster, but it does strip him of leisure.
The boy needs to step back a few paces to consider his work’s ramifications: “Mostly the work cycle took over and I kind of missed the bigger picture” (34). The boy only starts seeing a broader perspective when Arnold simplifies operations, sending mowers directly to their first jobsites. As the boy and a worker take an inspection drive, the boy realizes that his summer gig “was bigger than just a few people running around mowing lawns” (34). The boy now bears responsibility for a network of lawns, as well as his employees’ livelihoods. The boy’s awareness further increases when he bikes to Arnold’s house on a rainy day. The boy used to hate summer rain, but now the hammering rain helps him escape the monotonous work cycle and acknowledge beauty. As Arnold explains what has been happening to the boy’s business and investments, the novel shifts and the boy becomes a more active participant in his own enterprise.
Work ethic does not always directly correlate to income earned. The boy’s parents apply their intelligence to important work, but their jobs pay less. Arnold, despite successfully investing the boy’s money, doesn’t have cash available when the boy first meets him. Pasqual works creatively and diligently, but his social status bars him from higher-paying work. Nevertheless, they’re all passionate about their work. The boy recognizes that his inadvertent entrepreneurship has created an income and community out of a modest lawn mower. Regardless of paychecks or job titles, work assist people and communities, whether that work includes mowing lawns, expanding a business and making jobs, or providing for a family.
The boy doesn’t shirk hard work—alongside his employees, he rides his trusty old mower from sunup to sundown—but the extent of the boy’s success boils down to dumb luck. By far the largest share of the money he makes comes from stock market. Paulsen uses capitalism to explore how characters use their resources. Paulsen applies the rags-to-riches plot trope—a standard narrative that traces a poor character earning wealth through hard work and a great deal of luck—to give the boy unsolicited responsibility. This plot cliché comes from 19th-century author Horatio Alger, who wrote paeans to capitalism featuring poor boys devoting themselves to toil and integrity and receiving wealth and acclaim through rarely acknowledge coincidence and luck. Lawn Boy’s implausible plot relies on luck more than on hard work to catapult the boy to financial success, calling on readers to suspend disbelief so the narrative can focus on character.
One of Lawn Boy’s major themes is the boy cultivating his scant resources to create something bigger than himself. In the book’s final line, Grandma tells the boy, “You know, dear, Grandpa always said, take care of your tools and they’ll take care of you” (88). Grandma’s wisdom isn’t just literal—she implies that the manner with which one cares for tools has a profound effect on their labor’s results. The boy depends on his faithful, deteriorating lawn mower—and the quality of the tool matters less than how the boy cares for it. He has always understood to some degree the importance of the right tool to success:
I had this sudden memory of when I was nine years old. Back then I thought that someday I might be a professional basketball player. This in spite of the fact that I’m fairly short and can’t make a basket to save my soul. But I thought when I was nine that if I just had the right ball, a true professional ball made by Spalding, I would/could be good enough to be a professional player when I grew up (39).
Unfortunately, the boy’s parents couldn’t spend money on an expensive ball, so the boy abandoned his dream. He assumed the Spalding ball could transform his abilities, but the story reveals that his reasoning was backwards by recreating the same scenario with the lawn mower. The old mower doesn’t have state-of-the-art features, but the boy and the mower form a bond. The boy keeps it well maintained, ensuring it has enough gas and oil to run smoothly. The mower, as Grandma declares, reciprocates care for the boy, and the boy’s resulting business benefits not only him but also his family and community.
The story’s supporting characters represent a different kind of tool which requires the most care and cultivates the best results. The characters serve each other and the business, and subsequently a balanced, interconnected community forms: Arnold manages the boy’s investments, the boy employs Pasqual and his family, Joey protects the boy’s workers from harm, the boy’s family supports their son’s developmental needs, etc. As the boy takes care of his people, the people care for him in return, creating a community that exemplifies the novel’s optimistic, idealistic view of capitalism.
By Gary Paulsen