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56 pages 1 hour read

Ivan Doig

Last Bus To Wisdom: A Novel

Fiction | Novel | Adult | Published in 2015

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Part 3, Chapters 15-22Chapter Summaries & Analyses

Part 3: “The Promised Land”

Chapter 15 Summary

Undecided about where they should go with their complete liberty, Donal and Herman stand before a Greyhound map and decide to use Fingerspitzengefühl, the intuition of their fingertips, to decide where they should go first. As he sits on Herman’s shoulders looking at the map, Donal feels inspired to travel to the Crow Fair in Montana.

Chapter 16 Summary

Donal explains that the Crow Fair is an annual event in which thousands of Indigenous people come from all over the West to participate in a series of heritage events. Herman is particularly keen to know if members of the Apache nation will be present. As they travel on the bus toward the Crow Reservation, Donal begins writing letters to his grandmother that Herman will send surreptitiously to Ernie in Manitowoc and then to Gram. One evening, Donal watches a young man writing through the night. The writer introduces himself as Jack Kerouac. He is on his way to California with his girlfriend, Sweet Adeline. Kerouac writes an inscription about life on the road in Donal’s memory book.

Chapter 17 Summary

When they stop for breakfast, Donal witnesses one of Herman’s strange behaviors: taking a piece of burnt toast and chewing around the edges, leaving an odd central shape. When Donal looks closely, he sees the outline of Italy. Herman creates a new national outline in toast each day.

That evening in Miles City, Montana, they go to a western wear store to purchase cowboy regalia. Donal wants to trade his Green Stamps for gear. The clerk is resistant until Herman introduces himself as Karl May, a famous western writer from Austria. Obediently, the clerk accepts their Green Stamps as payment.

Chapter 18 Summary

The travelers arrive at the Crow Fair just in time to see a one-mile processional of Indigenous Americans beginning the festivities. After watching the great parade, they enter the festival intent on watching the rodeo. Herman continually asks participants if they are from the Apache nation and hears, “They’re not from around here” (258).

Donal sees a famous Diamond Buckle symbol on a Cadillac, meaning that his hero, Rags, is present for the bronc riding event. As Rags walks past, Donal calls out to him, asking if he will sign his memory book. Rags signs and includes an inscription. Donal overhears that Rags must ride a famous horse called Buzzard Head that no cowboy could ever ride.

The travelers climb to the announcer’s section of the arena, the best seats in the house, to watch the saddle bronc riding. None of the other cowboys manage to stay on their horses until the final bell. While Buzzard Head nearly throws Rags several times, the cowboy stays on the back of the horse and wins the competition.

As Donal walks to the restroom, he and Wendell see one another. Calling him a thief, Wendell immediately demands that Donal give him back the missing arrowhead. He yells for the Crow police to arrest Donal. In trying to elude the police, Henry and Donal end up at the booth of Louie, a member of the Blackfoot nation, who outfits Donal as a dancer, complete with an eagle headdress. Donal blends in with the other young dancers, avoiding the police and allowing himself and Herman to slip out of the fair in Louie’s van.

Chapter 19 Summary

Louie drives Donal and Herman to Billings, far from the Crow Fair. They get onto a bus at the last minute, bound for Yellowstone National Park. Seated across from them is a slight man wearing a suit who identifies himself as a retired pastor. He says he is on the way to visit his daughter in California, distributing Bibles to hotels along the way. He gives a Bible to Donal and asks about his faith. Donal and Herman pretend to be sleepy and quickly fall asleep.

The next morning when they get off the bus at Yellowstone and head for breakfast, they realize that Herman’s billfold with all of their money has disappeared. The pastor was a pickpocket. The bus driver tells them to go to the park headquarters and report the theft.

Chapter 20 Summary

Donal wants to find the police and report the theft. Herman stops him and proceeds to make a series of confessions. He relates that he never gained citizenship because he came to the US without authorization. Fleeing from the Nazis, Herman sailed from the Baltic to the US, where he jumped ship and became a sailor on Great Lakes ore ships. When the US went to war against Germany, Herman automatically became a government enemy.

Needing a place to sleep, the travelers go to the top floor of an inn, which overlooks a huge lobby. They sleep on the balcony and walk out the next morning as if they have already checked out.

Knowing they must determine their next destination, they go to the Greyhound lobby to look at the route map. Donal spots a wanted poster with Herman’s photo on it. They realize Aunt Kate turned him in to the FBI. Quietly, they tear the poster off the wall.

When Donal says she cannot believe Aunt Kate would do that to her husband, Herman explains that they were never married. After Herman’s friend Fritz—Kate’s husband—was killed by the Witch of November, Kate came to see Herman in the hospital and asked him to take Fritz’s place. She took Herman’s name though they never married.

Looking at the Greyhound map again, Donal realizes what their next stop should be. The problem is that they have no money. Pretending that he has a fish bone stuck in his throat, Donal goes to the Yellowstone infirmary and asks to see the doctor. When ushered in to see Dr. Schnieder, Donal produces his memory book and relates that he knows the doctor’s parents, showing their inscriptions. He relates that he and his uncle have been robbed and they need money for bus fare. The doctor gives them cash so that they can buy tickets for the next leg of their trip.

Chapter 21 Summary

Several hours later, Donal and Herman arrive in Butte, a mining town where they must catch one more bus. In the Greyhound station they see another wanted poster for Herman, so he goes into the restroom, removes his glass eye, and contorts his face so that he looks nothing like the poster.

When they buy tickets for what will be the last bus to Wisdom, Montana, the driver explains that they are riding with a particularly tough crowd of workers. He breaks down the social order of people who go where they are going, the Big Hole area, to cut hay. A bus driver tells them the men are migrant workers who call themselves “hoboes,” not to be confused with “bums” or “tramps,” but working men who move wherever the harvest takes them.

Chapter 22 Summary

The travelers take the last two seats on the bus and face scrutiny from the other men. A fellow named Highpockets, who seems to be the leader, approaches them to ask their story. Donal explains they are the only surviving members of their family and are looking for jobs as hay workers. He says that a phony preacher robbed them. Highpockets welcomes them and introduces the other workers, all of whom have unusual, descriptive names. Donal introduces himself as Snag because of his broken tooth and Herman as One Eye. He says that Herman lost his eye in a knife fight.

The men pass around a bottle of liquor, eventually offering it to Herman. Donal stops them from naming what is in the bottle, explaining that Herman will tell them based on its taste, which he promptly does. Donal attempts to get the men to sign his autograph book, only to learn that many of them are not able to write.

Part 3, Chapters 15-22 Analysis

The essence of classic road novels is that the difficulties faced by the characters on the road become ever more difficult, to the point that there is no assurance that these characters will succeed. Often there are high points, times of respite, and reasons for new hope. However, the certainty of success is never clear. These factors are all in play in the first half of Part 3, as Donal and Herman strive to figure out where they should go and enjoy themselves in the meantime. They find themselves filled with awe as they watch the lengthy processional of Indigenous cowboys and when Rags prevails against the unrideable horse. The travelers enjoy the romp of shopping for cowboy hats in Miles City, where Herman playfully assumes the role of his favorite author, Karl May, using his gravitas to insist that their demands are accommodated. There also find reasons for hope, as when Donal asks Dr. Schneider for assistance and finds him as worthy as his parents.

However, the narrative takes a few serious turns, prompting Donal to observe, during one negative period, that things could not possibly get worse—only to have exponentially worse news in the next moment. That the most unlikely bad thing can—and will—happen thus becomes a repeated element for the remainder of the narrative, illustrating The Capriciousness of Luck. For instance, Donal is amazed that, in the vastness of Montana, he bumps into the single person from whom he stole something, Wendell. As they drift to sleep on the bus, having forgotten to stow their money in their underwear, the most unlikely thief—a pastor—steals from them, then disappears. These misfortunes are compounded by the appearance of wanted posters for Herman, meaning that the most unlikely thing of all has occurred: Aunt Kate turned Herman in to the FBI, who took his “enemy” status seriously six years after WWII ended.

Doig includes this recurring element—Murphy’s law to the greatest extent—because The Coming-of-Age Trip is a metaphor for life. The road trip genre offers the opportunity to know the beauty and the pain of life in the same linear experience. The Adventures on the Literary Highway that Donal and the other characters travel is a metaphor for life itself. Thus, to be a fair and realistic depiction, the road novel must offer both the best and worst possibilities of life. There must be betrayal and unrecoverable loss, as exemplified in Aunt Kate turning Herman over to the FBI and in the pickpocket. There must also be redemptive moments, as when Herman sits down beside Donal on the bus or Rags takes a moment to sign Donal’s autograph book and chat with him.

A question that arises is whether there is ultimate meaning to the journey of life, as symbolized in the metaphor of the highway. Doig’s answer to this question comes in the form of Donal’s dance among the other young people at the Crow Fair. For Donal, this is the ultimate, transcendent moment. In many senses, Donal engages in cultural appropriation: he is not an Indigenous American, has not trained to dance, lies to the other dancers about his identity, and only begins to dance to prevent the reservation police from recognizing he is a red-headed white boy. At the same time, the dance is his response to the pain and longing he feels in every soul that signs his memory book. Doig implies that the dance connects people with others and with those who came before: “who knows, maybe some kind of ghost of Manitou bursting out of wherever a spirit walks through time” (285). The human experience, he implies, is not confined to the limitations of the pain and joy of this world.

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