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59 pages 1 hour read

Octavia E. Butler

Kindred

Fiction | Novel | Adult | Published in 1979

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Prologue-Chapter 2Chapter Summaries & Analyses

Prologue Summary

The Prologue takes place after the events of the novel. On her way home after her last trip through time, our protagonist, Dana, lost her left arm, so she is now in the hospital. She must convince the police that her husband, Kevin, is not responsible for her injury, but they have trouble believing her. Only she and Kevin know the truth: that when she time traveled home, her arm became stuck in a wall, and they had to amputate it above the elbow. Still, Dana and Kevin do not know exactly how or why this happened.

Chapter 1 Summary: “The River”

The first chapter reveals the first time Dana time travels to Rufus in June 1976. Dana has just turned 26 years old and is moving into a new home with her husband Kevin, who is white. Both are writers, although Kevin acknowledges that he is suffering from writer’s block.

As Dana unpacks, she begins to feel dizzy, her vision becomes unfocused, and the present room fades away before Kevin can reach her. Suddenly, she is outside near a river where a young boy is drowning. Despite her confusion, Dana rushes in to save him, and when she pulls him to shore, she finds his mother hysterical. Dana learns the boy is named Rufus, and although she has no experience with CPR, she successfully resuscitates him. She is then startled by Rufus’s father aiming a rifle at her, but before he can shoot, she travels back to her home in 1976.

Kevin demands to know what happened because she has reappeared in a different place in the same room and her clothes are muddied. She tries to tell him what she experienced, but he does not believe her. Dana is terrified of traveling again, while Kevin tells her to put the experience behind her.

Chapter 2 Summary: “The Fire”

Later that day, Dana travels again, this time to Rufus’s bedroom where he has set fire to the drapes. She quickly puts the fire out and waits to go home immediately, but nothing happens.

Rufus tells her that when he was drowning, he somehow saw Dana unpacking in her home and when he set the fire, he heard Kevin and Dana talking. Dana tries to gain his trust so she can find a way home. He casually calls her the n-word and cannot understand why it upsets her; she asks him not to call her that.

He reveals that he set the fire as revenge on his abusive father. He immediately regretted it but could not stop it. Dana decides that his fear must have called her to him somehow. Rufus also reveals that they are on the Weylin plantation in 1815 Maryland; Rufus’s father is Tom Weylin. Suddenly, Dana recalls her family history and deduces that Rufus is her great-great-grandfather who fathered her grandmother, Hagar, with a Black woman named Alice Greenwood. Alice is Rufus’s friend; she was born free.

Rufus suggests Dana stay at Alice’s family’s house for the night to avoid Tom Weylin. En route there, Dana avoids getting caught by a group of white patrollers. She follows them to the Greenwood cabin and watches them whip Alice’s father and beat Alice’s mother. When they drag Alice’s father away, Dana helps Alice’s mother, who allows Dana to stay the night. However, a patroller returns, catches Dana, and beats her until she loses consciousness.

Dana wakes up back in 1976. Kevin claims she was only gone for three minutes. She tells him about 1815; he is still skeptical, but he humors her by tying a bag of clothes and supplies to her in case she disappears again. They figure out that her fear of imminent death is what sends her home.

Prologue-Chapter 2 Analysis

The novel begins with a glimpse of the future as the reader is thrown into the story without knowing much context or plot yet, much like Dana is pulled from her life in 1976 and thrown into 1800s Maryland. This time jump is significant, especially in a novel about time travel, because the reader can now identify with Dana’s confusion when she travels to the river. Also like Dana, we now know the future; we know that somehow Dana will lose her arm, and we are left to connect the dots about how she gets there. However, unlike Dana, we have control over this process. As readers, we can choose whether to keep reading, while Dana is at the mercy of Rufus’s actions. She cannot escape the past willingly or escape her connection to Rufus.

This distinction between reading about an event from a distance versus truly experiencing it is key in the novel. This section establishes the struggle that Dana and Kevin face in juggling fiction and reality. Dana has read about her ancestors in her family Bible, but now she is meeting and interacting with them. They have ceased to be simply names on a page and are now real people. However, for Kevin, because he is not there with Dana in the past yet, he cannot believe time travel as a reality. For him, it is still a fiction, and he is only a distant secondhand observer as Dana recounts her experience. This frustrates Dana because she is left to believe in herself when Kevin cannot. Even if she is not sure exactly what happened or what is real, she must trust herself: “And I know what I saw, and what I did—my facts. They’re no crazier than yours” (16). Here, facts become relative and Dana becomes possessive of her newly emerging reality: that she is connected to Rufus and must learn to survive in his time.

In her struggle to survive, as we see in her fight with the patroller, she is forced to choose between her own humanity and succumbing to the violence that the past seems to call for. As a Black woman from the future, it is easier for Dana to choose humanity, to not gouge the patroller’s eyes even in the face of death, because this environment that thrives on pain is new to her. Thus, not only does she have to adapt to the idea of time traveling itself, but she must adapt to the shock of racial violence that neither the 1970s nor fictional stories have adequately prepared her for.

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