60 pages • 2 hours read
Sarah DessenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
After Whitney’s rousing reading, Annabel feels memories rising from her past—her scarred night with Will, the upcoming trial with Emily, Clarke reaching out, and her romance with Owen. She joins her family to watch Kirsten’s short film, and their parents discuss how that day resonated with them. Both Whitney and Kirsten created art about the same day. Though the accident happened on Annabel’s birthday, she doesn’t remember much except Whitney breaking her arm, unsure what impact the day had on her.
That night, Annabel can’t sleep because she’s thinking about her history and wishing she could connect with her family like Kirsten and Whitney. She goes downstairs and finds her dad watching the history channel. Though she can’t sleep, she doesn’t join him, but Andrew explains how much history matters and how we need to learn from the past.
Annabel returns to bed, remaining restless. She finally listens to the “Just Listen” CD from Owen, but the music never comes. She realizes the CD is blank. Her past haunts her through the silence, leaving her with an epiphany. She can finally hear the only voice she’s ever needed to use, the one she’s been repressing: her own.
Annabel awakens the day after listening to the “Just Listen” CD feeling renewed, stronger, and ready to speak up. She listens to Owen’s radio show, per her Sunday morning ritual, and drives to the radio station on instinct. When she arrives, she finds Owen, Rolly, and Clarke. Rolly and Clarke give them space, heading out for their usual bacon breakfast, and Annabel finally faces Owen. She tells him she came to talk about the blank “Just Listen” CD, but he reveals he didn’t make it blank on purpose.
They argue about the last two months of lost friendship, her avoidance, and his anger. Owen states that he doesn’t play games and that she could have opened up to him. Owen tells her he would have been mad for a while, but they could have worked through it rather than their entire relationship imploding. She didn’t realize it was all or nothing, and she repeats the line he said about the CD as she begins to tell her story: “Don’t think or judge. Just listen” (349).
After Annabel explains the story of her rape, Sophie’s cruelty, Whitney’s eating disorder, and everything she’d kept inside, Owen comforts her. He says he’s so sorry about the trauma she endured, but that she can share this with others. He tells her she’s stronger than she believes and can make a difference, so Annabel agrees to call the lawyer. Owen also says her family will surprise her and that her mom won’t break apart as she expects.
That night, after Annabel calls the lawyer and agrees to testify against Will, she tells her entire family about the rape. She concentrates on Whitney, who she views as the strongest after healing from her eating disorder, and finds the power to reveal the truth. Kirsten cries, her dad is upset, her mother gasps and pats her hands, and Whitney’s eyes never leave her. Her family takes the news better than Annabel expected. She feels free, wholly loved, and sheltered by her family’s reaction.
Despite her nervousness, Annabel testifies against Will Cash. She notices Will has a black eye, which his team tried to cover with makeup. Her family supports her and Whitney never flinches through Annabel’s story. Her mother doesn’t crumble as Annabel anticipated either, patting her father’s hand through the ordeal. Annabel thinks that every relationship is layered, that her parents switch roles to support one another, and that they all support her when she testifies.
Although he promised he’d be there, Owen doesn’t appear at the courthouse. After Annabel shares her story, she feels a giant weight lifted off her. She leaves the courthouse with her family, and Owen finally arrives. He apologizes profusely, explaining that he was so pissed after Annabel told him the truth that he went to see Will’s band play. He couldn’t control himself when Will started talking to him, and Annabel realizes Will’s black eye was from Owen.
Since he was grounded by his mom for punching Will the night before, Owen missed the trial. He continues apologizing, and Annabel forgives him; she was just worried about him not coming. She understands and teases him that his version of freaking is the opposite of hers, which involves hiding and isolating until she finally erupts with the truth. They kiss, and Annabel feels life is looking brighter.
After the trial stress, Will is sentenced to six years in jail for second-degree rape. Annabel feels better than she has in months. She shines in her new life as she dates Owen, reconnects with Clarke, and spends quality time with her family. Emily gets the job for the spring department store commercial, and she and Annabel are friendly, knowing they’re linked by their experience. Sophie becomes introverted and isolated after Will’s sentence, and Annabel thinks about reaching out to her but she doesn’t, as Sophie never did to her.
Annabel also takes over the radio show while Owen is grounded for hitting Will. She titles her segment “Story of My Life” and plays eclectic songs that make Owen proud, but also her favorites. Mallory is an avid listener, and Annabel enjoys the radio show because, after years of being judged by her appearances as a model, she’s known for only her voice and music now.
Annabel also tells her mother that she wants to quit modeling because she doesn’t find the same joy in it after her trauma. Grace takes her decision better than expected and becomes the modeling agency’s receptionist. She remains in the modeling world she loves, though her daughters are now out of it, and books other girls in their ads. Kirsten officially announces she’s dating her TA, Brian, now that the semester is over, and Whitney starts taking writing classes at the local university. She continues writing her memoir, cooking, and gardening, and her therapist agrees she can move out to an apartment in the spring. Annabel feels happier and more at ease with her family, friends, and Owen.
When Owen comes into the radio station after her segment to give her feedback, Annabel listens to his critiques. But as Clarke and Rolly watch them, she lays her head on his shoulder and tells him to be quiet and just listen to the last song she’s playing, one of his favorites.
In this section, the narrative reaches its climax when Annabel listens to the “Just Listen” CD. As Annabel lies and waits for the songs and nothing plays, the quiet gives her the space and “profound” realization that her voice is still there. She only needed to listen to hear her voice pulling her through the trauma, leading her back to herself and her power. The line that haunts her—“Shhh, Annabel. It’s just me”—wasn’t Will, she realizes, but her own voice speaking to her (339). The unexpected shift of the symbolic line “Shhh, Annabel. It’s just me” completes Annabel’s transition into the honest, brave girl she can be. She doesn’t need to fear her own voice and the power she has to make a positive difference by testifying.
By coming into her strength and power, Annabel embodies the theme of Spectrum of Silence, Listening, and Speaking Up. She transformed from the silent side of the spectrum to openly sharing about her trauma and how it has affected her life and those around her. She uses her voice to fix important relationships, explaining to Owen what happened with Will and knowing she won’t be judged or hurt any longer. Annabel speaking up is a significant change in her character for the better, and she’s proud of listening to herself and facing conflicts of all kinds rather than avoiding and suppressing them.
Testifying in court means Annabel knows that her voice matters and that she has a direct impact on the outcome of a criminal going to jail or not. She takes the stand, feeling stronger with her family’s support, and assists in getting justice against Will. Owen’s anger management falters when he hits Will but feels his transgression is justified. When Owen and Annabel talk outside the courtroom and he admits he hit Will, he’s apologetic and knows he should have controlled himself, but Annabel assures him that his actions weren’t her definition of freaking out: “‘I mean, to me,’ I said, moving closer, freaking out is different. More of a running away, not telling anyone what’s wrong, slowly simmering until you burst kind of thing” (363). Annabel realizes that she herself had anger building below the surface, an emotion she avoided since the incident. After telling Owen, her family, and the court the truth, Annabel’s negative emotions are purged.
In the resolution, Will receives his due punishment from the court, and Annabel has changed into the girl she didn’t think she could be: the honest, bold girl committed to self-care. She’s the girl Owen always saw beyond her exterior, resolving the theme of Appearances Versus Reality. Annabel loves to be on the radio and be known just for her voice, which relates to listening and not judging, the complete opposite of her modeling career, which she has quit. Her romance with Owen is sweet, pure, and healthy, a real love that uplifts her. Annabel rekindling her friendships with Clarke and Emily also shows that things can change for the better and that people don’t stay upset forever but can work through things and move forward. This includes Annabel, who works through her fear, shame, and anger over the rape and decides not to let it define her any longer.
By Sarah Dessen