60 pages • 2 hours read
Abby JimenezA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section mentions child neglect.
Roses symbolize both permanence and stability and impermanence and instability. When Amber first appears in person, Emma mentions how “she smelled the way she always did during good times. Like roses […] strong and fresh” (98). The adjectives used to describe the scent represent the stability of Amber’s current mental state. It also represents the childlike hope that Emma harbors that her mother might stay permanently this time around. Emma views the rose scent of Amber’s perfume as a barometer:
[W]hen she stopped putting it on, it meant she was getting closer to disappearing again. When she started losing interest in self-care, she’d start losing interest in everything. Her job, her responsibilities. [Emma]. […] The fading scent of roses would make [her] brace (98).
When the scent of roses disappears, Emma has learned to anticipate impermanence and instability.
Shortly after moving into Neil’s home, Amber paints a large, whimsical mural of bold and beautiful colorful roses. When Emma regards her mother during this scene, she notes Amber’s happiness and is soothed by “the light scent of her rose perfume” (132). The roses are a hopeful sign for Emma who believes that “maybe [Amber] would stay […] Maybe she was doing okay. Getting help. Settling down with age, wanting something steadier” (135-136). Emma begins to wonder what life would be like if Amber married a stable man and became a permanent fixture in her life. Toward the end of the novel, Emma visits Amber’s childhood home, which is filled with roses. They’re carved into the banisters and depicted in its stained-glass windows. Juxtaposed with the unfinished mural at Neil’s, which Amber has long since abandoned, it becomes clear that Emma could have had a stable, permanent, happy upbringing with Amber’s extended family if Amber hadn’t purposefully kept Emma from them.
Finally, the rosebush that Justin gives Emma is a symbol of both their relationship and her healing trauma. When he notices that the roses Amber gave Emma are rotting, he gives her a rosebush: a plant that will continue to grow and produce blooms, rather than wilting and dying the way Amber’s cut roses do. Emma is troubled by the rosebush at first because its need to be planted someplace permanent conflicts with the nomadic lifestyle she uses to avoid long-term relationships. As she falls in love with Justin, she finally decides to plant the rosebush in his garden, where it grows as she addresses her trauma before finally embracing Justin and stability permanently.
Emma’s stuffed unicorn, Stuffie, symbolizes her childhood innocence and her long-lost ability to become sentimental about objects. Stuffie is first mentioned during a rare call from Amber, who describes it as “that little unicorn doll [Emma] used to carry around everywhere” up until she lost him in fourth grade (67). Emma’s reaction is surprisingly sentimental as “there were very few things [she] cherished” (67). To this day, all her belongings can be contained within two suitcases, and every single item is devoid of emotional attachments, which makes them easily replaceable in Emma’s eyes.
When Emma is first reunited with Stuffie, Justin witnesses her looking at the doll lovingly and recognizes the feeling of “getting back a piece of your childhood” (115). The more Emma recognizes her mother’s toxicity, the more her positive childhood memories become tainted. In looking at Stuffie, she wonders if childhood can cause one to idealize life—“[i]f innocence can make anything beautiful. Because he looked like he always had, but [she] didn’t remember him being this tattered. His eye was gone and his fur was matted and dirty. His stuffing was flat and his neck hung limply” (116-117). This de-romanticizing of her childhood and Amber will continue to occur throughout the novel as Amber’s problematic behaviors progress and Emma’s unresolved trauma creates issues in her relationship with Justin. Regaining Stuffie acts as a reclaiming of the childhood innocence Emma had before the trauma took root and created her attachment issues. His introduction into the narrative hints at the upcoming change in Emma’s nomadic lifestyle. Eventually, Justin and his siblings will gift a cleaned and repaired Stuffie to Emma for her birthday, symbolizing the way the Dahl family has helped to heal Emma’s childhood trauma.
Both Emma’s metaphorical island and the literal Minneapolis, Minnesota, island she and Maddy live on serve as motifs for Unresolved Trauma’s Impact on Relationships. At the beginning of the novel, Maddie and Emma are prepared to travel to Hawaii for their next travel nursing assignment. Ironically, this too is an island far removed from their loved ones. Hawaii’s reputation as a temporary, free-spirited tourist destination for non-residents fits Emma’s desire to avoid lasting attachments to people and places due to her unresolved childhood trauma.
The island Emma chooses for her and Maddy’s next work assignment in Minneapolis, Minnesota, is much like the metaphorical island she uses to describe herself in relation to others. The island is extremely inconvenient and difficult to get to. It’s just large enough for a few people to reside on. The single pontoon is the only way on and off the island, leaving it up to Emma and Maddy to decide who comes and goes and when. Emma’s small, metaphorical island is more untouchable even than the literal island. While Maddy and Amber are residents of Emma’s metaphorical island, “everyone else is on the shore [and] sometimes [Emma] wish[es she] could go get them, but […] do[esn’t] have the space for them” (150).
When Emma becomes sick, she experiences firsthand the dangers of isolating herself on these islands. In the case of the literal island, there is no way for Justin or paramedics to access the island quickly should she need them. In these scenes, Maddy is across the country and not available to care for Emma or ferry people over with the pontoon, and Neil, the owner of the yacht and the only other mode of lake transportation, is out of the country. In the case of the metaphorical island, Emma feels all alone in a cottage with no address, “a million miles from shore and nobody was coming” (269). This isolation is confirmed by her call to Amber, which goes straight to voicemail. Nobody on her metaphorical island is available to help her, and Emma begins to see the disadvantages and dangers of this coping mechanism.
By Abby Jimenez