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Throughout the novel, we see Juliet’s relationship with her mother change, as well as see other mother/daughter relationship dynamics. At the beginning of the novel, Juliet is nervous about coming out to her family, especially because her mother “was the gravitational pull that kept [her] stuck to this Earth” (12). Juliet loves her mom and cares a lot about what her mother thinks of her. When her mother reacts poorly to her coming out, it devastates Juliet. Her mother doesn’t accept Juliet for who she is, so Juliet goes searching for other women in her life who can.
Although Harlowe ends up becoming somewhat of a mother figure to Juliet, Juliet still constantly thinks of her own mother. When she first reaches Portland for her internship, Juliet feels nervous and uncertain of herself. She thinks about how whenever she’d be anxious at home, she’d rest her head in her mother’s lap and feel her run her fingers through her hair and “calm all the internal noise” (52). For Juliet, her mother was a source of quiet and calm, and without her Juliet has to learn to either lean on herself or find someone else to guide her. Even when Harlowe takes on a motherly role for Juliet, particularly in Chapter 11 when Juliet gets her period early, Juliet thinks of her mother. Harlowe takes care of Juliet by helping her relax her body, clean her bedsheets, and take a nice bath. Juliet is reminded of her first ever period and how she promised her mother that she’d always tell her the truth (131). Juliet keeps that promise as she continues to tell her mom that she’s gay and wait for her acceptance.
When Juliet goes to Miami to visit her cousin Ava, Juliet sees a different dynamic between a mother and daughter. Ava is bisexual and learns that her mother is bisexual, too, something that they are starting to celebrate together. Ava and her mother’s interactions with each other show Juliet the possibility of what her relationship with her mother could be like. She sees how telling the truth about herself could be rewarded with more love and acceptance, and this motivates her to strive for that kind of relationship with her own mother. Even after arguing about her identity with her mother and trying to convince her that her orientation is not a phase, Juliet feels her mother’s love. Towards the end of the book, they agree not to be the kind of mother and daughter that “don’t talk and all they do is fight” because the way they had been talking all summer was destructive to them both (270). Juliet’s mother may not understand parts of Juliet’s identity, but that doesn’t mean that she does not love her daughter.
Juliet ultimately decides that she cannot rely on her mother nor Harlowe to form or inform her identity. In meeting others who are comfortable in their identities and in recognizing the faults in the important female figures in her life, Juliet becomes the person she wants to be rather than a person molded from others’ ideologies.
When Juliet travels to Portland, Oregon for her summer internship with author Harlowe Brisbane, she knows that life will be different there. Juliet already feels the disconnect between white people and people of color (POC) in the Bronx, knowing that white people don’t live in the neighborhood where she lives and pondering if her train ride would be better quality if white people were on it. Juliet has seen that white people have easier lives than people of color and knows about the existence of white privilege. However, Juliet also feels at ease around white people and has not experienced direct racism before. Juliet’s disillusionment and her newfound understanding that white allies are not always helpful to people of color at the end of the novel coincides with her character growth.
When she goes to Portland and starts experiencing the culture there, Juliet begins to feel a deeper disconnect between white people and people of color, especially queer people of color. Her time on public transport is not easier, as Juliet finds the hippie Portlanders’ hygiene lacking. She was tough in the Bronx, but she’d “always been surrounded by [her] people” but in Portland there are “no faces like [hers], nowhere to breathe easy” (78), suggesting she feels uncomfortable as the only person of color around. Juliet’s isolation as a Latina in Portland helps her continuously see the world as white people versus people of color. When she learns that her girlfriend Lainie is leaving her for a girl named Sarah, Juliet imagines that Sarah is “probably white, straight hair, blond, perfectly feminine” and this upsets her (167). Juliet is always putting herself in the opposite corner of white people.
The idea that white people are not aligned with people of color is exemplified by Harlowe’s whiteness. Although Juliet wants to connect with Harlowe on a deep level after being inspired by Harlowe’s book, she learns that Harlowe can still be racist even if she is a feminist, and that even something like feminism can be divided by racial perspectives. Juliet thinks to herself: “Funny how Harlowe was worshipped among one group of gay people and dismissed by another. How had I been so naïve? How could anything as huge as feminism be universal?” (257). Despite Harlowe’s intentions as a white woman trying to educate other white women about issues of race, her own whiteness perpetuates the idea that white people are better than others. By the end of the novel, Juliet realizes that people of color are always going to have a different perspective of the world than white people. This us versus them mentality encourages Juliet to value her own unique perspective.
Juliet experiences the journey it takes to love herself in the novel. Although in the beginning of the novel she has a strong sense of who she is, she doesn’t fully accept that she is worthy of love and happiness. Juliet can admit that she likes how she looks, but she struggles to accept that others can like that too. When Kira the librarian starts to flirt with Juliet, it makes Juliet feel special that Kira sought her out, thought she was cute, and wanted to get to know her better, especially because Juliet is the one who pursued her girlfriend Lainie. Juliet has yet to feel like Lainie truly wants her, which comes to a head when Lainie dumps her for a girl named Sarah. Juliet imagined Sarah as “everything [she] wasn’t” and wondered if her “thick-bodied, bespectacled, book-nerd, daydreamer” self was why Lainie refused to bring her home (167). These interactions with romantic interests establish that Juliet needs validation from others. Although Juliet says she loves herself, her thoughts around Lainie and Sarah show that she still doubts her own attractiveness and if others find her lovable.
When Juliet runs to Miami to spend time with Ava after Harlowe stereotypes her, Juliet finds full acceptance and sees a different way of living at a queer party. In Chapter 20, she meets new queer people of color who accept others and accept themselves, and this inspires her to get an undercut haircut that is stereotypically for lesbians. Her physical transformation represents her inner transformation, as well. Juliet fully accepts who she is and loves herself, despite what others might think or believe about her. This self-love follows her back to Portland as she falls in love with Kira and confronts Harlowe’s racism without apprehension. Her letter to herself in the Epilogue is the final moment in the book where Juliet’s journey to self-love ends as she reminisces about her summer. She tells herself to “love everything that brushes past your skin and lives inside your soul. Love yourself” (304).
American Literature
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Books About Race in America
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Coming-of-Age Journeys
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Diverse Voices (High School)
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Hispanic & Latinx American Literature
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LGBTQ Literature
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Realistic Fiction (High School)
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Romance
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