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Margaret WalkerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Randall Ware visits Vyry the week after the auction. He arrives, bleeding from his arm. A bullet grazed him. He tells her that he must leave the state. Vyry cries. He asks her to run away with him, but she must leave the children behind. They’ll return for them later. Vyry insists that she cannot do this; she can’t risk never seeing her children again, due to the likelihood that Missy Salina would sell them. Ware tells her that he just needs to get Vyry to Maryland where a woman he knows there can get her to Canada. He says that he knows every stop on the Underground Railroad.
Vyry doesn’t know what he’s talking about. She wavers between refusing to go with Ware and agreeing. He tells her to leave on Friday night. She must prepare by dressing in men’s clothes and then dressing the children in warm clothes. She must lie awake until midnight. While the children lay sleeping, she will wade out to the swamp. Bloodhounds lose the scent of footsteps when they reach the water and won’t want to cross anyway. There will be someone awaiting her “on the other side of the creek” (194). Vyry wonders if something will go wrong. Ware insists that something has already gone wrong: the Duttons found out from Willie’s mistake that Ware was arranging to buy Vyry. Ware tells Vyry that the white planters are watching him carefully. Before departing, Ware tells Vyry that he’ll see her on Friday night and reminds her that she must arrive alone.
Friday comes. It rains all day, leaving the ground muddy. Minna is now teething and cries often. Vyry nurses her, then puts on her clothes to leave. She kisses the children good-bye. Jim awakens. He sees her clothes and asks where she’s going. She tells him that she isn’t going anywhere, and he falls back asleep. As she grabs her knapsack, filled with food and water, Minna cries out and Jim awakens again. Unable to leave them behind, she grabs them both and takes them with her. She goes toward the swamp, but the children slow her down. Worse, they’re leaving their footsteps in the mud. When she sees the swamps ahead of her, she sits and rests for a few minutes, to stop Jim from “whimpering and whining” (198). It’s now morning. Vyry senses that she’s being watched. She sees “the patter-roller and guards” in the distance, walking toward her, “together with Grimes” (198). She passively sits and awaits them. She hopes that Randall Ware has left his position on the other side of the creek. Whatever happens next, she’s relieved that she’s kept her children with her.
Vyry walks home with her children, Grimes, and his men. She knows that she will be whipped. She wonders if Marse John will stop her from being beaten. Then, she remembers that he’s never home when these things happen, and he’s already been gone for three days. Grimes takes Jim and Minna from Vyry’s arms and takes her “to the whipping post” (199). The guards tie her wrists and feet together. She is stripped “naked to the waist” (201). Grimes assigns one of the guards to beat her. At the first strike, the “raw-hide coach-whip” wraps around her body and “[cuts] neatly into her breast and across her back all at the same time” (201). It feels like a razor cutting her twice on two sides. Vyry passes out. Someone cuts her down from the post. She notices that her “flesh [looks] black” (202). The hot, prickly feeling on her back makes her realize that someone threw salt onto her back.
The house servants take her into her cabin where Caline and May Liza “[pour] warm oil on her back and [wash] it free of salt” (202). Vyry is still out of her senses and feverish. She barely recognizes her children when they come to see her. In one instance, she thought that she saw Marse John standing over her, but this seemed like a dream. After three days, she overcomes her fever but is “too weak to speak above a whisper” (202). When she checks her body for damage, she notices that “one of the lashes had left a loose flap of flesh over her breast like a tuck in a dress” (202). Her skin healed, showing that strange mark.
John Morris Dutton is now 57 and has been serving in the Georgia House of Representatives for 15 years. He is fervent in his belief that Georgia should assert its state’s right to maintain slavery. He is also happy that his son, Johnny, is succeeding at West Point and that Lillian is happily married and has given him two grandchildren, Robert, whom they call Bob, and little Susan. She and her husband, Kevin, live in the state’s capital, Milledgeville, permitting Marse John to see them often.
One day, he rides home from Montgomery, Alabama. This was his third visit out of Georgia in six months. On January 19, 1861, all Southern states, except for Maryland and Kentucky, formed the Confederate States of America. Marse John looks at the sky. Rain is steadily falling and turning to sleet. Suddenly, his horses stumble in the road. He looks out of his carriage and sees them rearing. The carriage falls to its side and his coachman, Sam, is thrown out of his seat. Marse John falls out of the carriage and is briefly knocked out. When he becomes conscious again, he feels a sharp pain in his right leg, which is twisted underneath him. He calls out to Sam, who is “lying still on the icy road” (208), but Sam doesn’t answer.
The horses make their way back to the plantation on their own, alerting Missy Salina that something is wrong. She sends Jim, the houseboy, and Grimes to get Old Doc. She also orders for another wagon and carriage to rescue her husband. The search party finds Sam dead, with a broken neck, but Marse John is still conscious and with his leg “broken in two places” (209). They rest him in his study. Vyry takes the supper that she’s kept warm to Marse John. He stares at her while she serves him. He points to a painting of his grandfather, bracketed by paintings of his parents. He says that, each time he looks at the paintings, he thinks of “the honor of [the Dutton] house” (210). Vyry thinks that Marse John is probably a little drunk from all the brandy he’s consumed to ease his pain. She then hears Missy Salina coming down the hall, alerting her to return to the kitchen.
The United States elect Abraham Lincoln president on March 4, 1861, on the same day that the secessionists unfurl the Confederate flag on the steps of the Capitol of the Confederacy in Montgomery, Alabama. Marse John complains about having to be idle. Worse, his pain isn’t subsiding. Miss Lillian arrives with Bob and Susan and tries to get her father to eat. Instead, he drinks more alcohol, which worsens his temper. His family leaves him in the care of the slaves. When Old Doc tells Marse John that he’ll likely need to have his leg amputated, the latter refuses. When seven fellow state representatives come to visit, they, too, fail to lift his spirits. Still, John thinks of politics, particularly his hatred for Lincoln. He thinks of how “the northern radicals” couldn’t possibly understand “his nigra slaves the way he did” (214). The Bible and the Constitution defend the South’s right to slavery. He’s also certain that the Confederacy could easily beat the North in a war. As the days go by, Marse John’s condition worsens, and he becomes too ill to pay attention when Missy Salina reads him the newspapers.
Vyry’s commitment to her children overrides her desire for freedom. She is determined to maintain the only family she has ever had and to be the mother she never had. Ware’s inability to understand her commitment has less to do with gender differences than with his having always been free. Therefore, he has neither experienced nor observed the baser cruelties of slavery, such as the separation of children from mothers.
While Vyry is recovering from her beating, she has a vague memory of Marse John checking on her. This dream-like recollection parallels with that of her mother, Hetta, earlier in the book. She, too, was out of her wits after yet another difficult childbirth when Marse John checked in on her. The similarity between these events reinforces how little has changed between the generations, and how Marse John’s relationships with both women have made no difference in his willingness to intervene in ensuring their well-being, despite Vyry’s brief hope that he would stop her from being beaten.
The beating leaves a mark on Vyry’s breast that is likened to “a tuck in a dress” (202). The mark is symbolic of how slavery deprived black women of aspects of feminine respectability that, while still denying white women of many rights, did protect them from indignities. Vyry doesn’t share their privilege of maintaining physical dignity. She has been reduced to a marketable object, which render her beauty and physical well-being things that can be destroyed at whim. This destruction happens within a system that Marse John calls one of honor. When he gestures to the paintings of ancestors, he is a referring to a tradition rooted in slaveholding. Vyry is a part of that, both as his property and as a blood relation. Marse John has convinced himself that his slaves are loyal to him, when it is fear that keeps most of them in place. He views Vyry’s challenge to her condition by asking for her freedom as ingratitude and as a potential threat to the system that his forebears cultivated.
By Margaret Walker