logo

49 pages 1 hour read

Yoshiko Uchida

Journey to Topaz: A Story of the Japanese-American Evacuation

Fiction | Novel | Middle Grade | Published in 1971

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Symbols & Motifs

Euphemisms

A euphemism is the substitution of a word or expression used to lessen the impact of another harsher word or phrase. Euphemisms are typically used to make something seem more pleasant than it actually is and to obscure the true nature or intent of the words in question. In Journey to Topaz, Uchida uses the motif of euphemisms to emphasize the Orwellian conditions that Japanese Americans endured during World War II. The word “evacuation,” the official term used by the government to describe the forced removal of the Japanese population from the West Coast, is the novel’s first example of the government’s use of euphemisms to disguise injustices. The term “evacuation” connotes an action that is conducted for the safety of the evacuees—as in an emergency evacuation prior to an impending natural disaster. This term is therefore designed to imply that the forced removal and relocation of the Japanese American community was undertaken for the community’s safety, rather than out of a xenophobic and racist response to an unsubstantiated threat.

Yuki encounters additional instances of euphemistic and harmful language when her family is moved to Tanforan Assembly Center, for she is shocked to discover that the so-called “apartment” that her family has been promised is no more than a dirty stall in a horse stable. As Ken’s friend Jim, who has been in camp longer than the Sakanes, tells her, “That, my dear child, is what is known as a euphemism. […] You’ll get used to things like that here” (51). Despite his condescending attitude toward Yuki, Jim’s comment is designed to emphasize that such euphemisms are used by the camp administration to make Tanforan and Topaz seem more comfortable and less dystopic than they really are. However, the effect only endows the living conditions with a bitter irony. Upon arrival at Topaz, Yuki reads the welcome message, in which the use of euphemisms becomes required: “‘Listen,’ she said, reading aloud, ‘“You are now in Topaz, Utah. Here we say dining hall, not mess hall; Safety Council, not Internal Police; residents, not evacuees, and last but not least, mental climate, not morale’” (98). Each of these terms is specifically chosen to evoke a more positive connotation, but because the shift in wording is not accompanied by a corresponding improvement in the prisoners’ lives, the polite-sounding words are rendered all the more insulting to Yuki and her family. The “dining hall” still serves disgusting, fattening food, and the “Safety Council” still subjugates prisoners rather than protecting them. Likewise, calling the prisoners “residents” does not change the fact that their “residence” is against their will; and the “mental climate” is just as negative as their morale.

Animals

Animals are a recurring motif in Journey to Topaz, and their appearance in the narrative emphasizes the dehumanization of people of Japanese descent who were sent to concentration camps during World War II. Conversely, the references to animals also represent the humanity of those same people and those who sympathize with them. For example, Yuki has a great love for animals. She has a dog, Pepper, a canary, Old Salt, and some carp in a pond. Yuki’s bond with these animals is evident in her habit of treating them as if they were people and turning to them for comfort during hard times. When she first begins to face discrimination from classmates and becomes aware that the world is now hostile to people of Japanese descent, she reflects that “[a]nimals were really much nicer than people. […] They never said things that could make you sad” (20).

Being forced to give up her beloved pets is one of the most dehumanizing events that Yuki experiences, particularly since her dog dies soon after being given away. Almost as bad are the living conditions the Sakane family experiences in Tanforan and Topaz. Their unjust incarceration is easily comparable to being treated like animals in a cage, and their “apartment” in Tanforan is literally a horse stable, barely outfitted with the necessities for human life and suffused with “the lingering odor left by the former occupants” (51). Despite the dehumanization that the family experiences in the concentration camps, Uchida uses one last animal simile to describe Yuki’s emotions upon her release from Topaz, stating, “It was as though [Yuki] had climbed out of a cocoon and suddenly discovered the sun” (149). The image of the cocoon invokes butterflies, whose beauty and growth suggest that despite all she has suffered and lost during her time in Topaz, Yuki has emerged as a better, stronger person and is now ready to take on the outside world.

Arrowheads and Trilobite Fossils

The Utah desert, where the Topaz War Relocation Center was located, is rich with natural history. Fossilized trilobites, ancient crustacean-like creatures that lived at the bottom of ancient seas, are strewn throughout the sand, along with arrowheads left by Indigenous Americans. The barren landscape offers little else of interest to the prisoners of Topaz, so hunting for arrowheads and trilobites becomes a favorite pastime of Mr. Toda, Mr. Kurihara, and Yuki. The small trinkets not only give them a hobby to stave off the boredom of camp life, but they also symbolize the endurance and resilience of friendship and the human spirit, even in captivity. Searching for trilobites and arrowheads is a pastime that allows Mr. Toda and Mr. Kurihara to form a close friendship, Mr. Kurihara has a growing collection of them, which he polishes and proudly displays in his barrack. This collection helps Mr. Kurihara make peace with the desert and his living conditions. For Yuki, arrowheads come to represent Mr. Kurihara; after Mr. Kurihara is murdered by a guard, Yuki places an arrowhead on his grave to honor him. This arrowhead symbolizes the unspoken words of comfort that Yuki wishes she could say to Mrs. Kurihara and Emi, as well as her hope that Mr. Kurihara is at peace.

blurred text
blurred text
blurred text
blurred text