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58 pages 1 hour read

Louis-Ferdinand Celine, Transl. Ralph Manheim

Journey to the End of the Night

Fiction | Novel | Adult | Published in 1932

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Pages 81-160Chapter Summaries & Analyses

Pages 81-100 Summary

Content Warning: This section of the guide discusses colonial racism and outdated attitudes and treatments around mental health.

The medics at the hospital continue to deem Bardamu “subnormal” (81), much to his relief. He is sent to a hospital that caters to mental health conditions, run by a patriotic doctor and a cadre of attractive nurses. Bardamu, like many other patients, is still haunted by his traumatic experiences on the front line. The hospital is also used by a group of old men who resent the traumatized patients. Meanwhile, Professor Bestombes experiments on the patients using electroshock therapy. This therapy does not work.

Bardamu feels like an actor playing a role. The patients feel similarly, portraying themselves as “an incredible gang of swashbucklers” (87) to impress the nurses. Their feigned patriotism does not ring true. When Bardamu admits to Bestombes that he is struggling to live up to expectations of patriotism and duty, the professor declares Bardamu to be showing “a marked improvement in [his] mental state” (88). Bestombes praises the war for supplying him with “an unprecedented means of trying men’s nervous systems” (89). Bardamu assures Bestombes that he is beginning to understand.

Bardamu receives a visit from his mother; he wrote to her because he felt that he had “nobody left” (91). His mother does not understand the war and seems resigned to losing her son. She can only understand “miseries that [resemble] her own, city miseries” (93). Bardamu and the other patients are also visited by the wealthy elite of Paris, who performatively show their support for the brave soldiers of France. Bardamu and his friends exaggerate their heroism to impress these visitors, especially the aristocratic women. When one of the women commissions a play based on Bardamu’s outlandish stories, he quickly realizes that she is more interested in the poet than in him. In need of money, Bardamu visits his old employers in the hope of their sympathy.

Pages 101-120 Summary

Monsieur and Madame Puta run a small jewelry store. Years before, Bardamu worked there alongside another man named Voireuse. He returns to the Putas’ store with Voireuse in search of pity and money. They receive little, but Voireuse suggests that they visit another family he knows. He takes Bardamu to visit the family of his friend, who died in the war. Voireuse visits them regularly, and he is typically given a hundred francs. He suggests that Bardamu could lie to the “broken-hearted” (101) mother of his dead friend. Bardamu, desperate for money, agrees. At the house, however, they find the dead man’s father talking to another solider: Bardamu recognizes Robinson, who reveals that the mourning mother took her own life the previous day. As such, none of them will get any money. Bardamu, Robinson, and Voireuse venture out into the night. They eat dinner together but cannot afford to hire a sex worker, even if they pool their money.

Finally, Bardamu is let go from military service. He says that his “brains [are] scrambled for good” (104). He buys passage on a ship to Africa, planning to take up a position in a French colony to earn money far from the war. He believes that he can make a fortune in the colonies. Aboard the Admiral Bragueton, however, the other passengers look down on him. The overwhelming heat, the malaria, and the prevalence of alcohol turns the passengers against him; they believe that he is a spy. Sensing that the other passengers want to kill him, Bardamu feels himself changed beyond recognition. He casts aside his solitary tendencies and charms the captain and the male passengers. He listens attentively to their stories, toasting to their bravery. Privately, he praises himself as a “creator of euphoria” (116). As soon as the boat reaches the African port, he slips ashore on a canoe. He arrives in Bambola-Fort-Gono, a French colony ruled by a governor. The sweltering heat, the corrupt local government, and the hedonistic colonialists perturb Bardamu, who is offered a position running a remote trading post in Bikomimbo.

Pages 121-140 Summary

Bardamu meets with the Director of the colonial operation to learn more about the trading post. The Director praises life in the colony, which he claims is “always a holiday” (121). He warns Bardamu that the man he is replacing is unreliable and, apparently, sick. The man has not been heard from in months. Bardamu is given a local guide and, filled with “an enormous desire to go back to Europe” (124), prepares to venture out into the jungle interior. Before leaving, he observes the locals with contempt. He has many racist opinions about the African people who are put to work by the French colonialists. The Director, he suspects, is one of many corrupt figures in the local authority. Many of the French people he meets are terribly sick with malaria and other diseases; no one will tell him “exactly what species of freak” (126) he is meant to replace in Bikomimbo. Bardamu observes the corruption, the narcotics, the alcohol, and the exploitation pedaled by the colonialists, “all the tricks of the conqueror’s trade” (129). He studies the way in which the colonialists beat and exploit the Africans to make money. The Africans, he notes, must be forced to work, while the Europeans do so voluntarily. Bardamu has more respect for the men who must be made to work rather than those who are deluded enough to volunteer themselves in the hope that they will one day be rich. Fort-Gono, Bardamu decides, is “awash with mutilated desires” (133). He is filled with doubts about his new job at the “experimental trading post” (136). He would rather get sick and return to the hospital. Nevertheless, he sets off on a boat up the river to the trading post.

Pages 141-160 Summary

On the way to the trading post, Bardamu’s boat stops in a small port named Topo, run by Lieutenant Grappa, who is running a gray-market business buying and selling miscellaneous goods. Bardamu meets Sergeant Alcide, a solemn and resigned figure with whom he stays for two weeks. He watches Grappa order the beatings of local people in an attempt to administer what he believes to be justice. Meanwhile, Alcide is running his own lucrative illegal trading operation. Alcide reveals that he is saving money to support his orphaned niece in France. Bardamu is embarrassed by someone whose “heart [is] so much superior” to his (148).

Bardamu continues his journey to the trading post, where he will need to take stock of whatever inventory remains and replace the current manager. After 10 days of travel, Bardamu comes across a hut situated between two boulders. Inside is a gruff, bearded man waiting for him. The man warns about the terrible conditions at the trading post, where the squalid water causes sickness and the local people are loud and dangerous. The “out-and-out rogue” (155) seems strangely familiar to Bardamu, especially as he explains his plan to vanish into the jungle and abandon the post. There is almost nothing left of the original inventory, he claims. Eventually, Bardamu recognizes Robinson, the man with whom he tried to desert on the frontlines. The noise of the jungle causes “hours of intermittent terror” (158), and Robinson recommends that Bardamu stuff his ears with cotton to block out the sound. In the night, Robinson vanishes and leaves Bardamu in charge of the trading post and the local staff that Robinson recruited. Quickly, Bardamu becomes bored. Soon after, he becomes sick. He receives letters from the Director, “stinking with insults and idiocy” (160). He ignores the threats as he surveys his hopeless situation.

Pages 81-160 Analysis

Bardamu is diagnosed with an unspecified mental illness and sent to an institution that claims to be able to help him. The therapies on offer, however, seem limited. Bardamu (and Louis-Ferdinand Céline himself, on whom Bardamu is loosely based) has received some medical education; this medical knowledge filters through in the clinical, occasionally dispassionate descriptions of suffering people, but it is also evident in the way in which Bardamu sides with the medical staff rather than the patients, even when he is technically a patient.

Bardamu is interested in Professor Bestombes’s proposals for electroshock therapy, which he shares with the audience, though he declines to mention how he is being treated. Bardamu seems to believe psychological therapy is for other people, which is part of his refusal to countenance his own suffering. Rather than reflect on the traumatic experiences that have shaped his life, he distracts himself (and the audience) by either focusing on other people or removing himself entirely from the situation. Bardamu casts a cynical eye over Professor Bestombes’s array of treatments, for example, but he cannot help but note that the doctor praises the war for giving him so many test subjects for his new therapies. Bestombes praises the war as a “miraculous revealer of the human mind” (89), a comment that Bardamu cannot ignore, as he cannot delude himself into believing that he is not one of the men whose mind is being exposed and changed.

When Bardamu is eventually dismissed from the hospital, his first instinct is to flee the country and get as far away from France as possible. This is another example of Bardamu using his journey to escape his own self-examination. Rather than heal or process his trauma, he travels as far as possible in a futile attempt to escape it. This second journey is an extension of Bardamu’s pursuit of Survival by Any Means. Just as he sought to escape the war, he now seeks to escape its psychological consequences. He mistakes geography for progress, hoping to put enough distance between himself and his problems that they will cease to matter. Tellingly, he is the only person to buy a ticket on the boat to the colonies. Everyone else is there at someone else’s expense, which only serves to perpetuate Bardamu’s feeling of alienation. On the boat, he endures a microcosm of French society, in which everyone turns on him aggressively. Whether their aggression is real or a paranoid delusion on Bardamu’s part does not matter; as soon as possible, he jumps ship and runs away again, venturing into the colonial interior rather than reflecting on himself or the entire colonial apparatus.

Bardamu’s time in colonial Africa is one of the most revealing parts of the novel. His unrepentant racism is made clear, as he treats the local African people as though they are subhuman. His dehumanizing language—and the ease with which he shares it with the audience—suggests that he does not regard his racism as anything other than normal. In the colonies, he meets no one to disabuse him of this belief. From the director of the colonial company to Robinson, Bardamu only engages with other white French men who share his opinions. The colonial sections of the novel, in which Bardamu travels upriver, function almost as a parody of Joseph Conrad’s Heart of Darkness. Bardamu makes a similar journey, but his obstinate refusal to self-reflect in any way means that he never comes to question whether the colonial enterprise is wrong in any way. His only issue with the trading post, for example, is boredom and the opportunities for painful self-reflection it provides. Being out in the jungle gives him too much time alone with himself. After travelling such a long way, Bardamu arrives at his destination and finds only himself. Since his own company is intolerable, and since his own trauma is too present, he immediately plots to follow in Robinson’s footsteps.

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