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58 pages 1 hour read

Louis-Ferdinand Celine, Transl. Ralph Manheim

Journey to the End of the Night

Fiction | Novel | Adult | Published in 1932

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Pages 161-240Chapter Summaries & Analyses

Pages 161-180 Summary

Bardamu is terrified that the company will hold him accountable for Robinson’s desertion. He contracts a fever. As he lies in his sickbed, he suffers from paranoid fever dreams. Big storms ravage his small hut and leave him cold and wet. Having learned to light a fire, Bardamu accidentally burns down the hut and all the merchandise. Wondering where to go next, he decides to head into the bush following Robinson’s path. Relying on the local people for help, Bardamu wanders through the dense forest. When his fever is very bad, they even carry him. Eventually, they deliver him to a hospital run by a priest in the Spanish colonial outpost of San Tapeta. Still suffering from malaria, Bardamu struggles to comprehend what is happening to him. He finds himself onboard a ship and realizes that he has been sold to a sea captain who has gambled that he will recover and work the oars of the ship. Bardamu recovers enough to join the other oarsmen, wondering whether Robinson is among them. For weeks, they sail across the Atlantic until they reach New York City. There, the ship is put into quarantine, but Bardamu has no interest in being confined. He slips away from the ship and heads for immigration, claiming that he has an amazing talent for counting fleas. The American immigration department sets him to work counting the fleas on all the recent arrivals who pass through Ellis Island. Bardamu works as an expert flea counter for 23 weeks until, due to an internal employee reshuffle, he is assigned another task. He skips the job and heads into the city, looking for new adventures. He loses himself among the poor people of New York City and stares in wonder at the cathedral-like towers of Manhattan. In particular, he is fascinated by the “sudden avalanche of absolutely and undeniably beautiful women” (177). Though he does not have much money, he takes a room in a hotel.

Pages 181-200 Summary

Bardamu is led to his hotel room. From inside, he can watch the Americans in their bedrooms. To him, they seem like “fat, docile animals, used to being bored” (182). He explores the dazzling lights of New York and finds a warm, comfortable spot in a cinema. Bardamu learns how to eat on a budget in America by consuming hot dogs. He feels isolated and alone, wondering whether he should search for Robinson in the massive city. The commercialization and capitalist culture feel overwhelming, as though he cannot escape from “American business enterprise” (189). If he had money, he tells himself, life in America would be much easier. Increasingly desperate for money, Bardamu looks up Lola, willing to look past her “crummily ruthless” (191) behavior in the hope that she will support him. He eventually finds her living comfortably in an apartment. Lola is hostile to Bardamu, who debates whether to share his fears and anxieties with her. Before he can say anything, they are interrupted by a group of four middle-aged women who have come to visit Lola. They sit around and gossip for a few hours; Bardamu tries to charm them for his own amusement. When they finally leave, she agrees to help Bardamu. She allows him to stay in her apartment, where he is fed sandwiches by her African American servant. Bardamu is taken aback when the servant shows him a bomb, though Lola later reassures him that the bombs are just an old hobby from when he “belonged to a dangerous secret society for black emancipation” (198). Now, the bombs do not work. Lola speaks about her family, revealing to Bardamu that her mother is dying of cancer. He bluntly tells Lola not to waste her money on treatment, as “cancer of the liver is absolutely incurable” (200).

Pages 201-220 Summary

Lola calls Bardamu a “worthless monster” (201). She gives Bardamu $100 to leave her alone. He uses the money to leave New York for Detroit, where he is hired by Ford Motor Company. When Bardamu claims to be an intelligent person, he is warned that the factory has no need for “imaginative types” (203). Bardamu observes the way in which the factory turns people into robots. Bored with his work, Bardamu becomes a regular customer at a local brothel. He meets a sex worker named Molly, who takes pity on him. They have a romantic relationship, in which she spends lavishly on him while he spends all his wages in bars and the brothel. For the first time, Bardamu says, someone is “taking an interest in [him]” (207). She wants him to find a better job, but he has no faith in himself. He does not feel as though he deserves Molly’s affection and he cannot overcome his “foolish and futile anxiety” (208). Soon, he feels his familiar urge to escape from whatever circumstance he happens to find himself in. Bardamu is certain that he will run into Robinson, and he is soon proved correct. Robinson has a custodial job, obtained with “phony” (211) papers. Bardamu confesses to Robinson that he wants to return to France. He explains this to Molly, claiming that he plans to finish medical school.

Bardamu bids farewell to both Molly and Robinson before sailing back to France. He spends weeks then months hanging around the Place Clichy, back where he started. He resumes his studies and passes his exams, setting up a small medical practice in the fictional suburb of La Garenne-Rancy. The people in this poor area treat him with suspicion, while he watches the masses cram themselves into tram cars each morning. Bardamu struggles to find patients for his practice, so he finds himself performing difficult abortions or providing medical care for people who he knows will not survive. He is rarely paid for his efforts. His patients include a young boy named Bébert who lives with his aunt. Bardamu appreciates Bébert’s “infinite little smile of pure affection” (219). Bébert’s aunt asks Bardamu to write a prescription for medicine to stop Bébert from masturbating so much.

Pages 221-240 Summary

Bardamu complains that he is “too easy with everybody” (221). He needs to find patients who can pay him. Bébert’s aunt is one of many who take advantage of his goodwill. Bardamu meets the Henrouille family, a husband and wife who have scrimped and saved for decades to own their home. Monsieur Henrouille’s elderly mother lives in a small apartment behind their house and is constantly “afraid of being murdered” (227), so she rarely ventures outside. She has little contact with the outside world, while her son collects her pension. The Henrouilles want Bardamu to examine Monsieur Henrouille’s mother, hoping that his medical ruling will have her committed to a mental health facility. Bardamu examines the “discontent and filthy woman” (230) and finds her happy enough, though angry at her son’s attempts to have her sent away. The old woman insists that she is “not going to the nuthouse” (232) or the convent.

Bébert brings a message for Bardamu: A young woman is struggling after receiving her third abortion. Bardamu visits the house, where the woman is bleeding profusely. Her family is ashamed of their daughter’s sexual proclivities, crying as a pool of blood forms below the young woman’s bed. The family does not want to send her to the hospital. Knowing that the woman may die if she does not visit the hospital, Bardamu feels awkward. He moves “slowly and quietly for the door” (236) as the family begs him for his discretion. Bardamu refuses to collect his fees from such poor people. He begins selling his possessions to pay the rent while he begins “to look tubercular” (238). From his window, he watches his neighbors abuse their young daughter. After the little girl is beaten, the man and woman have passionate sex. Bardamu feels helpless, unable to do anything.

Pages 161-240 Analysis

Neither France nor Africa can alleviate Bardamu’s sense of unmoored alienation. Feeling detached from society, but so traumatized that he cannot abide the thought of staying long enough in one place to examine himself, he resumes his journey. In one of the novel’s more absurd demonstrations of Survival by Any Means, he is sold into slavery aboard an oarship and then arrives in America, where he gets a job counting the fleas on newly arrived immigrants as they pass through customs. The journey to America is deliberately absurd—a means of showing the lack of agency Bardamu has over his life. He is taken to America; he never really plans to go anywhere; all he craves is constant forward momentum. In America, however, his alienation is most pronounced. The language and cultural barriers can be overcome, but Bardamu is most affected by how similar everything seems. The country is different, but he is the same person, so everything feels the same. He enters the same cycle of womanizing, poverty, and despair, only to wonder why his life has not changed. At one point, he leans from his hotel window and issues a literal cry for help, only to be ignored by the people passing below. As the narrator, Bardamu assures the audience that this cry for help was ironic. He was demonstrating the indifference of the American people, he claims, yet he has asked for help in the most direct way possible, with no one stepping forward to aid him. Humor is a coping mechanism for Bardamu in such situations, a way for him to cloak his vulnerability in cynicism so as to avoid any opportunity for self-reflection.

In America, Bardamu’s first instinct is to contact Lola. He is in New York, amid a “sudden avalanche of absolutely and undeniably beautiful women” (177), yet his lack of imagination leads him to the one woman who has already rejected him. After going to Detroit, Bardamu has a brief relationship with a sex worker named Molly. The juxtaposition between Lola and Molly reveals more about Bardamu’s character than his narration hopes to allow. Molly showers Bardamu with affection. She offers him love and money without demanding anything in return. By contrast, Lola hates Bardamu so much that she pays him to go away. Bardamu obsesses over Lola but has no real affection for Molly. He loves the woman who hates him and cares little for the woman who loves him. The contrasting relationships suggest that Bardamu cannot love anyone who loves him. He does not deem himself worthy of love, so he finds Molly’s affection suspect. By contrast, he subconsciously agrees with Lola’s low assessment of his character, so he finds her a much more compelling person. Bardamu’s choice of partners functions as a subconscious extension of his own self-loathing. Anyone who could ever love him, he reasons, must be fundamentally foolish. In this psychological context, romantic love is impossible, and Bardamu instead focuses on Sex as Pleasure and Distraction. By divorcing sexuality from the social constructs that have underpinned it in the past—love, marriage, family—Bardamu treats it as an emblem of the wider hollowing-out of social forms. If nothing means anything anymore, then sex can just be sex.

The small medical practice that Bardamu sets up in Rancy after his return to France serves to validate his low opinion of society. Whereas there are plenty of suffering, needy people, his narration focuses on those who surround his patients. He paints a bleak picture of the family members who are so self-interested that they have no sympathy for their dying daughter. He writes vociferously about sex and abortion, blaming women for engaging in the same kind of sexual escapades that he has embarked upon throughout the book. The poor people who cannot or will not pay him, he believes, are evidence of a jaded, broken society in which nothing functions. Bardamu dedicates a big part of his life to becoming a doctor, only to use his knowledge of medicine to validate his own alienation. He may learn to cure people, he tells himself, but there is nothing he can do to cure society.

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