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50 pages 1 hour read

Will Hobbs

Jason's Gold

Fiction | Novel | YA | Published in 1999

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Part 1, Chapters 8-13Chapter Summaries & Analyses

Part 1: “Klondike or Bust”

Part 1, Chapter 8 Summary

Jason hits a bottleneck just three miles out of Skagway at the river crossing; all stampeders must transfer supplies from wagons to horses. Jason is empathetic toward the horses; many are sick and weak after their steamer journey and are subjected to mistreatment from inexperienced handlers. Jason offers his horse-wrangling services to two city men, Robinson and Bailey. They pay Jason his requested $10 a day and provide his meals.

In the following days, progress on the trail, clogged with stampeders, animals, and outfits, comes to repeated standstills. Worse for Jason is seeing countless dead horses along the path and the way men abuse their animals when they cannot contain their frustration and impatience. So many horses lie dead in the adjacent ravine that the pass gains the name Dead Horse Trail. In despair, many people retreat to Skagway. When Bailey and Robinson realize that they covered only 14 miles in six days, they too give up and go home. With $60 in hand, Jason tries to go around those with outfits, but immediately a man threatens to shoot him for cutting the line.

Jason learns from a returning packer that his brothers arrived in Lake Bennett four days before. He must try the Chilkoot Trail if he has any chance of catching up before Abraham and Ethan build their boat and head toward the Klondike. He returns down the mountain but soon observes a horrific sight: A furious man is drowning his team of dogs in a nearby stream because they will not pull his gear. Jason stops the man from drowning the last dog and takes ownership of him, a large black and white husky. The man dies by suicide, shooting himself in the head, seconds after Jason and the dog walk away.

Part 1, Chapter 9 Summary

Skagway has many new buildings just six days after Jason left it. He buys a steak in a café, but the dog will not eat any. He overhears stampeders discussing the crime prevalent in the town, mostly due to “Soapy” Smith’s arrival (the outlaw whom Jason met on the Yakima as “Captain” Smith). Jason witnesses Kid Barker using fake law enforcement officers to arrest a man who insists that Skagway’s telegraph office is a front to make money. On the beach, defeated gold rushers sell their gear; with his $60, Jason buys supplies, rations, and winter clothes including mukluks (boots). He also gets dog panniers (side-wearing packsacks) and gently tries them on the husky loaded with about 40 pounds. The strong dog is not bothered in the least.

Jason is overcome with nausea. He realizes just before losing consciousness that his “steak” was rotten horsemeat. For days, Jason is in a fog of sickness, seeing visions from the past including his father and a black and white puppy, and images of those caring for him now including a man, a girl with dark hair, and the husky. When he finally wakes, the girl sits at his side.

Part 1, Chapter 10 Summary

The girl is 14-year-old Jamie Dunavant. She and her father, Homer, a poet, sold their farm in Saskatchewan, Canada, and are traveling with minimal supplies and their own canoe to Dawson City. They will hunt game through winter and are relying on their Canadian citizenship to bypass the 700-pound-per-person rule enforced by the Canadian Mounties (police mounted on horseback, whom Jamie also calls Yellow Legs due to their yellow-striped uniform pants). Jamie’s confidence, appearance, and spirit charm Jason. Jamie tells Jason that he called out for King in his sleep; he recalls a puppy, King, he once had. Jason tells Jamie that the husky is his dog, King.

After the Dunavants depart, Jason buys salmon for King from a clerk who hands him maps of the Chilkoot Pass and the route to Dawson City along the Yukon River. The clerk tells Jason that most “cheechakos” (newbie stampeders unfamiliar with life in the north) need at least two weeks to build a boat for the trip to Dawson City; they must cut timber on the far side of the pass, mill it, and construct raft-like vessels. The map marks spots where stampeders coming down from Chilkoot Pass build their boats on Lake Lindeman, and those coming from White Pass build theirs at Lake Bennett. Jason has about six days to get over Chilkoot Pass, hike 27 miles to Lake Lindeman, and hike another six miles to the head of Lake Bennett where his brothers should be finishing their boat.

Part 1, Chapter 11 Summary

Jason and King head to Chilkoot Pass. When Jason sees the summit, he is astonished at its steepness, especially the highest stretch known as the Golden Stairs. The general mood of stampeders, though, is one of endurance and hope, not despair like White Pass. The altitude causes Jason to gasp and feel tired, but the tight space and proximity to others causes everyone to climb “lockstep,” single file; there is no room for resting except once halfway up. He makes excellent time hiking down the far side and sets off for Lake Bennett.

Arriving full of hope, Jason asks all the boat builders about his brothers. Finally, a man tells Jason that his brothers lucked into trading food for passage on another party’s already-built boat as soon as they arrived. Jason is flabbergasted. Uncertainty fills him. He offers to work in exchange for a spot in their boats, but all refuse since he has no supplies. He hikes back to Lake Lindeman, but no one there will help him without his own outfit.

Part 1, Chapter 12 Summary

Jason and King retreat over Chilkoot Pass. Jason recognizes Jack London carrying an enormous pack up the summit. Jack tells Jason that Captain Shepherd’s health caused him to go home, but Jack’s group picked up a new member, Tarwater; Jack and his partners, Sloper and Goodman, hope to build their boat rapidly and set out before the river freezes. Jack plans to arrive at Lake Lindeman in time by moving his outfit in piecemeal fashion: hiking three miles forward loaded with 150 pounds of supplies, then three miles back to get the next load. Refusing Jason’s request to join them, Jack confirms that the Mounties require each newcomer to have 700 pounds of food: “Five men and four outfits would about sink us” (87).

Jack surmises, however, that a boat-building party might take Jason if he had his own outfit. Jack offers Jason Captain Shepherd’s outfit, if he wants to collect it in Canyon City at the foot of Chilkoot Pass. He asks only for “mind fodder” in return, and Jason is happy to give him The Seven Seas. Jack signs over the outfit’s inventory sheet to Jason. Overjoyed, Jason tells King that they “aren’t beaten by a long shot” as they descend (91).

Part 1, Chapter 13 Summary

Jason finds the outfit and measures it out by weight—75 pounds for him to carry and 50 for King. They set out on August 18, proceeding as Jack did: three miles bearing the loads, stashing the supplies off the trail under a tarp, and returning for the next load. He moves the 1,200-pound outfit piecemeal over many days, the hardest leg being the Golden Stairs. Along this arduous journey, he learns how to make bannock (a kind of sweetbread) and observes a man named Eric Hegg towing his photography equipment and a box-shaped darkroom over the pass using a team of goats. Jason arrives at Lake Lindeman on September 8, knowing that he is in a race to make the river journey before the freeze-up.

Jason finds Jack, whose boat is almost complete. A Mountie arrives to say that only days remain to launch boats, as Lake LaBerge upriver will freeze over soon. After Jack’s party successfully navigates the rapids connecting the lakes and sets out, Jason acquires a canoe from a man who could not get past the rapids. Jason packs as much of his outfit into the canoe as he can, saving space only for himself and King. On September 18, with winter looming, he sails onto Lake Bennett.

Part 1, Chapters 8-13 Analysis

This section of the story offers important complications in the rising action, including Jason’s dreadful experiences on White Pass, sickness from rotten meat, and learning that his brothers are farther ahead than he presumed. So many obstacles block Jason’s path, in fact, that the piecemeal strategy that Jack London employs for moving his burdensome outfit along the trail represents Jason’s overall progress: struggling forward, circling back, struggling forward again. Only through resilience and dogged determination does Jason make progress, and even then, the overarching conflict remains; by the end of Part 1, he is still on Ethan and Abraham’s trail but does not know how far ahead they are.

The mood of the story changes drastically throughout these chapters; while the emotions conveyed during Jason’s time on White Pass are despair and brutality, the end of Part 1 as Jason sets out in his own canoe conveys excitement, relief, and hope. Some discoveries in this section work to boost Jason’s spirits: King proves helpful by sharing the weight of the outfit; Jamie Dunavant tends to his health, restoring his faith in compassion and kindness; Jack hands over Captain Shepherd’s entire outfit, for only the price of a Kipling book. Hobbs’s juxtaposition of despair with hope builds the tension in the rising action as it remains unclear but possible that Jason will achieve his goal and reach his brothers.

Jason’s character arc begins to develop in this section. Regarding the quest for gold, Jason’s awareness of his own impact grows. In the most notable example, after weeks of witnessing humans’ cruelty to animals aboard the Yakima, on the beaches of Dyea and Skagway, and along White Pass, Jason can stand by no longer; shame and empathy drive him to intercede as the furious stampeder attempts to drown the last of his five dogs. Jason demonstrates courage as he confronts the man, determined to free the dog pinned underwater. King proves to be a helpful, protective companion. Most significantly, though, Jason learns by acting on empathy that he is strong, insightful, and mature enough to intervene when others lack control; this self-awareness will help him as he struggles to survive the winter.

Similarly, Jason’s setbacks in this part of the novel begin to show him the true challenge of finding his brothers, a feat he assumed that he could handle easily. Jason is astonished each time he fails and must recover his wits before choosing another path. He may not realize it fully yet, but he is learning that thoughtful planning is often more profitable than making haste. An example is his slow but effective forward progress in moving his outfit over Chilkoot Pass; weeks before, such a methodical technique would have been unacceptable, but after seeing Jack’s patience with the same method, he sets his mind to the routine exertion of it.

Several scenes in this section develop the theme of The Dangerous Allure of Wealth. For thousands of people, the impulsive decision to leave jobs, homes, and families behind when seeking riches proves foolish as soon as they encounter bottlenecks and misery on White Pass. Others lose money to the con game and organized crime that infiltrates Skagway and other boomtowns with the likes of “Soapy” Smith at the helm, with no real laws or law enforcement officers to stop illicit activities. Stampeders defeated by the trails sell their rashly purchased outfits at a deficit before heading home much poorer than when they started their quest. Hobbs gradually suggests that pursuing great wealth is futile at best or dangerous at worst.

Notable literary techniques include continued allusions, flashbacks, sensory imagery, and mood. Flashbacks while ill with food poisoning help to reveal more of Jason’s backstory, including his sadness after losing a pet. Allusions include another reference to “Soapy” Smith, now the crime lord of the boomtown Skagway, and Jason’s sighting of Swedish American photographer Eric Hegg, who documented the struggle of many stampeders on the trail. Additionally, Jamie’s father, Homer Dunavant, is a loose allusion to poet Robert W. Service who wrote “The Cremation of Sam McGee,” a hyperbolic poem about a prospector’s death in the frigid North.

The story’s sensory imagery is graphic. The sights, sounds, and smells of the dreadful White Pass convey death, cruelty, inhumanity, and hopelessness. Figurative language and word choice represent the burden of impatience all experienced on White Pass once thousands of rushers thronged it: “They had become like the horses, struggling in the muck, sprouting vapor jets in the rain, reduced to the brute essentials of breathing and moving forward when possible” (53). This passage conveys a sense of stagnation and captures the brutality of the scene by comparing humans to horses; Hobbs reinforces this simile by reducing the people to their basic functions of “struggling,” “breathing,” and “moving.”

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