54 pages • 1 hour read
Jennifer HillierA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Content Warning: This section of the guide includes discussion of illness and death, emotional abuse, physical abuse, rape, substance use, and sexual content.
In prison, Geo’s been out of maximum security for the last three years. She’s now within days of completing her sentence and being released. A woman nicknamed Boney, who is Ella’s main rival for drug sales, threatens Geo and Ella’s family over a “turf” dispute. Geo’s best friend in prison, Cat Bonaducci, has stage-four cancer. Geo helps take care of her now that chemotherapy has left her too sick to fend for herself and her husband filed for divorce. Geo also has a sexual relationship with a young corrections officer. He’s in love, but for Geo, it’s just a way to survive. Geo sees a news report about two bodies found near her childhood home, which she knows means that Calvin is back.
The narrative flashes back to the day Geo meets Calvin at age 16. She’s with Angela and Kaiser, and he’s drinking beer in a 7-Eleven parking lot with three other guys. When Calvin pays less attention to Angela than to Geo, Angela gets jealous. He invites them to see his friend’s band play the next night. The two girls attend, and Geo spends the evening kissing Calvin. He’s very charming, and she falls hard for him. It’s her first time being in love.
By the time Geo leaves prison, she has a stack of letters with the same blue envelopes and handwriting as that first one. All but the first remain unopened. Boney is found dead the morning of Geo’s release. Geo knows that she was killed for threatening Ella’s family. Cat and Geo say heartfelt goodbyes, and Geo vows that she won’t let Cat die in prison. She promises Ella to visit her brother and children and give her brother crucial information about Ella’s business and profits. In return, he’ll give Geo a gun to protect herself and her father from Calvin.
Upon arriving at her father’s house, Geo sees that someone spray-painted “MURDERER” across his garage door. She learns that her ex-fiancé, Andrew, got married and recently had twin daughters. Geo’s childhood bedroom brings painful memories of Calvin flooding back. A Mason jar that he once gave her, filled with cinnamon heart-shaped candies, sits empty on the dresser. It was an apology after the first time he hit her. Geo hurls the jar at the wall, but it doesn’t break.
A flashback of Geo’s early relationship with Calvin shows how the abuse and controlling behavior start. Geo spends so much time with him that she’s consistently late for and unfocused at cheerleading practice. This causes a fight that leads to Angela kicking her off the squad. Though Calvin wanted Geo to quit, when he sees how upset she is, he promises that he’ll fix it. He plans to charm Angela into letting Geo back on the team.
On Geo’s first night at home, she can’t sleep. Kaiser visits, and Geo tells him that she wishes she was a better friend to him in high school. He says that he now understands why she wasn’t and forgives her. Kaiser tells Geo about Claire and Henry’s murder and shows her pictures, which make her vomit. He explains that the heart was drawn in a shade of Shipp Pharmaceuticals lipstick called Cinnamon Heart. They view security footage of a man purchasing the lipstick, and she recognizes Calvin. When Kaiser demands answers that Geo can’t give, she criticizes him for Calvin’s escape, equating it to her own mistake at age 16 and saying that they both allowed Calvin to keep killing.
Geo’s bank denies her request for a home loan because of her criminal record. When she returns home, new graffiti on the garage door says, “BURN IN HELL” (158). A preteen boy on a bicycle comments that someone must hate her, and he asks if she killed her best friend. The boy leaves when he sees Roberta Heller walking over. Roberta makes hateful remarks and says that Geo is the devil before throwing her coffee in Geo’s face. Later, Geo visits her mother’s and Angela’s grave sites at Rose Hill Cemetery.
A flashback shows Geo’s fight with Angela. After a few days, the girls apologize and make up. They talk about Kaiser being in love with Geo. She doesn’t love him, but she gets jealous at the thought of him dating someone else. Angela asks if Calvin hits Geo, but Geo denies it. Angela lets Geo back on the cheer squad and promises that she’ll make an effort to get to know Calvin.
In another flashback, Geo and Angela are at a Friday night high school party. Geo is drunk and about to walk home when Kaiser stops her. He says that he wants to be with her, and they kiss. Geo stops the kiss, saying that she loves Calvin, and encourages Kaiser to date Barb, a girl who likes him. Angela and Geo leave the party together. They can’t go home since they’re each supposed to be sleeping over at the other’s house, so they decide to go to Calvin’s.
Cat calls Geo from prison to say that her cancer is spreading but that she was approved for parole and will be released on Monday. She’ll stay with Geo at Walt’s house for now and then move with Geo when Geo gets her own place.
Kaiser comes by and notices that someone painted profanity on Geo’s car. The two reminisce about their youth, and Geo talks about guilt and why people can’t forgive her. Kaiser is about to tell Geo about Calvin being Henry’s biological father when he’s interrupted by a call about a new lead on Calvin. He leaves in a hurry. Geo’s thoughts reveal that there’s more to the story of Angela’s murder that she didn’t discuss in court and never plans to.
The flashback resumes at Calvin’s apartment, where Geo and Angela continue drinking. Angela flirts with Calvin out of jealousy. The girls start dancing together and kissing to turn Calvin on, but Geo soon passes out. She wakes up to find Calvin raping Angela. When Angela threatens to have Calvin arrested, he strangles her to death. Calvin convinces Geo that she’s equally at fault and forces her to help him bury Angela in the woods behind Geo’s house. The vision of Angela’s dead face as they bury her haunts Geo every night for the next 14 years.
Getting accustomed to life after prison is very hard for Geo. Everything feels like a luxury she doesn’t deserve. People aren’t friendly, strangers take pictures of her, and she’s very lonely. She tries to get a job at a hair salon, but none will hire her. Kaiser comes by and says that the lead on Calvin didn’t pan out. She’s upset when she learns that Henry is Calvin’s child, so Kaiser comforts her. They kiss, which leads to them sleeping together.
After Kaiser leaves, Geo recalls the morning after her best friend’s death. Angela’s mother called to look for her. Geo lied and said that she had last seen Angela at the high school party. Police came to Geo’s house that night, and she told them the same story. The fourth night after Angela’s disappearance, Geo was overwhelmed with guilt and decided that she would confess everything the next morning. However, Calvin snuck into her room through her window and insisted that they finally have sex, as he was planning to leave town. Geo refused, and Calvin raped her. Then, he left, and she didn’t see him again until his trial, 14 years later.
In the present, Kaiser texts Geo that two more bodies were found and that Calvin has been spotted in town.
Part 3 ramps up the tension and suspense by introducing new conflicts and building on conflicts established in previous chapters. The presence of both significant external and internal conflicts is part of what makes Jar of Hearts a psychological thriller. External conflicts—the thriller aspect—create life-or-death stakes that move the plot forward. Internal conflicts—the psychological aspect—develop character arcs and themes such as The Psychological Weight of Guilt and Secrets.
Geo’s main external conflict in Parts 1 and 2 involved violence from other incarcerated women. In Part 3, a new external conflict emerges between Geo and the active killer in Sweetbay, believed to be Calvin. Kaiser’s warnings that Calvin is likely to come after Geo escalate the threat and the stakes of this conflict. Part 3 also introduces an external conflict between Geo and society that functions partly as social commentary; the narrative tone implies a critique of how having a criminal record makes reintegrating into society extremely difficult. Exacerbating this difficulty is the fact that Geo is connected to a well-publicized case that shocked her community, so most people recognize her, and many hold grudges against her. Hateful graffiti, Roberta’s antagonism, and Geo’s inability to get a job or home loan all demonstrate the depth of this conflict while prompting questions about how long people should be punished for their mistakes. Geo, for instance, says that prison is “designed to keep the criminal away from the outside world, or the outside world away from the criminal” and adds that “the distinction is important” (103). The subtext of this observation suggests that Geo’s community poses a danger to her because they don’t believe that her prison sentence is sufficient punishment for her crime. The distinction also prompts questions about the permanence or impermanence of criminality and whether the criminal justice system counters criminality or cultivates it.
These chapters use flashbacks to develop numerous internal and external conflicts related to jealousy. Angela’s jealousy over Calvin’s attention to Geo leads her to fight with her best friend and flirt with the wrong person. Kaiser’s jealousy over Calvin dating Geo complicates their friendship. Geo’s jealousy at the idea of Kaiser dating anyone else adds flaws and depth to her character. It’s Calvin’s jealousy, however, that most fully reveals the dangers of the emotion, as it demonstrates the types of patterns that define Manipulation and Control in Abusive Relationships.
The heavy reliance on flashbacks in this section implies one of Geo’s key internal conflicts—her struggle with The Enduring Trauma of Violent Crimes, including the abuse she experienced and her involvement in covering up Angela’s death. That these flashbacks are now appearing more frequently suggests Geo’s increasing difficulty repressing these memories, in part because the current spate of murders serves as a constant reminder of Calvin’s actions. Moreover, the use of deep third person makes it clear that Geo is still withholding some information about her past, exacerbating her feelings of guilt. Plot points like Geo’s relationship with Cat in prison add nuance to her characterization while further elucidating the need for atonement that motivates much of her behavior: “Caring for Cat reminds her that she’s still a good person, that she can still do good things. It’s easy to forget that in [prison]” (109). Geo feels like all she’s done in her life is take from people and hurt people, and the compromises she had to make to survive in a prison environment have only reinforced that self-perception.
Although these chapters’ primary focus is Geo, Kaiser is also implied to be facing an internal conflict—between protecting Geo and learning the truth—which complicates his ability to solve the newest murders. He’s always had a soft spot for Geo, and his partner worries that his feelings for Geo may obscure the facts of the case or at least keep him from questioning Geo effectively and getting needed information.
Part 3’s flashbacks make use of pop-culture references from the 1990s to create a distinct setting in time. Angela describes Calvin as having a “Jared Leto face, Kurt Cobain vibe” (115), and music at the high school party includes R. Kelly and Montell Jordan. In another example, Calvin offers Geo his pager number and writes it on her hand with a pen—an effectively obsolete method of exchanging contact information as of the book’s publication. This aspect of the setting emphasizes the differences between the main characters’ past and current lives—a comparison that figuratively underscores the significance of pivotal, life-changing events and the lasting effects of trauma.
By Jennifer Hillier