54 pages • 1 hour read
Jennifer HillierA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Summary
Background
Chapter Summaries & Analyses
Character Analysis
Themes
Symbols & Motifs
Important Quotes
Essay Topics
Tools
Content Warning: This section of the guide includes discussion of death, graphic violence, child death, rape, substance use, and cursing.
Detective Kaiser Brody is having an affair with his partner on the police force, Kim Kellogg. She’s also the wife of another police officer.
It’s been five years since Geo went to prison, and she’s about to be released. Kaiser has been paying a prison guard for monthly reports on Geo to see if she has contact with Calvin. Three other men who escaped with Calvin have since been found dead. Kaiser sees that Geo makes regular phone calls to a “financial planner” who is likely a money launderer.
The narrative flashes back to Kaiser’s interview with Calvin following Calvin’s arrest, which occurs just before Calvin can flee across the Canadian border. During the interview, Calvin is calm, collected, and arrogant.
In the present, Kaiser’s boss informs him that two bodies were just found: an adult woman, dismembered and buried in a series of shallows graves, and a child.
The newly discovered bodies were buried in almost the exact same place as Angela Wong, in the woods behind Geo’s childhood home. The child is a boy who appears to be about two years old. He was apparently strangled. A heart is drawn on the boy’s chest with lipstick, alongside the words “SEE ME.” The woman’s eyes were gouged out, which—like killing children—isn’t part of the Sweetbay Strangler’s modus operandi. Otherwise, these crimes seem very similar to Calvin’s, in Kaiser’s opinion. A man named Cliff Heller, who lives nearby, found the bodies while walking his dog in the woods. His wife, Roberta Heller, tells Kaiser that Geo’s father, Walter (“Walt”), still lives in the neighborhood and that Geo will be staying with him when she’s released from prison in a few days. Kaiser knocks on Walt’s door and sees him for the first time since Kaiser was a teenager and in love with the man’s daughter. When Kaiser asks if Geo knows where Calvin is, Walt shuts the door in his face.
The murdered boy is identified as 22-month-old Henry Bowen. His parents, Amelia and Tyson Bowen, reported him missing that morning after finding his crib empty and his bedroom window open. The medical examiner tells Kaiser that Henry was healthy and well cared for, with no signs of abuse or neglect. His killer strangled him with bare hands. The as-yet-unidentified woman, on the other hand, was strangled with an object like a belt and dismembered after she was killed. She was likely in her early twenties and had Rohypnol, alcohol, and THC in her system. The examiner found signs of rough sex but couldn’t confirm if it was rape or consensual. He also found traces of condom lube and spermicide. Kaiser and the medical examiner remark on the similarities to Calvin’s modus operandi, but Kaiser reminds himself not to assume it’s Calvin or else he could miss something important.
At the police station, Kaiser breaks the news to Henry’s parents about his death. They reveal that they adopted Henry, suggesting that the woman found with him could be his biological mother. When Kaiser shows them a picture of the woman, they confirm that it’s Henry’s birth mother, Claire Toliver. Kim has a hunch about the lipstick used to draw on Henry’s chest and is able to verify that it was a lipstick made by Shipp Pharmaceuticals. It’s part of a new cosmetic line that isn’t widely available yet. Kim tells Kaiser that someone is clearly trying to get Geo’s attention, and she thinks it must be Calvin.
Kaiser goes over Geo’s correspondence from prison over the last five years and realizes that he missed something before. Ten of the letters she received have different names on them, but they all came from the same address. Moreover, the names all belong to fictional superheroes, like Clark Kent and Tony Stark. The return address leads Kaiser to a woman named Ursula Archer. When he calls her, she tells him about a boy she fostered several years ago named Dominic, who began writing letters to incarcerated individuals as part of a social studies project about life behind bars. Kaiser is disappointed that the letters turn out to have no significance.
Meanwhile, Kim’s husband either found out about her affair with Kaiser or is at least suspicious. He’s planning to take her away for the weekend to the resort where they got married. To Kaiser, this signals that the affair is over. He’s sad but also relieved.
Kaiser meets with Claire Toliver’s best friend and roommate, Julia Chan. Julia says that she’s been covering for Claire since Thursday at the law firm where they’re both interning. Claire has disappeared in the past after meeting a guy, according to Julia. She assumes that the same thing happened this time and is shocked to learn that Claire was murdered. Julia knows that Claire gave birth to Henry and gave him up for adoption. Kaiser admits to her that Henry was found dead too. Julia last saw Claire on Wednesday night, working her second job in a coffee shop. Kaiser shows her a picture of Calvin, whom she knows by name: He’s the reason Claire disappeared the last time, Julia explains, and he’s Henry’s biological father. He had already ghosted Claire by the time she realized she was pregnant. Since Julia didn’t watch much news five years ago, Kaiser has the unpleasant task of explaining to her that Calvin is the Sweetbay Strangler.
In Part 1, the third-person point of view was focused on Geo. In Part 2, that focus switches to Kaiser, establishing a pattern of alternation that continues throughout the novel. The narrative point of view can further be described as both limited and deep. Limited third-person point of view gives the reader access to only one character’s interiority at a time (when the focus switches between characters at clearly delineated times, as in Jar of Hearts, the point of view is also known as third-person multiple). This limited viewpoint is often effective in the mystery and suspense genres because it allows the author more control over when significant details are disclosed, thus maintaining tension and ambiguity. That the reader often discovers these details as the protagonist does also fosters identification between the two.
The use of deep third-person point of view further facilitates this, as the technique removes distance between character and reader by having the narrator take on the voice of the character—attitudes, history, knowledge, etc. It is similar to (or a more extended form of) free indirect discourse, which adopts a character’s perspective without explicit indicators that it is doing so—e.g., “he thought.” For example, the narrator describes Kim through Kaiser’s perspective: “But every once in a while, her mind slips on an obvious detail, for no fucking reason” (72). The cursing in particular imbues the narrative voice with Kaiser’s irritation, creating subtext that defines his relationship with Kim and develops his character.
Kaiser’s relationship with Kim is important because it elucidates aspects of his relationship with Geo. His affair with a married woman demonstrates the truth of the claim that Kaiser’s weakness “has always been unavailable women” (66). Geo was always unavailable for a different reason: her lack of romantic feelings for him. Kaiser has always loved her despite this, or perhaps even because of it. His unrequited feelings for Geo create conflict for him, especially when solving new murder cases requires asking Geo questions that he knows she won’t want to answer. His partner comments, “I know you two were close once, but that was a long time ago […] Don’t let your bias get in the way of doing everything you can to solve these murders” (82). She understands that Kaiser wants to protect Geo from further involvement and emotional pain and that he might be tempted to do so even to the detriment of their investigation. Kaiser’s loyalty to Geo will also influence her character arc, ultimately helping her triumph in her conflict with The Psychological Weight of Guilt and Secrets.
As with many novels in the crime fiction genre, setting is important to the investigative aspect of the plot. When the bodies of Claire Toliver and Henry Bowen turn up in the same Sweetbay woods where Angela Wong was found, Kaiser immediately thinks of Calvin James. The fact that the woods are next to Geo’s childhood house makes Geo’s connection to Calvin seem just as relevant now as it was in Angela’s murder. Later, more bodies will turn up right behind the high school that Geo, Kaiser, and Angela attended, further tying the newest murders to those from the past. As investigative clues, these locations are both telling and misleading. Like details such as the hand-drawn hearts (a favorite doodle of Calvin’s), they correctly suggest that the murders are connected to Calvin, but they give too much weight to the idea that Calvin committed them. A flashback in Part 1 offers a clue in this respect when Kaiser says, “[K]illing her gave you a taste for it, didn’t it? Except you didn’t dismember the others. Only Angela. Only the first one” (60). Dismembering victims, then, is not a consistent part of Calvin’s modus operandi. This creates a seed of doubt as to Calvin’s involvement, thereby complicating the mystery and adding suspense.
The location and timing of the killings—just before Geo’s release—also resonate thematically with The Enduring Trauma of Violent Crimes. Though Calvin may not be responsible for the latest murders, his violence haunts both the place and Geo herself, whose imprisonment, though traumatic, at least offered her a sense that she was atoning for her actions. Once she is released, she will have to confront both Angela’s murder and the abuse that Calvin subjected Geo herself to without this mitigating force.
By Jennifer Hillier