63 pages • 2 hours read
Roald DahlA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The seagulls pick up the pace and the peach glides quickly through the clouds. The travelers see the Cloud-Men at work, using snow-machines, frost factories, and wind producers. They pass the Cloud-Men’s city, with caves deep in the clouds and Cloud-Men’s wives and children cooking and playing on the billowy clouds. A large bat swooshes curiously over the peach, and Miss Spider expresses her wish that morning would come, a feeling echoed by the whole group. When the sun rises, the friends get up to stretch their legs and to their delight see land below. A vast city stretches out under the peach, with skyscrapers reaching up towards them. James cannot contain his excitement as he realizes that they have crossed the Atlantic Ocean and are floating over America, above New York City. Earthworm immediately starts to worry about how they’ll get down. James explains that all they need to do is gradually release the seagulls and gently lower the peach down.
Below them, on the streets of New York City, pandemonium breaks out because of the huge ball suddenly hanging above the city. Sirens wail and news stations interrupt all programing with live coverage of this mysterious, sinister object. Panic reaches all the way to the President, who interrupts his breakfast to summon his Admirals and Generals to brainstorm on what to do with the “biggest bomb in the history of the world” (125), hanging over New York.
Up on the peach, unaware of the horror they are causing in the streets below, James tells Centipede to start biting through the strings. After the fourth seagull is released, the peach starts to slowly sink. Ladybug wonders whether they’ll get their pictures in the papers, and Centipede frets that he hasn’t had time to polish his boots, but neither can finish their thoughts because a passenger plane goes whizzing by, cutting all the strings holding the seagulls. As the peach plummets towards the ground, the insects turn to James in horror. Earthworm implores James to do something, but James says he can’t. He looks at his friends and says “I’m sorry! Good-by! Shut your eyes everyone! It won’t be long now” (126). Down below, people on the streets of New York City also turn to their friends to say good-bye, or pray, or scream, as the huge “bomb” hurtles towards them. James gasps goodbye one more time to his beloved friends and braces for impact. Squelch. The peach lands right on top of the Empire State building, impaling itself on the pinnacle.
As the people on the streets of New York City realize with relief that the mysterious object is not a bomb, speculation begins to swirl about what it could possibly be, the most common suggestion being something from “Outer Space.” Police and firemen charge up to the Empire State’s observation platform, which is just below the spike with the impaled peach. They call up to the travelers to “Come out and show yourselves” (130). Centipede, grinning widely, is the first to stick his head over the side of the peach. Several policemen faint and the others shout out in fear, trying to figure out what they are looking at. The top suggestion is a Dragon, followed by a Wampus, Gorgon, and other supernatural creatures, such as the “Snozzwanger” (according to the Chief of Police), or a Whangdoodle (the Head of the Fire Department’s suggestion). Centipede, loving the attention, tells them they have come from “thousands of miles away” (131), feeding the officer’s frenzied speculations about aliens.
Old-Green-Grasshopper and Miss Spider are the next to poke their huge, scary-looking heads over the side, at which point more officers faint. The Head of the Fire Department and the Chief of Police are certain they are about to be eaten by the “giant Scorpula” and the “vermicious kind,” who “eats fully-grown men for breakfast” (132). As they plan what to do next, with millions of people watching, the rest of the giant insects peek over the edge. All seven fantastical creatures look down, confused at the chaos they are causing. Suddenly, the pandemonium stops. James appears beside his friends, waving and smiling. He calls down to the officers that his friends are not dangerous and are the “nicest creatures in the world!” (134). James introduces each of the giant insects, using rhymes to present each one along with facts and embellishments about each insect’s special skills and talents. Policemen cheer when James tells them that Glow-worm can provide light, saving them electricity, and everyone is in awe when James shares that Silkworm’s silk was used for the Queen of England’s wedding dress. When James introduces Ladybug, his love for her comes across to the entranced people, “and here's my darling Ladybug, so beautiful, so kind, my greatest comfort since this trip began” (138). The crowd turns from a fearful mass to a dancing, cheering throng, calling for the officers to get the wonderful creatures down as quickly as possible.
The happy band of travelers are safely brought down and hailed as heroes by the people of New York. The Mayor of New York organizes a parade for James and his friends. The peach is loaded onto a truck and becomes part of the parade too, dripping sweet juice on the road. The crowds go “wild with excitement” (141) as the parade goes by. One little girl calls up to James, asking to try a small bite of the peach. James tells them to “eat all you want” (141), explaining that it won’t last long anyway. Soon children are swarming all over the peach, eating every piece of the juicy flesh, until all that is left is the clean and shiny brown peach stone.
The story ends with all the travelers living happily and successfully in New York City. Centipede is vice-president for an exclusive shoe and boot company; Earthworm’s beautiful soft skin gets him a job at a face cream company; Silkworm and Miss Spider make tightropes; Glow-worm lights up the torch held by the Statue of Liberty; and Old-Green-Grasshopper joins the New York Symphony Orchestra. Miss Ladybug marries the Head of the Fire Department and lives happily in love and no longer worries about her house burning down. The stone is set up in Central Park as a famous monument, and more importantly as James’s house. Hundreds of children visit James every week to hear about his adventures, which he eventually decides to write down in a book, called James and the Giant Peach.
The emotional rollercoaster continues with the unease of being on the peach at night with bats and Cloud-Men surrounding them, turning to joy and cries of “’Hooray! Hooray!’” when the sun rises, and they see New York beneath them. Their joy is just as quickly replaced with the terror of certain death as they plummet towards earth, having suddenly lost all the seagulls. This is the only time that James does not have a solution for their predicament, and his reaction is brave and stoic. James does not cry or scream. He apologizes to his friends that he can’t save them, reassures them that “It won’t be long now!” (126) and spends the rest of the time wishing them each heartfelt goodbyes. James’s character never deviates from that of a pure, brave, and kind human, epitomizing the theme of resilience which underpins his story.
The humans in New York automatically assume the worst, jumping to the conclusion that they are under attack. The suspicious, fearful, and pessimistic nature of humankind is exemplified by the reaction of the officers on seeing the giant insects. Despite the insects smiling faces and lack of aggression, it is not until the officers see James that they stop panicking. The reaction reinforces the human characteristic of fearing the unknown. Once James introduces the insects and reassures everyone that they are not only friendly, but that they also help people, the mood swings to the other extreme, and suddenly the insects are heroes, not terrifying aliens.
James’s sweet and generous personality is shown again when he encourages children to eat the giant peach, and that he happily shares his time with all the children who visit him. Despite all the horrors that James goes through at the beginning of the book, the trajectory of the story is one of finding joy and rekindling trust and faith in others, both human and non-human. The fact that all the giant insects integrate into New York society, find jobs and love, illustrates that most humans are kind, accepting and supportive, rebuilding the positive traits of humans after Spiker and Sponge dashed them. The story ends on a note of hope and joy, with James going from “the saddest and loneliest little boy that you could find”, to one with “all the friends and playmates in the world” (144).
By Roald Dahl
Action & Adventure
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Animals in Literature
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