63 pages • 2 hours read
Roald DahlA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
James is jolted awake the next day by the insects shouting excitedly about leaving, and the peach suddenly moving. Kind and gentle Ladybug explains to James that Centipede is chewing through the peach stem so the peach can roll down the hill and away from “this desolate hilltop and those two repulsive aunts of yours” (44). Before James can gather his thoughts, Centipede sticks his head in and joyfully announces that the journey is about to begin. Ladybug exclaims that they are about to visit the “most marvelous places and see the most wonderful things” (45), which prompts Centipede to burst into song about all the wonderful and terrible things that might happen to them, ending with the verse: “But who cares! Let us go from this horrible hill! / Let us roll! Let us bowl! Let us plunge! / Let's go rolling and bowling and spinning until / We're away from old Spiker and Sponge!” (46). This seems like a fantastic idea to James.
Just as the peach begins to roll, Spiker and Sponge settle down at their ticket booth in the garden, musing on where James might be. Spiker suggests that James might have fallen and broken his leg, “or his neck” (47) is Sponge’s hopeful addition. As they move on to discussing how they will punish James, the peach crashes towards them. Getting in each other’s way, they trip, and the peach rolls right over them, leaving them “ironed out” on the hill, flat as pancakes.
The peach rolls down the hill, gathering speed until it hurtles through fields, fences, hedges, and roads, scattering people and animals, and crushing cars as it flies by. It speeds through the village and crashes through a chocolate factory, causing a river of melted chocolate to flood the village. With nothing able to slow it down or stop it, the peach eventually rolls all the way to the ocean, all the way to the famous White Cliffs. These cliffs are hundreds of feet high, and the peach launches off them at a tremendous speed, hanging in the air for a second before crashing into the ocean below. After a second or two, the peach bobs up and gently floats on the surface of the ocean.
Inside the peach, the journey starts well, with everyone cheering when Spiker and Sponge are flattened. Soon, the speed of the rolling peach turns the group of travelers into a screaming, tangled mess of insect and boy, a “frantic and terrible trip” (54). Once the peach is settled calmly on the ocean and Glow-worm lights the room, the friends assess the situation. Everyone is shaken, but James and the Old-Green-Grasshopper try to be cheerful. The Old-Green-Grasshopper says they have come to rest in a “beautiful country full of songs and music”, while James suggests that they may be “near the seashore […] with lots of other children” (56). Ladybug’s sensation of bobbing up and down is dismissed as being dizzy from the journey. The group of friends has no idea that they are floating on the ocean. They decide to look out of the hole in the ceiling at their new land before going out of the tunnel, and they all feel the excitement building as Spider weaves a rope ladder for them to climb up.
James and his friends are stunned to find themselves bobbing in the middle of the ocean. They can’t see land because strong currents and winds rapidly carry the peach away from England. Panic ensues. Ladybug, Glow-worm, and Miss Spider all cry that they can’t swim; Centipede desperately tries to get his boots off, so they don’t pull him underwater; and Earthworm wails that they are all about to perish. Only James stays calm and points out to his frantic friends that no one needs to swim because the peach is “floating beautifully” (58). Everyone calms down immediately, apart from Earthworm, who starts to panic about starving to death. James lets Earthworm rant for a bit since it is in Earthworm’s nature. James reminds him that they are standing on a giant peach, which can feed them all for weeks. All the insects thank and praise James for being so clever.
As the group of friends dig into the peach, they chat about how it compares to their previous diet of aphids, bluebottles, and dirt that they ate before the crocodile tongues transformed them. Centipede, inspired by the delicious peach, bursts into one of his humorous songs. The travelers happy and content, floating on their “massive golden ball” (65). While they are enjoying this relaxing moment, Centipede spots a “thin black thing” (65) cutting through the water.
Miss Spider. Ladybug and the Old-Green-Grasshopper see more and exclaim that they are coming towards them, and maybe they are fish coming to say hello. Earthworm, who is blind and can only go by what the others tell him, anxiously cries out that they must be sharks, coming to eat them. They are sharks, and they have come to eat the peach. The moment of happiness turns again to panic as James and the others shout at the sharks to go away. The sharks ignore them. More sharks come, and as the water around the peach becomes a churning froth of attacking sharks, all the insects turn to look at James. Ladybug, Miss Spider, and Centipede all beg James to think of something, imploring him to come up with a way out of this new predicament.
When James expresses concern about the peach moving, right before it rolls down the hill, Ladybug sums up James’s situation, “nothing could be worse than this desolate hilltop and those two repulsive aunts of yours” (44), showing him that he has no reasonable option other than to go with the flow, to embrace the unknown, because the known is unbearable.
Spiker and Sponge’s selfishness is highlighted by their attempts at avoiding the peach without regard for each other, and the result of that selfishness is the death of them both. Had they worked together and helped each other, as James and his new friends do throughout the book they may have avoided being squashed. The aunts are the only creatures to be harmed by the peach on its charge to the ocean. There is plenty of destruction caused by the peach, free farm animals, a destroyed chocolate factory, and crushed cars, but only the antagonists are killed, releasing James from their control. There is no sadness at the death of Spiker and Sponge. Centipede’s announces, “That was Aunt Sponge!” (53) with the first bump and, “That was Aunt Spiker” (53) with the second bump is met with “cheering all round” (53). James does not express any grief and never mentions them again, a testament to the depth of his suffering while in their care.
Once the peach stops, James and the insects untangle themselves and start to imagine what wonderful place they might have landed in. Up until this point, James has not put forward a suggestion or idea, being happy just to be accepted and included. Now, he verbalizes his greatest wish, one that he has dreamed about for the past few years, “[to be] near the seashore, [...] with lots of other children down on the sand for me to play with” (56). The years of torture and isolation have not crushed James’s spirit or soul, and he still has faith in finding the joyful life he remembers before Spiker and Sponge.
When the group of travelers find themselves in the ocean, James is the only one who remains calm, and for the first time since he was four, he takes the lead, calming his friends and explaining that they are floating and safe. His friends listen, which triggers another long-forgotten positive feeling for James after years of Spiker and Sponge ignoring him completely. Earthworm, panicking about starving, provides James with his second chance to impress and guide his friends. When James points out that they are on a floating meal that will last for weeks, the Old-Green-Grasshopper calls him dear James and says words he has not heard since he was four: “I don’t know what we’d do without you. You are so clever” (60-61).
The contentment and joy that James feels in the company of his unusual, boisterous friends is palpable, portrayed in the universal enjoyment of the luscious “juicy, golden-colored peach” (61) which each creature savors and marvels at. James’s joy is not overtly described, but the fact that he laughs at Earthworm’s unintended joke, “the problem is that there is no problem” (61), and smiles back at Miss Spider, both of them “chewing away happily,” is in vivid contrast to his life a few days ago that these small gestures take on greater significance. The peach is their symbol of home, providing not only safety and shelter, but sustenance and comfort.
Dahl develops the characters of each insect through their commentary. Centipede, a bit of a braggart, can’t help mentioning that he has “tasted all the finest foods in the world” (62-63) while complimenting the delicious peach. The good-natured Old-Green-Grasshopper says the sharks are probably fish, coming over “to say hello” (65).
Dahl maintains the steady swing of a joy-fear-pendulum throughout the book. In this section, the fear of drowning and starving is replaced by the joy of eating the delicious peach and enjoying the ocean followed by “panic and pandemonium” (66) when the sharks arrive. By now, the insects do not just listen to James, they actively seek his advice. He has become the unofficial leader of the group and the one they turn to for help. He is loved, respected, and valued—essential human qualities that he has been deprived of for many years. The sharks become the first major test to James’s heroism.
By Roald Dahl
Action & Adventure
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