92 pages • 3 hours read
Scott O'DellA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
In Karana’s culture, the titular blue dolphins are considered “animals of good omen” (63). Things look dire for Karana when her canoe springs a leak and there is no land in sight. The appearance of a pod of dolphins transforms the bleak mood into one of hope. Seeing her aquatic friends eases Karana’s loneliness. Even after the dolphins swim away, remembering this stroke of luck gives her the strength to continue “paddling when [she] wanted to lie down and sleep” (64). Later in the novel, O’Dell uses the dolphins to lull the reader into a false sense of security before suddenly escalating the suspense. On a calm day, Karana observes dolphins “leaping beyond the kelp beds” (113). A mere two paragraphs later, Rontu spots the giant devilfish. A fierce battle ensues, and the devilfish injures Karana and nearly drowns Rontu before they finish their quarry off. The sudden struggle comes as a surprise, especially because the dolphins’ appearance typically heralds glad tidings. In this case, both Karana and Rontu survive the battle with the devilfish, so the dolphins uphold their role as symbols of good luck.
Because the island is named after the blue dolphins, the creatures also represent Karana’s home. After Karana’s canoe springs a leak, the dolphins guide her home in multiple senses. They literally point her in the right direction; symbolically, they help her realize that, despite all her hardships, the island is a good place and she is fortunate to live there. Upon her return to shore, Karana embraces her life on the island with a restored sense of joy, even “hugging the sand in happiness” (64).
At the novel’s end, dolphins chart a course for Karana once more. This time, they swim before the white men’s ship “for many leagues” (174), leading the way toward Karana’s new home in the east. The dolphins’ presence reinforces the fact that Karana will carry the wisdom she gained on the island to her new life. Because the dolphins also represent good fortune, their appearance suggests that this new life will be a joyful one. As symbols of home and good fortune, dolphins give the setting its name, enhance the novel’s mood and suspense, and play an important part in the novel’s resolution.
The weapons Karana builds are a motif that develops the theme of The Struggle for Survival and Self-Determination. The laws of Ghalas-at forbid women from making weapons. Therefore, Karana’s belief that she can make her own weaponry equates to her deciding her own fate. At first, Karana hopes that the men of her village left some weapons behind. However, she eventually builds her own spear, bows, and arrows to protect herself from the wild dogs. This emphasizes two key points on the theme of survival and self-determination. First of all, Karana must learn how to live on her own without relying on aid from anyone. Secondly, in order to survive, Karana must move past her people’s expectations for her.
As Karana crafts weapons, she also crafts a new identity as a capable and confident survivor. While making her first batch of weapons, Karana feels “very fearful” because the villagers told her that disaster would strike any woman who broke the law (52). Since no one taught her how to craft spears or arrows, the weapons are the result of much trial and error. The second time Karana crafts a bow and arrows, her improved skills and confidence result in weapons that allow her to “shoot farther and much straighter than [...] before” (74).
While preparing this second batch of weapons, Karana makes spear points from sea elephant tusks because this is “the way the men of [her] tribe did” (74). No man from her village would attempt to hunt a bull sea elephant on his own, but Karana has more to prove, and she does not have the luxury of hunting partners. Acquiring the tusks and carving them into spears gives Karana the confidence to face the wild dogs.
The weaponry takes on more nuances as Karana matures and the plot progresses. The fishing spear with the long cord and detachable spearhead is the most complicated weapon Karana builds, and she constructs it to hunt the delicious albeit dangerous devilfish. She has other food sources, so catching the devilfish is not necessary to her survival. Rather, crafting the fishing spear and pursuing a rare delicacy are ways to challenge herself and seek thriving instead of subsistence. Karana uses her spear to capture the devilfish, and finishes it off with a whalebone knife after it seizes Rontu in its tentacles—fighting to protect a friend rather than just for her own survival or to prove a point.
Near the novel’s end, Karana resolves to stop hunting animals, vowing to never “kill another wild dog” or “try to spear another sea elephant” (149). This is a key development in Karana’s struggle for self-determination. At first, she needed weapons to feel safe on the island. Now, her skills and wisdom are so great that she can be secure without having to raise weapons against animals.
Karana’s house symbolizes her acceptance of the island as her home. Driven by loneliness, Karana attempts to join her people in the east. After a leak in her canoe forces her to return to the island, she finds herself filled with a surprising surge of happiness and makes an important realization: “The Island of the Blue Dolphins was my home; I had no other” (66). Immediately after coming to this realization, she decides to build herself a permanent shelter. Before the house’s construction, she makes do by occupying a hut in the abandoned village and by pitching a makeshift camp on a rock out of the wild dogs’ reach.
When Karana builds and furnishes her house on the headland, she takes her own needs and desires into account in a way she didn’t before. The finished result includes new cookware and shelves, “[e]verything [she] wanted was there at hand” (73). These furnishings reflect Karana’s determination to make the most out of her stay on the island rather than view it as a source of misery. For many years, she accepts the island as her home, puts aside any thought of rescue, and creates a life filled with joy and purpose for herself. Her permanent shelter is both the setting and symbol of this new life of acceptance and possibility.
By Scott O'Dell