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54 pages 1 hour read

Jandy Nelson

I'll Give You the Sun

Fiction | Novel | YA | Published in 2014

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Chapters 7-8Chapter Summaries & Analyses

Chapter 7 Summary: “The Invisible Museum: Noah, Age 14”

Noah empties tubes of colors into the laundry sink, mixing them with his fingers as he thinks about how Dianna drove off an hour ago to ask Benjamin for a divorce. As she started the engine, Noah had yelled “I hate you" at her. A shocked Dianna mouthed “I love you” back at Noah before leaving. As Noah continues to empty tubes of paint, the phone rings. A police officer is on the line asking for the residence of Dianna Sweetwine, and Noah is filled with dread, anticipating that something has gone very wrong: “(SELF-PORTRAIT: The Boy Inside the Boy Stops Breathing)” (338). The police officer refuses to give Noah any information despite his repeated requests, asking for Benjamin’s number instead. As Noah waits for Benjamin to arrive, he uses his binoculars to look for Jude and Zephyr on the beach and the cliffs, but they have disappeared. Benjamin finally arrives, and Noah knows, without him having to say anything, that Dianna has died. As they hug each other, Noah lies to Benjamin that Dianna was on her way to ask Benjamin to come home: “‘Before she left she said that you were the love of her life’” (340).

A sobbing Noah leaves Dianna’s funeral to visit Guillermo’s studio. He waits outside until an equally teary Guillermo walks outside, the latter stopping in his tracks when he sees Noah. Noah tries to get up, but is weak-kneed, and Guillermo catches him before he falls. The two of them sob uncontrollably in each other’s arms, until Noah finally breaks free and tells Guillermo that Noah blames him for Dianna’s death. He tells Guillermo that Dianna didn’t love him and wasn’t going to marry him, repeating the lie that Dianna was on her way to ask Benjamin to come home. Noah then retreats into himself entirely, all traces of his previous self-disappearing and he mind-paints a “(SELF-PORTRAIT: Untitled)” (342).

Chapter 8 Summary: “The History of Luck: Jude, Age 16”

When Jude wakes up, Noah is already gone, leaving her unable to confess about CSA. She makes her way to Guillermo’s studio with her sketches of Dianna for the sculpture. When Guillermo sees the sketches, however, his breath goes ragged. Upon realizing that Jude is Dianna’s daughter, he abruptly tells her that he cannot help her after all and tells her not to come back to the studio. As they are talking, Oscar rushes into the room, and Jude simultaneously sees Noah watching her through the window on the fire escape. He rushes in a moment later, and Jude is astonished to see fear on Guillermo’s face. Noah accuses Guillermo of causing Dianna’s death, and Oscar retaliates, saying that “No man has ever loved a woman more than he loved her” (345). Jude finally realizes that “Dearest” is Dianna, and Guillermo’s sculptures of couples are him and Dianna. Noah blurts out that Dianna was rushing to meet Guillermo and accept his proposal, revealing that this is what he was keeping a secret from Jude. Guillermo’s face fills with belated joy, but this is all too much for Jude to process, and she rushes out of the studio. Noah follows her, and Jude asks him if he lied to protect her and Benjamin. Noah explains that Dianna had not wanted him to lie about her life, but Noah has been unable to tell the truth, about her or about himself; therefore he has been avoiding Jude. Noah blames himself for Dianna’s death, because she was crying while she drove away after hearing Noah say that he hated her. As Jude consoles Noah and assures him it was not his fault, she breaks down and sobs for the first time since Dianna’s death.

Noah tells Jude about Brian and everything that happened. He believes he ruined Brian’s life, but Jude assures him he hasn’t, remembering the articles about him online. Jude finally confesses to Noah about what happened with CSA. Rather than upset, Noah is ecstatic—he was worried that he hadn’t been good enough and is thrilled to find out that that was not the case. Noah takes Jude to an abandoned construction site. One of the walls is covered with Noah’s work: multiple spray-painted images depicting everything that has happened over the past few years. Jude starts taking pictures, exclaiming how beautiful the paintings are and assuring Noah that he will get into CSA right away. However, Noah retorts that he does not want to go to CSA any longer. He doesn’t care about being good enough for an art school, because he has finally remembered the magic in art again. When Noah discovered that Jude was working with Guillermo, he was sure all his lies would unravel. Unable to just mind-paint anymore, Noah found the wall and began to paint again, wanting to get out everything that was in his head. As Noah takes Jude’s hands, all the discontent and ugliness of the previous years magically falls away; the twins run through the woods together, feeling light. When they play Rock, Paper, Scissors, for the first time they choose differently multiple times. They are happy, as it heralds “a new age” (353) in their lives. Noah assures Jude that he is not angry about what she did with CSA. He would have probably done the same thing, and perhaps had done so, in smaller ways, over the years. They discuss how Dianna possibly made the painting of the kiss hanging in Guillermo’s studio, and Jude contemplates Dianna’s relationships with Benjamin and Guillermo. Jude tells Noah that he must tell their father the truth so that he can finally heal and move on, just as Benjamin himself appears and joins them, having watched them run through the woods.

When Noah tells Benjamin the truth about Dianna, he responds simply with “Okay, yes. That makes more sense” (356); the root of his perpetual confusion following Dianna’s death is finally resolved. Jude confesses about CSA, and Benjamin is initially extremely disappointed. Later, however, he invites her out for a swim in the ocean, and he forgives her as he apologizes for not having been there for the twins after Dianna’s death. Noah and Jude make a pact: Noah will stop jumping off cliffs, and Jude will stop obsessing over Grandma’s “Bible.” Jude decides to make flying woman sculptures out of the paper in the “Bible,” a project she intends to title “The History of Luck” (356). That evening, Benjamin proposes a plan for them to move out of their current house and into a houseboat. Awed and delighted by Benjamin’s newfound lightness, the twins accept. Oscar arrives at the house and asks to talk to Jude alone. He tells her about how he knew Dianna through Guillermo. Oscar loved Dianna and was very close to her; she was the one who introduced him to photography, and she had talked endlessly about Noah and Jude to Oscar. Dianna believed that Jude and Oscar were kindred spirits and would fall in love if they ever met, and so had always jokingly told Oscar that he couldn’t meet Jude until she was much older. Accordingly, Oscar tries to tell Jude that it is not yet their time, but Jude points out that they are only three years apart. She does not want to deny destiny that has brought them together, compounded by the fact that both of their respective mothers seem to have “prophesized” about them being together. Oscar and Jude kiss, and they promise to love each other for a long time.

Noah and Jude together go to meet Guillermo at his studio. Guillermo confirms that their mother painted the kiss, surmising that she didn’t tell her children about her art for the same reason that Jude didn’t tell Dianna about her sand sculptures: because she was working towards perfection first. Guillermo reveals that he is the one who sent in the pictures of the sand sculptures to CSA: Dianna found them on the camera before Noah deleted them, and she showed them to Guillermo. Jude realizes that all along, Dianna wanted Guillermo, Jude, Noah, and Benjamin’s paths to collide, because each of them held pieces of the story that only they could respectively present to the others. Guillermo sets up canvases and paints for Noah to work, and Jude begins sculpting Dianna in clay. Jude tells Guillermo that she wants to continue working with him, despite everything—she has always felt a natural and easy connection with him—and Guillermo theorizes that Dianna broke all of Jude’s clay work so that she would be forced to find a stone sculptor. Jude finally returns Guillermo’s copy of Dianna’s Michelangelo biography.

Noah receives an invitation to CSA based on the pictures of his murals that Jude shows Sandy. Although Jude offers to give up her spot for him, Sandy tells her that she won’t need to. However, Noah has not decided yet whether he will accept the offer. Noah also finds Brian’s email ID and sends him a series of drawings he does, which he titles “The Invisible Museum” (370). A few days later, there is a response to his post on the Lost Connections website: “I’ll be there” (370). The following Thursday, as Jude and Benjamin emerge from the ocean after a swim, they watch Brian and Noah walk hand-in-hand out of the nearby woods. Dad tells Jude that although he assumed that Heather and Noah were together, “this makes more sense” (372). Jude agrees, and quietly wishes on a ladybug that has landed on her hand.

Chapters 7-8 Analysis

In the final chapters, Noah’s side of the story is reconciled with Jude’s, and the reader is made privy to the context of the chapter titles: Noah’s art series, titled “The Invisible Museum,” and Jude’s paper sculpture series, titled “The History of Luck”. As the book ends, it is revealed that different characters hold different pieces of the puzzle that make up the whole.

The theme of Love, Luck, and Destiny looms large in these chapters. Dianna recognized a kindred connection between Oscar and Jude even before they met, having prophesized about them, just as Oscar’s mother had. This contributes to Jude’s sense that Dianna intended everyone’s paths to collide. Guillermo shares this belief, even suggesting that Dianna may have broken all of Jude’s clay work so that she would be forced to find a stone sculptor to help her. A sense of the magical hangs over the end of the book—even Benjamin is not left unsusceptible, suggesting that the family move to a houseboat. A deeply rational and logical man, the revelation that Dianna was not actually on her way to reconcile with him but was seeking a divorce, calms him rather than upsets him. Finally, he resolves the puzzle that has been hounding him since Dianna’s death and letting go of this mystery leaves him breathing easier. His characteristic rationality does not entirely desert him, however, evident in his response to seeing Noah hand-in-hand with Brian: it makes more sense than Heather did, and that is all Benjamin needs to accept the truth.

Reconciliation is not exclusive to Benjamin, however. Each of the characters experience their own, personal reconciliations: Oscar with Jude; Noah and Jude with Guillermo and their memory of Dianna; Brian and Noah; and Noah and Jude. Sibling Rivalry becomes an issue of the past as Noah and Jude confess their respective secrets to each other and are each met with forgiveness and grace from the other. Each acknowledge the intensity of jealousy they felt towards the other, and the parts they played in harming the other. Their reconciliation is also aided by Noah’s rediscovery of the inherent magic of Self-Expression in Art. There is an abandonment of the need to conform and fit into a certain set of criteria, which was suppressing Noah’s artistic impulse. When he is unable to contain the impulse any longer, it bursts forth from him in an array of colorfully enchanting paintings, and he discovers that apart from CSA, he still finds magic and joy in art. It is a mark of Noah’s growth as a character that, even as he receives the offer from CSA, he ultimately remains undecided about whether he will attend the school. However, the reader is left with the sense that, even if he does choose to attend, there will be space enough for both Jude and him to flourish. For the first time in their lives, Jude and Noah are truly independent individuals, symbolized in their final game of Rock, Paper, Scissors, where they cannot choose the same as the other anymore.

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