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Frances ChaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Every night, Ara listens to messages recorded by the K-Pop band she likes, Crown, in the hopes of hearing Taein’s voice. She thinks about one message he’d recorded, explaining that the life of an idol isn’t as glamorous as it looks. Ara doesn’t mind that she can’t say anything back to him, and is relieved she is not expected to and can simply enjoy the sound of his voice.
At her hair salon, Ara is having trouble with one of the new assistants, Cherry. Ara tries to manage caring for several high-profile clients at once but becomes overwhelmed. Ara is already in a bad mood because there are rumors going around that Taein is dating another idol named Candy from the group Charming.
One of Ara’s regular clients is a KBC producer who works with Crown regularly during their music promotions. Ara builds the courage to ask the producer if she could introduce her to Crown. However, the appointment goes south as Ara realizes she is supposed to be tending to three clients at once, and her assistant Cherry is nowhere to be seen. Each of the clients becomes angry at Ara for not tending to them fast enough. The producer leaves before Ara can ask her for her favor. After she leaves, Cherry comes out from the back, holding Ara’s notepad that contains the question she’d wanted to ask the producer on it. Cherry tells Ara that she told the customers that she needs more time, before walking away.
Later that evening, angered by Cherry’s actions and the breaking news that Taein and Candy are indeed dating, Ara asks the manager of the store to send the other girls home, saying that she and Cherry will finish cleaning up the store. Once alone, Ara and Cherry quickly clean the store, and Ara begins to punch and kick Cherry. She leaves Cherry on the floor, stealing her shoes, and slamming the door to the shop closed behind her.
When Ara gets home, Sujin tries to comfort her, knowing she would be upset about the news that Taein is dating Candy. Sujin decides to give Ara the gift she’d been saving for her birthday: tickets to see Crown in concert. Ara begins to cry, and Sujin tries to console her.
Kyuri and her friend Nami are drinking together at her favorite street vendor’s booth. Men approach the pair constantly, commenting on how beautiful they look before cursing at them and calling them derogatory names when they ignore their advances. Kyuri thinks about how Nami is the only girl she still speaks to from her days at the less reputable salons in the red-light district. None of the girls she works with at Ajax knows about her previous experiences because they would judge her severely. Kyuri worries for Sujin, who desperately wants to become a room salon girl like her, stating that it’s not the life of luxury that Sujin believes it is. Kyuri explains that working for a room salon is actually an endless cycle of debt and repayment that is inescapable.
Kyuri left Miari, the place where she worked before going to Ajax, thanks to the help of one of her oldest customers, an elderly grandfather who gave her the money she needed to pay off her debts. Kyuri has continued to see the man after leaving Miari, removing her clothing so he can look at her. She states that it is nice that he only looks at her, and she feels slightly guilty that he believes she is going to school to become a teacher, when in reality, she has continued to work within room salons.
At Miari, Kyuri met Nami when Nami was 13 years old. She took a liking to her because she was so young and seemingly so innocent. Now, both Kyuri and Nami look very different due to their cosmetic surgeries. Miho joins the pair and informs them that Hanbin is going to be joining them as well. Kyuri thinks about Miho’s perception of Nami and herself, stating that Miho believes they do it simply because they want to make money. She thinks that Miho is extremely naive and asks her why she believes that Hanbin likes her. Miho becomes offended and tells Kyuri that she’d told Hanbin that Kyuri is a flight attendant, not wanting to tell him the truth about her job. Once Hanbin arrives, they quickly eat before leaving to meet up with some of Hanbin’s friends to go to karaoke. Everyone drinks and enjoys themselves; Miho and Kyuri go home together late into the night, leaving Hanbin, Nami, and his friends alone together.
The week passes quickly for Kyuri, but she can’t help but think about Bruce and why he hasn’t come to see her in the room salon. She thinks about the times that they’ve spent together and realizes that she always felt comfortable enough to sleep with him at her side on the nights where they would leave the room salon together. One night in the room salon, Kyuri is placed in a room with men who want the girls to drink with them, leading to many of them getting sick. Kyuri smiles and nods along with no other choice than to keep drinking.
The next day, Nami comes over to Miho and Kyuri’s apartment, seemingly nervous. She admits to Kyuri that she has been sleeping with Hanbin since they went to karaoke together several nights ago. Shocked, Kyuri asks Nami if Hanbin is paying her, which she denies. Nami says that Hanbin is very kind, but he has never said anything about Miho. After Nami leaves, Kyuri finds herself in a bad mood for reasons she can’t quite pinpoint. When Miho gets home, she asks Kyuri if she wants to go to the aquarium with her and that Hanbin can’t go with her because he has a family commitment. Kyuri states she doesn’t want to go because of all of the children that would be running around, stating that she never wants kids. Conversely, Miho admits that she wants four children in the future.
Kyuri thinks about how none of the women in her life besides Miho want to have children. Kyuri does not want to have children because she can’t imagine managing that responsibility when she struggles to manage her own life. Kyuri takes her birth control dutifully, remembering one of her old coworkers who’d quit because a sponsor had gotten her pregnant and moved her into an apartment. The woman ended up in a psychiatric hospital not long after.
Wonna is experiencing her fourth pregnancy, and she is convinced that she will have a miscarriage again, but she does not tell her husband about her fears. She goes to one of her check-ups, and she tells the doctor that she has a bad feeling about her pregnancy. The doctor comforts her, stating that she understands why Wonna would be apprehensive about her pregnancy given her history of miscarriage. She asks Wonna if she has considered seeing a therapist, to which Wonna responds by asking if that means that she would lose her health insurance since no one would want to cover her if she requires mental health treatment. The doctor continues with the check-up and tells Wonna to come back the next week for more tests.
Wonna uses the rest of her day off to avoid her husband, thinking about babies and their expensive strollers. She sees a child dressed in an expensive outfit with an embroidered blanket and tries to measure the cost of it against her monthly salary. When Wonna returns home, she accidentally runs into Sujin, whom she recognizes as being from the Loring Center. Wonna’s grandmother used to threaten to leave Wonna at the Center, and she decides she wants to be as free as Sujin and Miho who’d grown up at the Center. Later that night, Wonna finds herself nauseous and is unable to sleep. She thinks about work and the demands it places upon her.
In a flashback, Miho recounts her childhood to Ruby and Hanbin over lunch in New York City. Before Miho was sent to the Loring Center, she was raised by her aunt and uncle alongside her cousin. Miho’s cousin was a gifted student and very driven, while Miho struggled in school. Eventually, Miho’s cousin needed to be placed in tutoring and prep courses to help her get into an elevated science high school. The family struggled to afford to pay their bills and decided that for the sake of their own daughter, they would take Miho to the Loring Center and leave her there. For the first few months, they continued to visit her at the Center, bringing her containers of food and stationery. However, once Miho’s aunt gave birth to another child in the following year, she stopped visiting Miho entirely.
Ruby is outraged by Miho’s aunt’s actions. Ruby continues to ask Miho more questions but is stopped by Hanbin who tries to change the subject. Ruby asks him why he doesn’t want to know more about the situation, and he responds by stating that he doesn’t want to make Miho uncomfortable. Ruby, after a few moments of awkward silence, claims that what happened was for the best since it led to Miho going to school in New York. Miho agrees, thinking about the way that Mrs. Loring of the Loring Center had helped her with her art and that her story had been what had gotten her a scholarship to SVA.
After the group finishes eating, they go to a party at one of Hanbin’s friend’s apartments. There, Miho socializes with a young man named Jae who is in a different department than her at SVA. Hanbin, noticing that Miho is talking with Jae, joins them and speaks only to Miho, making Jae leave awkwardly. Hanbin tells Miho that he’s glad that despite her upbringing, she is in New York with him and Ruby. Miho excuses herself from Hanbin by telling him that Ruby is looking for him, and she leaves to find Jae to continue talking with him. She finds him upstairs with some of his friends, and they talk about school and Ruby. When pizza is delivered to the apartment, Jae and Miho are left alone. They continue talking, and Miho finds herself feeling affection toward Jae and kisses him.
Hanbin and some of Jae’s friends return upstairs, surprised to see Miho and Jae’s intimate moment. Miho feels embarrassed by Hanbin’s cold reaction to the scene. He tells her that her face is red and that she should go home. He tells her not to make a fool of herself and that it’s embarrassing. Miho leaves abruptly, crying and embarrassed by her actions.
In Chapter 6, Kyuri contemplates her role as a room salon girl, remembering her time at Miari. She thinks about how the other women in her life would react to her old job, stating:
None of the other girls at Ajax know that I used to work in Miari, and if they knew, many of them would likely never speak to me again. It’s ridiculous—we are all doing some variation of the same work […] But they’d judge me all the same. It’s basic human nature, this need to look down on someone to feel better about yourself. There is no point in getting upset about it (90).
Similarly to Chapter 2, Kyuri does not place blame on the women for their judgment of her. Kyuri believes this kind of thinking is “normal,” an innate human quality. This fact makes the reader feel sympathetic toward Kyuri and her situation despite the ways that she also plays into the condemnation and judgment of other women in Chapter 2.
Kyuri’s friend Nami represents the bottom of both the wealth and social hierarchies. Nami began working at Miari early in her adolescence, and she has since left to work at a different room salon and undergone several intense cosmetic surgeries. As each girl gets more beautiful through surgery, they get to work at higher-level salons, though Nami has not attained the level Kyuri has. Kyuri thinks about Nami and envisions how her life will pan out, stating, “Even though Nami has also moved out of Miari and into a third-tier room salon, she will continue to work until either she kills herself or they throw her away like a used dishrag” (95), revealing the harsh reality of what happens to women at the bottom of the social hierarchy. Kyuri understands this is her trajectory as well, though she still entertains the fantasy that someone rich may take her from her salon lifestyle in the same way the kind older man did from Miari. Nami, given her life experience and limited wealth, is stuck within a cycle of debt within the room salons, and she will continue within the cycle until she dies or is no longer of use. This stark image helps the readers to understand what it is like to work within a room salon, helping to overwrite the glamorous image that room salons often have.
Despite getting out of the room salons, the women in this story continue to be treated as less than their male counterparts. While the men interact with these women as their mistresses, the women are the only ones who receive the scorn of the public, and in turn, can suffer. Kyuri illustrates this experience by explaining what happened to a woman she knows from Ajax. She says that “I know a girl—she was a few years older than me—who worked at Ajax but quit because her sponsor wanted her to. She got a fancy apartment and had two babies. The last I’d heard was that she lost her mind and was shipped off to the mental hospital” (108). Working in a room salon exacts a heavy mental and social toll on the women who work within their walls. Despite working to support themselves financially, the women who work in room salons are viewed as immoral within society. The intense pressure and anxiety caused by the resentment and scorn of society can significantly harm the mental health of any person, let alone one who feels trapped as a mistress of a man who holds power over her socially and economically.
As a character, Wonna is extremely self-critical. Readers are exposed to this side of her in Chapter 7 after she leaves the doctor’s office and explores the small shops she finds on her way to the train station. She buys a scarf, perceiving it to be beautiful and of high quality because of its expensive nature. Once she buys it, she realizes that “the fabric is cheap and the ends are unraveling already” (114). She feels guilty for her decision to buy it, and scolds herself by stating that “Like everything else in my life, the impulsive choice—the wrong choice” (114). The scarf can be seen as a metaphor for her relationship with her husband. She chooses to marry him because he seems to have the qualities she wants him to have: a steady job and no maternal figure in his life. However, she realizes after she marries him that she does not like him; both her purchase and marriage are done impulsively, leading to regret and frustration that continues to compound throughout the remainder of the novel and illustrating The Dangers of Relationships of Convenience.
The novel depicts South Korean society as being extremely concerned with maintaining appearances, focusing on the perception of others rather than the truth of their character. In this way, people act on Perception Versus Reality, which makes it hard to develop lasting and deep connections with people. In Chapter 8, Miho describes what it was like growing up in a society surrounded by stigma. She states that her town was “so small that it felt like everyone in town knew us: the Loring Center kids. Orphaned, disabled, or delinquent. Our abandonment scared people, as if it might be contagious” (138). The concept of “Othering” is a literary trope in which society distinguishes a person, place, thing, or thought as not belonging. In this case, fear and bias against who or what is seen as “Other” create hostility and reinforce the polarization of the society. Miho, Sujin, and Ara all experience what it is like to be Othered within their small town, and they all eventually choose to leave it, not desiring to return.
At the end of Chapter 8, the author uses a literary device called synecdoche to depict how harmful it can be when a person is defined by only one of their traits. While leaving the party, Miho thinks about what people in her old town used to say to each other: “‘How Loring,’ they would have said if they could see me now, all the girls from the Center. ‘Stop being so Loring,’ I could hear the jeer. because secretly, to each other and to ourselves, even we used that word that way” (143). A synecdoche is a figure of speech in which a part is made to represent the whole. In this case, Miho explains the way that her experience living at the Loring Center became a defining factor in her life. This singular part of her life became the only thing others would see and characterize her with. This use of one characteristic to define the whole relates directly to the concept of Othering discussed previously. Miho, as a woman who’d grown up in Loring Center, is so influenced by the remarks and judgment of others that she begins to Other herself, unintentionally perpetuating the cycle of polarization within her society.