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34 pages 1 hour read

Allie Brosh

Hyperbole and a Half: Unfortunate Situations, Flawed Coping Mechanisms, Mayhem, and Other Things That Happened

Nonfiction | Graphic Novel/Book | Adult | Published in 2013

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Chapters 5-7Chapter Summaries & Analyses

Chapter 5 Summary: “The Helper Dog is an Asshole”

Allie and her partner Duncan set out to find a canine friend for their simple dog. At the shelter, workers warn them that a German shepherd mix has significant issues, but they decide to adopt her anyway. The new dog, whom they refer to as the helper dog in the hopes that this dog might help their other dog understand the world a bit better, does not seem interested in human interaction. However, when they introduce the two dogs, the helper dog turns out to be dog-aggressive to any dog within sight.

Allie and Duncan try everything they can think of in terms of training and classes to improve the behavior of the helper dog, but nothing they try works.

Allie attempts to train the new dog by giving her a treat every time she stops being dog-aggressive, but instead this trains her to briefly be dog-aggressive, stop for a treat, and go back to being dog-aggressive. She also teaches the simple dog to be dog-aggressive.

At night, the helper dog waits for a neighbor to bring their dog out for a potty break; when the other dog emerges, the helper dog tries desperately to get outside to attack the neighbor’s dog by slamming her body against the glass sliding doors. In a series of increasingly complex attempts to keep the helper dog from trying to attack, Allie and Duncan first move the helper dog’s bed into the hallway, then gate her in the hall, and put a vacuum (which normally terrifies the dog) in front of the gate—none of it works until they put the dog into their bathroom for the night.

Yet, even though in addition to her dog-aggression, the helper dog has “every single problem that it is possible for a dog to have” (97), Allie looks for the few good qualities the dog does have: she’s able to jump very high and might be able to defend their house from attackers (if the attackers were dogs).

Chapter 6 Summary: “Depression Part One”

Allie woke up one day feeling sad without a clear reason for why she felt that way. She tries to stop feeling sad by sheer force of will, which doesn’t work. She struggles with basic life tasks, like laundry, and with going outside. She both feels and emotes less, until she becomes unsure of her ability to feel anything at all.

Allie reaches a turning point when she rents movies and fails to return them in a timely manner. Her late fees pile up, as they did in Chapter 3 in a similar circumstance. She bikes to the movie rental store, where she hopes to rent the film Jumanji. The store does not carry it. Another patron looks at her oddly. Allie realizes that normally she would feel very self-conscious if a stranger gave her such a look, but instead she feels nothing. The lack of caring about the look makes her feel invincible, so she rents a lot of horror movies and purchases seven packages of Skittles candy. An illustration on page 120 depicts Allie biking home from the store without her hands on the handlebars under the caption “NOTHING CAN DO ANYTHING TO ME” (120).

Chapter 7 Summary: “Depression Part Two”

Over the course of her childhood, Allie’s engagement with her toys lessened and the process of inventing stories for them became less fun. The second half of her depression feels the same way, with an emotional deadening that leads to a “soul-decaying boredom” (125). She has issues with generating facial expressions that correspond to the emotional valence of conversations.

Others who are not ill with depression give her unwanted advice on how to feel better or more hopeful. Allie admits the most frustrating thing about depression is that it’s not possible to fight it with hope. She uses the analogy of having dead pet fish to demonstrate various unhelpful responses she received from others when she tells them about her depression. She starts spending more time alone, which becomes a self-reinforcing cycle. She realizes that she wishes she were not alive anymore, and she wishes no one loved her to remove any obligation she feels to keep existing.

Allie thinks of various ways to tell loved ones she is feeling suicidal. Other people have lots of feelings about her lack of feelings. Allie agrees to see a doctor. Once prescribed psychiatric medication, Allie begins to have feelings again, although her first feeling is hatred. Next, she begins to cry even when she isn’t feeling sad. One day, while lying on the floor crying, she spots a piece of old corn under the fridge. Seeing the corn causes her to begin laughing uncontrollably though she does not know why she is laughing. The corn causes an epiphany that maybe things will, one day, get better.

Chapters 5-7 Analysis

Chapter 6 delves deeply into the struggles with mental health that form a clear and coherent thematic arc throughout Brosh’s book. It also builds upon the use of shame as a motivational tool, which she explored in Chapter 3. Her motivational self shames her depressed self for feeling sad. Brosh uses a similar two-selves meme illustration format in Chapter 6 as she did in Chapter 3. However, in the case of mental illness, shame proves an ineffective tool. Instead of being effective, this technique simply makes her more depressed.

Writing candidly about her struggles with depression has been cited repeatedly in reviews of Brosh’s work as one of the things that sets her work apart and has caused it to be recognized. The stigma of depression can mean it is not as frequently discussed in popular humor books like this one. Both Chapters 6 and 7 are examples of this. However, instead of simply acknowledging her struggles with mental illness or talking about how difficult the experience is, in both chapters Brosh creates a redemption narrative that ends on a funny note.

In Chapter 6, this humor comes from her realization that her anhedonia (inability to experience strong emotions) leads her to no longer fear feeling judged by strangers for purchasing too many Skittles or wearing sleepwear outdoors. In Chapter 7, the humor comes from the journey up again after a depression so deep that she has suicidal ideations. What precipitates her journey back up to feeling better is a piece of old corn she sees under her refrigerator. Even though she deals with serious topics, Brosh is still writing a humor collection: she focuses on the uplift at the end of each episode to end the pieces on a more comedic note.

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