60 pages • 2 hours read
Richard LlewellynA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Huw Morgan is the narrator of the novel as well as the protagonist. He tells the audience the story of his community, seen from his perspective. This limited first-person perspective means that the audience only ever sees and experiences the Valley from Huw’s standpoint. In this way, Huw is the protagonist. He is born into a mining community at a time of radical change. As the years pass from the 19th to the 20th centuries and as Wales and coal production is forced to modernize, the men of the Valley struggle to keep up with the changing world. Huw has both older and younger siblings, meaning that he is caught in the middle of his family just as he is caught between the past and the future. He is defined by this tension, the push and pull of different worlds. He is born too late to live in his father’s past and too soon to reap the benefits of modernity. He is also too clever to be stuck in the mines all his life, so he is told, but too loyal to leave his hometown. As such, the protagonist of the novel represents the contemporary tension of the Welsh valleys. The old way of life is dying, and the modern world is struggling to be born. As a result, the protagonist of How Green Was My Valley exists in the time of upheaval, chaos, and strife.
Throughout his life, Huw suffers from loss and tragedy. He is beaten up, mocked, ostracized, and made to deal with moments of terrible grief. From losing Marged to losing his father, to nearly dying while trying to save his mother’s life, Huw is taught how to suffer. In this respect, loss and tragedy are a foundational part of his character and they define his role as the narrator. By the end of the novel, Huw makes clear that his desire to narrate his life’s story is not just due to the need to share his experiences. Rather, the narration has a sense of urgency which is driven by his grief. By telling the stories of the people he has lost, by narrating the experiences of the community and the people who have now passed away, he hopes to keep them alive in some meaningful sense. Marged, Gwilym, and Ivor will never die, so long as Huw can share their stories with other people. He is not narrating for his own sake, but in an effort to stave off the final forgetting of the people he loved the most. Huw does not choose to be a narrator. He feels compelled to be a narrator, as the alternative is too terrible to comprehend.
Huw’s father Gwilym is a man of a different time. By the time Huw is born, Gwilym is already the father of seven children and a pillar of the local community. Huw’s older brothers follow in their father’s footsteps and work in the mines but there is a clear generational difference between how they approach the fight for fair wages. Gwilym shares his sons’ belief in honest remuneration for honest work, but he is more conservative in his approach. For all the radicalness of the contemporary era, influenced by socialism and Marxist ideology, Gwilym sees an advantage in tradition and care. He is not willing to adopt the confrontational and aggressive demeanor of the union and he drives a wedge between himself and his sons by refusing to back their radical agenda. Nevertheless, he welcomes them back into his house and strives to mend his relations with them. His Christian views and his role as a deacon in the local chapel are more telling of his personal ideology than his traditional politics. Gwilym treasures community and morality above all else. He is a staunch, honest man who treasures his family and his way of life.
As the father of so many sons, Gwilym functions as a model of masculinity. Through his interactions with other men and his relationship with his wife, Beth, Gwilym constructs an idea of masculine identity that Huw subconsciously strives to replicate. Gwilym and Beth are a loving couple, even if they disagree often. They are very loyal to each other and their love—though not loud or ostentatious—is never doubted. Similarly, Gwilym is not an outspoken member of the community until such a time that his advice is sought. He is dependable, loyal, and honest, which is why he is raised to a supervisor position. The fellow members of the working-class community trust Gwilym, even when he disagrees with their politics. Huw sees his father as an honest, moral man and Huw strives to be like him whenever he can. Gwilym directly teaches his son that this quiet, moral masculinity is not devoid of violence. When necessary, Gwilym tells his son, he must fight. He must fight for what he believes is right and he must stand up for himself and his family. When Huw attacks Mr. Jonas for his anti-Welsh actions, Gwilym is not furious with his son. He empathizes with Huw’s anger, knowing that his son is simply acting out the lessons he has learned from his father.
Reverend Gruffydd arrives in the Valley at the beginning of the novel. He is a big influence on Huw, and he quickly becomes an important part of the community. At first, Reverend Gruffydd is something of an outsider. He is not a miner, nor is he a working man. He is an educated man who preaches every Sunday in the chapel, providing a moral guidance for the men who spend their days underground. The more time Reverend Gruffydd spends around the miners, the more he sees them suffer at the hands of the owners of the mine, the more radicalized he becomes. Soon, he turns his chapel pulpit into a way to rally the community in solidarity against the owners. He may not be a member of the union, but he offers the striking men his unwavering support. The quiet village priest is radicalized by the suffering of the miners, illustrating how the desperation of their situation can alter the demeanor of a seemingly mild man.
Huw is shocked to learn that Reverend Gruffydd is one of the poorest people in the community. The chapel pays him very little, and he survives thanks to donations from the congregation, either in terms of money in his collection plate or payment in kind in the form of cooked meals from families like the Morgans. Huw is so shocked by the revelation of Reverend Gruffydd’s relative poverty because he has seen the priest giving so much to the community. During the strike, when families struggle to the point of starvation, Reverend Gruffydd no longer receives many donations, and few people can afford to cook for him. Nevertheless, he is tireless in his efforts to source and distribute food and supplies to the people of the community. Rather than his sermons, his selfless charity during the strike provides the community with a template for Christian values. Through his actions, Reverend Gruffydd shows the community—and Huw—what it takes to be a good Christian man.
For his Christian morality, however, Reverend Gruffydd allows himself a moment of temptation. He is nearly 20 years older than Angharad, but he falls in love with her. Reverend Gruffydd knows that the relationship is not feasible, particularly when she has an extant offer of marriage from the wealthy Iestyn Evans. He rejects Angharad, who enters into a miserable marriage with Iestyn. Years later, when Iestyn is away in South Africa, Reverend Gruffydd meets regularly with Angharad. Many people believe that the priest is committing adultery at worst or, at best, acting inappropriately with a married woman. Huw goes to his mentor, Reverend Gruffydd, to speak about the matter. Reverend Gruffydd does not defend himself. He accepts that he has acted immorally. After years of dedication and charity, a consensual relationship between two people deeply in love is enough to ruin the priest’s reputation. He is fired from the chapel and driven out of the community. The nature of Reverend Gruffydd’s departure shows Huw that the town cares more about the appearance of morality than morality itself.
Bronwen marries Ivor and becomes an essential part of the Morgan family. She lives nearby in a separate home, though she is so frequently in the main Morgan household that she is essentially a part of the immediate family. This is even more true after the death of Ivor, when she becomes a widow with two children to raise. Bronwen’s status as a widow, especially the widow of a man who died in the mine, is understood in the community. She is helped by her family and her neighbors in a show of working-class solidarity. She no longer has money coming into her home, however, so Beth recommends that Huw move into her house and share his wage with her. In this moment, Beth is sacrificing income in her immediate household to support her daughter-in-law. Bronwen’s travails illustrate the way in which the community is able to come together to deal with adversity, in spite of their poverty.
Bronwen’s relationship with Huw is an important part of both their lives. In his youth, she is almost a secondary mother figure. She feeds and clothes him, offering her support when he is struggling. At the same time, Huw struggles to deal with his nascent sexual desire for his sister-in-law and he does not know how to process his attraction to her. Even after he moves in with her and they form a co-dependent, platonic relationship which functions as an asexual substitute for marriage, they never discuss their relationship. Later in the novel, however, Bronwen reveals that she has known for many years that Huw loves her. She loves him, too, even if he reminds her of her dead husband. The law says that they cannot be together, as she was once married to his brother, but she does not care. Bronwen values human compassion more than the opinions of others or the bureaucratic dictates of some institutions which has had no bearing on her life. She loves Huw and Huw loves her; she does not care about the gossip in the Valley, and she has a far better understanding of their true affection for one another than Huw, who has happily deluded himself. Through her relationship with Huw, Bronwen reveals that she possesses a far greater and more practical emotional intelligence than any other character in the novel. She refuses to be bound by social expectations if they stand in the way of making her happy.