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59 pages 1 hour read

Ottessa Moshfegh

Homesick for Another World

Fiction | Short Story Collection | Adult | Published in 2017

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“The Surrogate”Chapter Summaries & Analyses

“The Surrogate” Summary

This story is narrated by a white woman working as a surrogate vice-president for an Asian-American family-owned company called Value Enterprise Association. She is known only by the name of her surrogate character, Stephanie Reilly. Stephanie is hired by a man named Lao Ting, who thinks that the American businessmen he works with are more likely to cooperate with a “beautiful” woman than an old man. Stephanie spends her days riding in a chauffeured car to business meetings, where she repeats the information Lao Ting and his wife Gigi give her. She enjoys spending time with the family in their offices and appreciates her large salary.

Although Stephanie’s job relies on other people’s attraction to her, she struggles to accept her body. She is especially self-conscious about her labia, which are swollen because of a pituitary problem. Stephanie attributes this problem to demons, who speak to her constantly and who she believes are poisoning her. When Stephanie goes clubbing, she wears a long trench coat and sunglasses; she also tapes pennies over her nipples and a photo of Charlie Chaplin over her genitals. If she does take men home, she does not sleep with them. Instead, she has them sit on her couch while she strips. The men do not respond positively to her swollen genitals.

Stephanie sometimes works with another surrogate named Robbie, who acts as the company’s lawyer. Robbie jogs 12 miles every morning, and has many eccentric habits, like eating volcanic ash. Robbie claims to have been a mule who was beaten by his owner in a previous life, and he describes his suffering to Stephanie in explicit detail. Stephanie eventually tells Robbie about her pituitary problem and swollen genitals, and he gives her the number of a magician who he says can turn her negative energy into positive energy.

One day, Lao Ting goes swimming and disappears. Deeply moved by his death, Stephanie spends an evening mourning with his family, at the end of which Gigi serves a tea that causes her to fall into a deep and dreamless sleep. After Lao Ting’s death, the family tries to maintain the business, but it cannot function properly without him, and Gigi is forced to close, leaving Stephanie and Robbie jobless. A few years later, desperate and thinking of suicide, Stephanie calls the number Robbie gave her. She explains to the magician that she can still hear the demons speaking to her, and that she has stopped taking medicine. It is revealed that, in the present, Stephanie lives with the magician, who doesn’t mind her swelling. He is an old man, and she believes that her pain and sadness rejuvenate him and cause him to thrive.

“The Surrogate” Analysis

Though Stephanie is hired as a surrogate explicitly because of her good looks, her body is also the primary source of her sadness. This tension is central to the characterization of the narrator. Lao Ting explains that Stephanie’s job is to “manipulate” the men she encounters: “[T]hey may see you as a sex object, and this will be advantageous in business negotiations” (245). The emphasis on Stephanie’s figure in the opening paragraphs—“five foot nine, 116 pounds, with long, silky light brown hair”—establishes her as an exemplar of European beauty standards, perfect for achieving Lao Ting’s business goals. Stephanie’s job is to make people trust and like her, and the narration suggests that she is good at her job. The businesses she meets with “were always easy to please me, eager to show that they were on my side” (252).

In her private life, however, Stephanie struggles to connect romantically with other people, and seeks to hide her body as much as possible. When she goes out on the weekends, Stephanie hides her body under “a trench coat, an old hat like a detective’s, and a large, tinted eyeglasses” (247). Underneath this stereotypical disguise, Stephanie wears red lingerie; however, she also tapes pennies onto her nipples and a photo of the actor Charlie Chaplin onto her swollen pubic area. While the red lingerie may be intended to entice, the pennies and picture of Charlie Chaplin act as a kind of shield, preventing meaningful sexual contact. This multi-layered costume suggests that, although her job is based on her attractiveness, Stephanie struggles to accept her body.

The themes of Sexual Exploration and Freedom and Life Under Capitalism work together in this story. Since her economic well-being depends on being seen as a “sex object,” she is unable to embrace sexuality on her own terms and is inhibited by the fear that her body does not match the ideal form that exists in men’s imaginations. Her self-image is bifurcated between public and private spheres: she knows that the parts of herself that everyone sees are conventionally beautiful, but she fears that her genitals—the most sexual and most private part of herself—are repulsive. The fact that she is known only by her surrogate name suggests that “Stephanie,” during the time in which she holds this job, is not fully herself. Only when she meets the magician, who accepts her whole self without reservation, is she able to erase the divisions between public and private, real and performed identities, and become a complete person.

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