50 pages • 1 hour read
Harlan CobenA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Brooke is agitated to learn that she’s not allowed to speak to Patrick. Chick, her husband, is furious that Myron saved Patrick but not Rhys. Myron feels sorry for Chick, who is aggressive and rude but clearly still grieving the loss of his son.
Myron goes to a coffee shop, where he receives a text from Terese saying that she’s interviewing for a prime-time anchor slot in Jackson Hole. Nancy Moore, Patrick’s mother, enters the coffee shop and thanks him for saving her son’s life. He asks if she’s sure that it’s Patrick, but she’s positive that it’s her son. Myron watches her leave and get into a van with her ex-husband Hunter. He and Win both think this is suspicious. They go to the hospital, and Myron tries to get permission to see Patrick. He is denied, so he barrels past the security guard. Patrick’s room is empty.
Brooke and Chick are furious. They discover that the Moore family is on a private plane back to the US. This is a contrast to Brooke’s past demeanor: She was criticized after the boys went missing, and perceived as too calm, which made the police suspicious of her and Chick. They hold a press conference and show the age-progression pictures of the boys, as well as a photo of Fat Gandhi.
Win fears that he has damaged Brooke’s trust in him and is extra motivated to find Patrick and right his wrong. Nancy texts Brooke, and Chick says that Nancy never liked them and blamed them for the boys’ disappearance. In turn, they never liked her ex-husband Hunter.
Brooke and Myron discuss how he and Win met in college. Myron thinks that he was partially drawn to Win because of his “darkness.” Five football players broke into Win’s room to shave his head and Win injured all of them. Brooke reflects that Nancy will do whatever is best for her child, and Myron tells Brooke to do what is best for hers.
Nancy texts Brooke that she’ll come to her house. Myron goes to his former high school to see his nephew Mickey play basketball. He stands in the gym and reflects on his basketball career, reminiscing with Mickey’s coach. Mickey stands out as the best player on the court.
After the game, Mickey and Myron climb into a limo. Mickey’s parents are currently out of the picture, and Myron’s parents are staying with him. Myron tells Mickey about Patrick and Rhys, who are the same age as Mickey. They arrive at the Prudential Center in Newark to watch professional wrestling. Myron’s friend Esperanza Diaz is a member of the Fabulous Ladies of Wrestling, and Myron is there to watch her and her friend Big Cyndi.
Big Cyndi, who was formerly Myron’s receptionist at the sports agency, greets Myron and Mickey. Esperanza joins them and offers to help in the case. Myron tells Mickey that he is going to meet Patrick tomorrow. Mickey offers his help, pointing out that he could offer insight into the case since he and Patrick are the same age.
Myron drives through a wealthy neighborhood to the Baldwins’ house, where he meets Clark, Rhys’s older brother. Now 21 years old, Clark is a junior at Columbia University. Myron asks Clark what he remembers about the day of Patrick’s and Rhys’s disappearance. Clark reminds him that Rhys and Patrick had a half-day at kindergarten that day.
Myron greets Brooke and retraces the steps of the crime scene with her, trying to understand where Patrick and Rhys were playing. He walks along the glass windows, skeptical that no one saw men in ski masks break into the house. He finds it odd that the kidnappers knew that the boys had a half-day and would be home early. Brooke discusses how traumatized she is by her own house and struggles to find closure. Then Chick arrives and tells Myron and Brooke that he received a text from Nancy, asking them to meet her at her house.
Myron drives to the Moores’ house as Chick and Brooke hold hands in the back seat. They are all discouraged to see news trucks surrounding the Moores’ house. So far, the media only has one picture of Patrick sleeping in the hospital, and they all want a picture of a family reunion. Myron notices a “for sale” sign in the yard. He deduces that since Hunter and Nancy got divorced, Nancy now lives here with Francesca, who is Clark’s age, and Patrick.
Nancy is waiting for them with a man in his early fifties whom Myron does not recognize. Chick is hostile toward the stranger, a psychiatrist named Lionel. He tells them that Patrick cannot help them, and they should not speak to Patrick. Lionel says that Rhys was held by the same man who held Patrick. Patrick is comforted by the presence of his sister Francesca.
Nancy tells them that she understands they are worried, but she ultimately prioritizes her son. Chick storms past Nancy and Lionel and runs up the stairs to Patrick’s bedroom, which has not changed in 10 years. Patrick is huddling on the ground, rocking back and forth. Hunter asks them to leave.
Win stays in a luxury hotel in Rome, where the staff know him well. Every time he stays there, he hires sex workers. He justifies this by pointing out that he enjoys sex and, unlike Myron, believes that sex is preferable without an emotional connection. He is not interested in romantic commitment and prefers one-night stands. Myron worries about this aspect of his personality and fears that Win is missing out on romantic connections. Win is content with his choices and says he is a feminist.
Win visits some tourist spots in Rome, then he receives a phone call and makes his way toward a sporting goods shop. He enters a room at the back of the shop, where he meets a man in a soccer referee uniform named Giuseppe. Two other men are typing furiously; their workspaces are decorated with memorabilia of two rival soccer teams, Roma and Lazio. Giuseppe introduces Win to Carlo and Renato as their “new sponsor.” Win explains that he knew how to find them because Fat Gandhi was playing them when Myron saw him. Win offers them €100,000 to defeat Fat Gandhi in a video game.
Esperanza meets Myron at Baumgart’s, a restaurant in New Jersey. She tells him that her ex-husband canceled the settlement talks in their divorce proceedings. In Myron’s sports agency, Esperanza served as his receptionist, then got her law degree and became a partner. Her husband Tom wants a divorce and says she is an unfit mother because she works too hard.
Esperanza tells Myron that she went to the Alpine police station to find out the status of Patrick’s case. The detective who ran the case 10 years ago, Neil Huber, used to be a high school basketball coach; Myron played his team in high school.
That night, Myron waits outside a nightclub in the Meatpacking District in New York City. He watches Tom, who is drunk, attempting to get a drunk woman into his car. Myron tells Tom to reconsider and is annoyed by Tom’s confidence, reminding him that he is successful because his rich father supports him. Myron threatens Tom by telling him that Win will be home soon.
Myron contemplates the sometimes scandalous and corrupt world of New Jersey. He is disappointed that Neil looks like a typical politician. Neil tells Myron that the Moores are going on CNN in a few hours, and Myron ingratiates himself by telling Neil how he tracked down Patrick in London.
Myron asks Neil about the investigation, and Neil admits that there are several holes in the story. The police even doubted the stories that they were told at the time. The media was extremely unkind to Vada Linna, the Finnish au pair, who was very traumatized. Her father flew in and took her back to Finland. The police concluded that she was innocent and not connected to the kidnapping.
Neil says that he always assumed that Patrick and Rhys were dead. He thought the abduction was connected to Chick’s financial malfeasance, maybe people to whom he owed money. Neil is reluctant to say more about Chick but eventually admits that they discovered many texts between Chick and Nancy but were not able to see what the texts said. Chick and Nancy maintained that all texts were related to the boys or investments, but Neil suspected they were having an affair.
Within this section, Coben dives into the characterization of Win and Myron, as well as the four affected parents. He offers more information about the relationship between Myron and Win. Myron reflects that he was “drawn to Win’s darkness” in college (125), and shares an anecdote about Win retaliating against five members of the football team. Win gleefully describes his sex life, emphasizing that he takes great pride in it and reveling in how this sets him apart from Myron. In Win’s point of view, Coben also breaks “the fourth wall,” the imaginary barrier between the novel and its audience. For example, Win says things like, “Yes, I have hired prostitutes on many occasions. I will pause while you gasp out loud in indignation and then tsk-tsk your moral superiority” (168). His comment belies defensiveness, which he quickly follows with the information that he no longer engages prostitutes: “The simple truth is, I worked off an illusion of consent, of fair business practice, of a contract without duress. I have been educated to the fact that this is not always the case” (170). With these asides to the reader, Win sometimes works to ingratiate himself or rationalize his behavior, illustrating that he is not as impervious to criticism as he purports to be. This continued characterization of Myron and Win connects to The Moral Dilemma Faced by Those Seeking Justice, as Coben develops the respective moral codes of the investigative duo.
These chapters also delve into The Impact of Trauma on Individuals and Families. The characterization of the Moore and Baldwin families offers two responses to a traumatic event and an examination of the long-term consequences of that trauma. Coben probes the scrutinization of the four parents and the effect that this suspicion had on both marriages. Although at this point in the narrative the entire story is not revealed, it is clear that the boys’ disappearance was a driving factor in the Moores’ divorce. This same scrutiny affected the Baldwins, as Brooke describes the surveillance she was subjected to after the boys’ disappearance. Even Win notices how Brooke’s demeanor seems to indicate guilt, asking, “She doesn’t look like a grieving mother, does she?” (118). He points out that she was held to extra scrutiny after the disappearance because “she showed little outward sign of distress” (118). Her demeanor and appearance were heavily scrutinized in a way that the other three parents were not; she was perceived as too in-control, and this made the public suspicious of her alibi. These assumptions stand in contrast to the truth yet to be revealed: Nancy, not Brooke, is the culprit.
In accordance with the conventions of the thriller genre, these chapters continue to create tension and suspense while confounding Myron and Win with false leads and misinformation. Myron and Win dive further into the case and realize that there are more cracks in the stories than originally believed. While visiting Brooke’s house, Myron is confused as to how kidnappers could break in unnoticed. During Myron’s visit with Neil Huber, Neil confirms that the original investigative team also found this suspicious. In the opening chapters, characters are introduced, and the plot is set in motion; these chapters are more concerned with the technical details of the crime. Myron and Win show that along with their connections and their capacity for law-breaking or bending, they have investigative skills and are detail-oriented in their approach. Despite the sometimes humorous tone of the novel, they take their investigation seriously.
These chapters also offer more information about the long arcs and subplots that run throughout the series of novels. As the main plot of this novel continues, Coben gives more backstory about Myron’s life, introducing characters and events from previous novels and Myron’s history through the release of the documentary about Myron’s basketball career. The characters of Esperanza and Cyndi are also introduced, and Coben’s narrator continues to demonstrate a casual, humorous tone as Esperanza is described as “teeth-meltingly rocking a skimpy leopard-print suede bikini with a hair lasso” (136). Myron’s relationship with Mickey is developed. With the introduction of these characters, Coben offers a slice-of-life portrait of Myron’s life and relationships outside of this particular case while also offering development of his character and life.
By Harlan Coben