59 pages • 1 hour read
James A. MichenerA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Hawaii occupies a unique geographical position, located in the middle of the Pacific Ocean with no large land mass nearby. Consequently, voyagers from all directions have used it as a stopping point to replenish supplies before continuing to their destinations. The Polynesians who first settled on the islands traveled a vast distance to do so because no other nearby location was available. And, though Michener includes the migration story of these early Polynesians to emphasize Hawaii as a land offering opportunity to several peoples throughout history, it should be noted that Hawaiians are indigenous to these islands. When Captain James Cook landed in the islands in 1789, his voyage put Hawaii on the world map. In the later centuries, when merchant ships traveled the globe, it became an oasis to European and American voyagers. Today it remains ethnically and culturally diverse.
Michener’s version of Hawaii is an endorsement for assimilation, an extension of Manifest Destiny, and a microcosm of the American Dream.
Though it takes the different ethnic populations in Hawaii generations to cooperate, when they do, they prosper economically and culturally. Michener shows integration to be inevitable and separatism to be impractical. Immigrant communities isolated far from home find it difficult to maintain the traditions and beliefs that sustained them in their homelands, or else their homelands progress and they cling to older versions of their traditions. The feud between the Chinese Hakka and Punti villages makes little sense when both are hired to work side by side thousands of miles away in the sugar fields. Similarly, the Japanese refusal to associate with others is hard to enforce in a small community where rigid insularity cannot be maintained on a practical level. White Americans are also incapable of keeping themselves separate from the rest of the island population. Abner Hale wages a futile war against his missionary brethren who intermarry with Hawaiians, but he is no longer in New England, where his rigid standards might be sustained by others. His bloodline soon becomes interwoven with other races.
Published just three months after Hawaii became a US state, and written by an American from Pennsylvania, there are heavy American overtones to Hawaii. Hawaii is the most recent state to be admitted to the union, and also the westernmost, which echoes the 19th-century American doctrine of inevitable westward expansion, Manifest Destiny. Thus, Hawaii becomes a stage for the American Dream—multiple cultures and ethnicities working and merging together to create prosperity and a new Hawaiian-American identity, painting American colonization of the islands as an intrinsic good that makes for a more robust culture.
Every immigrant culture that comes to Hawaii undergoes a transformation that erodes the values they brought to the islands. For many, this evolution is greeted with fear and resistance. From the very beginning, the novel illustrates that a new land requires its inhabitants to turn away from old customs. The emigrants from Bora Bora are fearful of giving up their practice of human sacrifice to appease the gods. Teroro’s insistence upon not killing slaves to consecrate the new temple is the first step away from traditional values.
The missionaries come to Hawaii with the aim of weaning the Indigenous people away from customs that they consider uncivilized. However, the New Englanders are also called upon to change some of their ways. They resist giving up their woolen clothing or building a church with proper ventilation, even when common sense would dictate that a tropical climate requires these modifications. This rejection of change will have tragic consequences when Abner refuses the help of experienced midwives, and one of the missionary wives dies in labor.
Similarly, the Chinese stubbornly maintain an attachment to their home villages that makes no sense in the islands. Throughout her very long life, Nyuk Tsin continues to send money to Mun Ki’s so-called “real” wife in China. As her children rightly point out, the woman might have died years earlier, but the Chinese matriarch is determined to follow protocol rather than be guided by practicality.
The Japanese immigrants are particularly resistant to change since their culture requires devotion to the emperor and an ideology that sees Japan as the ultimate power in the world. Kamejiro is loyal to his homeland even when his sons fight on the side of America in World War II. The limited attitude that demands a wife for his son from his home village echoes the Chinese feud between the Hakka and Punti. When Goro brings back a Tokyo wife, this is viewed as a catastrophe. No one in the family could even conceive of a Japanese man marrying outside his village, much less outside of his nationality. Again, resistance to change narrows the field of opportunities for a better future.
The insularity of the white descendants of the missionary families is also a result of resistance to change. The five families that control Janders & Whipple and H & H Enterprises have been intermarrying for generations. The sons of these unions have gone on to leading positions in the companies even though their competence in these roles is questionable. The companies don’t improve their profit margin until Hoxworth finally decides to hire outsiders. Unlike everyone else, he understands that resistance to change can lead to one’s downfall.
Although most of the central characters in Hawaii demonstrate a desire to maintain the status quo, at least a few of them recognize the need to adapt or perish. A powerful example of this principle is Nyuk Tsin. Her determination to build a house on Molokai distinguishes her from the other outcasts in the leper colony, who sleep outdoors and make no effort to improve their circumstances. Instead, Nyuk Tsin salvages any scrap she can find to put a roof over the head of the Kees. Throughout her life, she demonstrates a breathtaking adaptability that allows her to see opportunity where others only see disaster. After Chinatown is burned during the bubonic plague epidemic, she buys land cheaply. She does the same when the Pearl Harbor attack makes many white people flee the islands. Perhaps her most unorthodox move is to welcome partnership with the Japanese after the war. She instructs her grandson to extend loans to Japanese merchants, knowing that this ethnic group will eventually grow in power and that it would be best to cultivate their goodwill.
Other minor characters also recognize the need to do things differently if they want to turn a profit. Rafer turns away from a career as a whaling ship captain and becomes a shipping magnate. Captain Janders leaves the sea behind and opens a mercantile store in Honolulu. Whip is ridiculed by the other members of The Fort when he claims that he can make his parched acreage profitable. He innovates and blasts a hole through the mountains to bring water to his plantation. Similarly, he travels the globe trying to find the most edible variety of pineapple, realizing that sugar cane shouldn’t be the only cash crop on the islands. Again, he is ridiculed for his efforts, but he persists and creates a market for the Cayenne pineapple.
Whip’s innovative streak is rare among the members of The Fort. The novel stresses the lengths to which these men will go to preserve the status quo. They only marry from within their own families, and they attempt to keep Asians out of power. Similarly, they deny unions for the plantation workers, prevent mainland companies from opening stores, and discourage Democrats from gaining a foothold in local politics. By the mid-20th century, Hoxworth begins to recognize that further intractability will doom The Fort. Just as Nyuk Tsin had foreseen years earlier, he realizes that adaptability to changing circumstances is the only way to survive.
By James A. Michener