44 pages • 1 hour read
Sharon CreechA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Jack is the novel’s protagonist, and because he narrates the text in the present tense for the most part, he is a first-person subjective narrator. This means that readers get his relatively unfiltered perspective of events and, just like his readers, Jack doesn’t know how things will turn out since he is narrating the events as they occur. A prime example of this is when his kitten, Skitter McKitter, goes missing, and Jack does not know if she will come home safe or meet a tragic end. His grief and sense of loss are even more poignant and immediate because they are undiluted by time or the knowledge that Skitter does eventually return.
As a student in elementary school, Jack is constantly learning about the world and himself, and poetry becomes an incredibly useful tool he uses to express his feelings and consider other people’s feelings. His hatred of cats is founded on his negative interaction with one cat in particular, but this gives him something to focus on and write about other than his grief over the loss of his dog, Sky. Hate feels like a big emotion to him, and it provides a convenient distraction from another consuming feeling: loss. However, when Jack gets a kitten, his view toward cats softens, and when the original hated cat brings his lost kitten home, Jack is compelled to revise his former opinion. This is an important development because of what it signifies about Jack’s thinking and his willingness to accept that he was wrong. Jack learns that judging a creature based on one interaction is a mistake, and so is judging an entire group based on one example. He discovers that the world can surprise him.
Jack also learns to make himself open to love again. He slowly begins to keep his mind and heart open rather than shutting others out, even though loss is possible and painful. After the black cat from the bus stop brings Skitter home, Jack says, “I left the door open / in case the fat black cat / wanted to come inside too,” which is a symbolic description of how he allows himself to remain open and vulnerable rather than closing himself off so as not to risk further pain (109). Thus, Jack is a dynamic character who uses verse to work through his feelings and process the ways in which they develop.
Jack also changes from being unwilling to write about his mother to writing a poem in which he addresses her, promising to hear and interpret all the world’s sounds for her. He is thoughtful and creative throughout, but he gains confidence and empathy as a result of his writing, which allows his communication and relationship with his mother to deepen. As Jack grows to understand the artistry of his mother’s language, he begins to think of most forms of communication as overlapping with art, allowing for greater insight into his writing and his life.
Miss Stretchberry is Jack’s teacher for the second year in a row. She never speaks in the novel and her messages to Jack are never included; yet all of Jack’s messages are directed to her, and they often allude to conversations that she and Jack have had. While they mostly discuss writing, she also encourages him to explore his emotions and open himself up to experiences. At times, Miss Stretchberry makes suggestions about writing topics, such as when Jack says, “No, I can’t write any more / about my dog Sky” (5), or “No I cannot write / about my mother” (35), as though he is answering a question she has put to him. At other times, she prompts Jack to get him to think more deeply about his writing choices, such as when he writes, “Go on? / Tell why that chair / is like a pleasingly plump momma?” (65). She also praises his work, which prompts him to say, “And / thank you for saying / I am a genius” (56). Jack’s responses to her words indicate that she is nurturing, empathetic, and respectful, in addition to being an excellent teacher. Jack is willing to write about topics that are painful or difficult for him because Miss Stretchberry asks him to. She explains to her students that it is their ideas that are most important in their writing, rather than focusing on technicalities like figures of speech; this spurs their creativity as well as their confidence.
Her last name—Stretchberry—is unusual, and it points to her qualities as a teacher. She stretches her students’ minds and talents, engaging with them individually and as a class, gently pushing Jack beyond his comfort zone while still respecting his boundaries. She treats her students’ writing with the same degree of seriousness as the work of Williams, Poe, or Tennyson, asking students to read their work with the same attention with which they read the work of well-known poets. This method sends the implicit message that her students’ work and they, themselves, are as important as the famous works they read and the famous people who wrote them. Miss Stretchberry stretches her pupils as students and as people; with her as his teacher, Jack’s confidence and abilities grow. The second part of her name—“berry”— is a fruit, which can also mean “result” or “reward,” usually of hard work. Thus, Miss Stretchberry’s name shows that she lovingly pushes her students to learn and explore, and her work produces wonderful results.
Jack’s mother is deaf, though he does not reveal this right away in his poems and notes. He first mentions her when he explains that Uncle Bill wants him to write longer lines but that his mother likes the short lines Jack writes. He describes the way his mother “runs her fingers / down them / and then / taps / her lips / once, twice” (10). The fact that she likes the way Jack chooses to express himself, instead of insisting on arbitrary “rules” about poetry, characterizes her as being more like Miss Stretchberry than Uncle Bill. In his work, Jack begins to ponder the way his mother experiences the world even before he reveals that it’s her he’s thinking about. For example, he asks Miss Stretchberry: “if you cannot hear / do words have no sounds / in your head?” (16), and he wonders if a person who is deaf experiences thoughts like they are watching a silent movie. By the time Jack tells Miss Stretchberry that it would be impossible to write about his mother, Jack has already written about her several times, suggesting that he is using poetry to work through his uncertainty regarding some aspects of her experience. When Jack learns about types of sounds and sound repetition, he becomes much more aware that the way he experiences the world is different from the way his mother must. He seeks to understand how she engages with the world without sound, and he works through some of his questions in writing, becoming especially fixated on how his mother communicates silently and how that must impact her thoughts—just as the repetition of sound impacts his own.
Through considering his mother’s experience of the world, Jack contemplates how it is possible to interact with the world in a manner different from his own . He clearly tries to engage with his mother and involves her in his study of poetry by reading aloud to her while tapping the poem’s rhythm. She obviously enjoys these interactions, as she asks him to read again while she taps. She is loving, understanding, and patient. Jack’s ability to communicate with her gives him confidence and pleasure, such as when he interprets for her at his school and he says, “when I saw my mother’s face / it felt good to me” (123). She comes to school and participates in the school function, and it seems to be the first time she has done so because Jack can now interpret for her. This leads to his final poem, in which he promises to “hear / all the sounds / in the / world” for her, writing them down so that she “can / hear / them / too” (125). Pondering their differences, attempting to empathize with and understand how his mother perceives the world, and recognizing how they can both “paint words”—she with her hands and he with descriptive images—gives Jack confidence as a writer and as a person.
Uncle Bill is a foil to Miss Stretchberry, and he is also juxtaposed with Jack’s parents. Jack does not like Uncle Bill or Uncle Bill’s ideas about what makes “real writing,” as they are vastly different from and much more rigid than Miss Stretchberry’s. Uncle Bill has professional authority as a college professor, but his opinions about poetry are pedantic and stuffy, as he insists that the use of rhyme, meter, and figurative language is what characterizes true verse. As a result, Uncle Bill discredits Jack’s writing, saying that it isn’t poetry at all, making Jack want “to / punch / him” (7). Uncle Bill is so unlikeable and unpleasant to be around that Jack’s father hopes Uncle Bill’s allergy to Skitter McKitter will keep him from visiting them again. He is an unlikeable person with rigid, outdated ideas about poetry, in contrast to the thoughtful and nurturing Miss Stretchberry.
Uncle Bill dislikes poets like William Carlos Williams who write about life’s small moments and ordinary things, like wheelbarrows and plums; this is also juxtaposed with Jack’s attention to those simple moments and small things in his own work. While Uncle Bill wants “LARGE things! / LARGE moments! / […] poems about / death and dying / about war and tragedy” (96), Jack enjoys writing about his kitten sitting next to a picture of his dog, for example, finding meaning there. Thus, Uncle Bill’s need for “LARGE moments!” to convince him of a poem’s merit makes him seem boorish and insensitive, especially when compared to Jack’s own emotional intelligence and insight. Uncle Bill is a flat character, valuable as a counterpoint to Miss Stretchberry and Jack, who develops the self-confidence to stand up to Uncle Bill and defend Williams (and, implicitly, himself).
By Sharon Creech