57 pages • 1 hour read
Emily HenryA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Harriet reminisces about a luxurious cottage in Knott’s Harbor, Maine. The rocky coast, smell of evergreens, cold pull of the ocean, and her dearest friends Sabrina and Cleo make this seaside cottage Harriet’s happy place.
The novel flashes back to the past. The three friends met in college. Pre-law student Sabrina is a Manhattan heiress with a high fashion sense and love for the horror genre. Painter Cleo had a passion for organic foods. Harriet was pre-med; she chose the college because it gave her the best financial aid. Before meeting Sabrina and Cleo, Harriet never had close friends, and had “never been loud” (3). Harriet grew up in a quiet, reserved household, where shouting indicated not joy but conflict between her parents and her much older, rebellious sister Eloise. With Sabrina and Cleo, she could bask in silence or happy noise. Harriet couldn’t imagine being happier than in college with them, until they went to Sabrina’s family’s summer home in Maine—or until she met Wyn.
In the present, flying from California to Maine for the friends’ annual summer vacation, Harriet listens to a meditation podcast about envisioning your happy place, picturing the seaside cottage. Harriet, Sabrina, and Cleo haven’t seen each other since last summer.
Sabrina meets Harriet at the airport. Harriet says her residency is good, but terrifying and exhausting. Sabrina asks about Wyn, but Harriet can’t tell her the truth yet. She doesn’t say that they last saw each other a few months ago.
At the summer home, Harriet is greeted by Cleo, Cleo’s energetic girlfriend Kimmy, and Sabrina’s boyfriend Parth. Harriet also comes face-to-face with Wyn, now revealed to be her ex-fiancé.
Harriet feels near sick to see Wyn, since their closest friends don’t know that they broke up five months ago. She planned to tell them during this summer trip.
Wyn calls her “honey” and cuddles up to her. She stiffens at his touch and at his light kiss, but since everyone’s watching, she composes herself and responds affectionately. She doesn’t want to implode their friend group. When she tries to excuse herself, Sabrina and Parth have an announcement: This is the group’s last summer in her family’s cottage. Her father is selling it. The friends react with sorrow—it’s the end of an era. At the cottage, they shared bonfires, secrets, and all-nighters. Harriet and Wyn kissed there for the first time. Now they’re losing their happy place.
Sabrina and Parth also announce they’re getting married at the end of the week in a beachside ceremony. This is shocking: Sabrina always said she’d never get married due to her father’s many divorces. Harriet dreads spending the week pretending that she and Wyn are still in love, but she’ll sacrifice anything for her friends’ happiness.
The novel flashes back to Harriet’s college days. The three friends live in an apartment. Parth, who had a law class with Sabrina and was known as an extreme socialite, rented their last room. When Harriet left for a semester abroad in London, Parth rented her room to another friend.
In London, Harriet enjoyed the pubs more than the ivy-coated buildings and classes. She had a fling with a fellow student—the studious Hudson. When she returned to her college apartment, she met the mystery roommate who rented her room, Wyndham Connor. Harriet was attracted to his crooked smile, wavy blonde hair, green eyes, pine smell, and easy-going nature.
Her roommates called Harriet a genius who would soar through medical school, but Wyn laughs at this characterization while she jokes that might be a murderer. Their banter eventually reveals that Wyn and Parth have a no-dating-each-other’s-friends rule, though Wyn seems to like her.
In present, after multiple toasts to Sabrina and Parth, Harriet and Wyn settle into their shared room. They argue while they race with their luggage, but Sabrina assigns them the biggest bedroom—as far as Sabrina knows, the couple is making their long distance relationship between California and Montana work.
Once alone, Wyn explains that Sabrina and Parth begged him to come, and he would never miss their wedding. Wyn tried to call her, but Harriet blocked his number after he broke her heart over a five-minute phone call. Furious, she mailed him back the engagement ring.
They agree to pretend to be in love for the sake of their friends. They also set boundaries: Hand-holding and light touching are ok, but no kissing unless in dire circumstances.
Outside on the deck for lunch, the group catches up. When they run out of wine, Harriet volunteers to go to the cellar and remembers kissing Wyn there. When she returns, everyone is laughing. She forces herself to grin and pretend her heart doesn’t sting.
Later, while swimming in the pool, Harriet asks for the proposal story. Parth, a type-A lawyer like Sabrina, proposed many times, but Sabrina wasn’t ready. Finally, Sabrina proposed to him with a scavenger hunt through Central Park. Parth explains that they were inspired by Harriet and Wyn’s deep love. Harriet feels terrible about lying.
Inside the house, Wyn corners Harriet. She has to wear the ring, or others will notice. Harriet slides the engagement ring on. When she asks about his mom, Gloria, whose health is failing, Wyn states she’s “good,” not elaborating. They return to their friends gathered around the fire pit.
The story flashes back to an earlier summer at the Maine cottage. Harriet, Wyn, Sabrina, Cleo, and Parth spent their days enjoying their favorite bookstore Murder, She Read, lounging in the pool, going to antique shops and fudge stores, eating too much lobster, and playing Never Have I Ever.
Cleo asked them deep questions, like what they’d do in another life. Sabrina would go back to cooking all day with her mom, sharing one of her rare happy memories when her parents were in love and noticed her. Cleo would farm, rather than become a famous painter, which made everyone laugh. Harriet overthought, as usual, and couldn’t answer. Wyn would move back to Montana.
During that week, Harriet and Wyn grew closer with easy conversations, stolen glances, and cheeky smiles. Every night in their shared room, they had intimate conversations about family, their dreams, and other topics. Wyn was endlessly curious, asking many questions but not supplying much about himself. They flirted as they learned more about each other, and Harriet couldn’t stop her attraction.
Readers are meant to fully trust Harriet’s first-person narration—she is not an unreliable reporter, but instead offers seemingly sharp and telling details about the other characters. Each of these descriptions relies on contrast—a shorthand way for a genre novel to simulate character depth, but one that typically relies on stereotype. For instance, Harriet describes Sabrina as a willowy fashionista Manhattan heiress “whose wardrobe was pure Audrey Hepburn and whose bookshelves were stuffed with Stephen King” (2). Harriet loves the way the otherwise poised Sabrina “outright cackle[s]” (3) whenever she reads something particularly terrifying. Both sets of descriptors are clichés, but their juxtaposition creates the illusion of three-dimensionality. Likewise, Harriet’s first description of Cleo as tiny, but wearing a septum piercing, dyed braids, “paint-splattered overalls and vintage Doc Martens” (2) relies on stereotypes that a smaller person wouldn’t normally be a tough-looking artist whose “clothes smelled like turpentine” (3). Harriet’s attention to detail as a narrator reveals both her passion for learning—she ran “out of highlighter” for her textbooks “because everything seemed important” (3)—and her excessive focus on others.
Harriet is often described Prioritizing Other People’s Happiness—one feature of which is her ability to rattle off generalizations that sound specific about her friends. As the product of a childhood in which she had to be a family peacemaker, Harriet learned to read others and predict their moods. She knows them better than herself. For example, she knows what one of Wyn’s looks means without him having to explain, and can spot signs that he’s tired, turned on, or upset. Harriet knows Sabrina is highly competitive, so if she doesn’t want to play a game, it’s not enough of a challenge. She knows Cleo is keenly perceptive and will engage everyone in deep, philosophical conversations. She knows that Parth and Sabrina argue because they’re strong-willed lawyers who don’t like to lose, but that their similarities make them a perfect match. She knows Kimmy’s spontaneity—like dancing on tables at bars—helps uptight Cleo be more carefree. Harriet knows her friends’ quirks, fears, and dreams, which allows Emily Henry to quickly establish the friend group’s connection. As a conflict-avoider, Harriet quickly overcomes her hurt and shock at Wyn being in Maine; she suppresses her feelings, as usual. She can’t allow herself to feel negative emotions for the sake of her friends’ happiness.
The novel’s flashbacks create increased tension, suspense, and a pattern of teasing out information across many chapters. This achronological structure also establishes the backstory of Harriet and Wyn. Without the key insights into their romance, such as how they met, inside jokes, loving connections, and more, readers wouldn’t care why Harriet and Wyn were apart and whether they can find love again. Moreover, the nonlinear storyline gives the friendship story more depth and momentum. By juxtaposing the past and present time frames, the novel shows the Shifting Friendship Dynamics of a young adults growing up and forming other attachments.
Harriet and Wyn’s rollercoaster of emotions for their romance exemplifies the theme of Rekindling Romance. For now, their agreement to fake being in love revolves around not upsetting Sabrina and Parth, especially since their wedding week should be perfect. But the mutual decision to put aside their own feelings shows readers how similar Harriet and Wyn are in their approach to conflict: Both are selfless and self-negating, a connection that has room to develop.
By Emily Henry