25 pages • 50 minutes read
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The unnamed narrator of Mahfouz’s story is (or at least appears to be) a young Egyptian boy just old enough to begin attending school. He is reluctant to leave his parents and is initially timid and shy while interacting with his classmates and teachers. However, he settles in quickly and seems to thrive in his new environment, making friends and speaking animatedly about all he has learned.
Beyond these plot points, the boy has few distinguishing character traits. This is partly a function of the story’s short length, but it is also related to the work’s allegorical nature: Providing the boy with a more distinct personality or appearance would undercut his ability to stand in for all of humankind. In fact, the trait that arguably stands out the most—the boy’s eloquence—is also directly related to the story’s symbolic meaning. The boy’s vocabulary and his tendency to philosophize about his surroundings aren’t typical of a school-age child and thus foreshadow his true age at the time he’s narrating the story.
Like the narrator, the boy’s father is in one sense a stand-in for a broader type. By escorting the boy to school and encouraging him to “[b]e a man” (Paragraph 7), he embodies the role of all fathers—that is, to bring their children into life and then shepherd them into adulthood. Likewise, his absence at the end of the school day symbolizes what is arguably the final step in a child’s maturation: their parents’ death. With this in mind, the father’s reassurance to his son that “You will find you waiting for me when it’s time to leave” is truer than it at first appears (Paragraph 7). Although the boy’s father isn’t there to pick him up from school, he is perhaps waiting to escort him to the afterlife, which is presumably just around the corner as the story ends.
Nevertheless, the father’s absence contributes significantly to the narrator’s sense of anxiety in the final paragraphs of the work. This dynamic is especially significant in the context of the father’s other allegorical role as a God-like figure. In “cast[ing]” the boy from his home and into school, the father replicates the expulsion of Adam and Eve from paradise; similarly, his insistence that he isn’t “punishing” the boy in doing so is in line with the Islamic version of the story, which stresses that God had always intended for humanity to leave paradise for earth. In “Half a Day,” however, the boy experiences this transition as abandonment.
The school the narrator attends appears to be overseen by a woman he simply refers to as “the lady.” This lady welcomes the students when they arrive and advises them to adjust to their new circumstances; later, the narrator discovers that while she “would sometimes smile, she would often scowl and scold” (Paragraph 14), or even practice corporal punishment. In this sense, the lady is an extension of the school itself, which embodies the ups and downs of human life.
The boy who offers to help the narrator across the street in the story’s final lines plays a brief but important role in the work. For one, his words confirm the narrator’s now advanced age since he addresses the narrator as “Grandpa.” He also recalls the narrator as he was at the beginning of the story, underscoring the work’s interest in the human life cycle. Finally, his kindness provides a glimmer of hope in the otherwise dark tone of the work’s final paragraphs and suggests that society hasn’t disintegrated to the extent the narrator fears.
The man whom the narrator encounters after leaving school symbolizes one of the main stages of human life: middle age. His appearance also foreshadows the narrator’s own aging, both because the two interact as friends and peers, and because he remarks that he hasn’t seen the narrator in “a long time” (Paragraph 16).
By Naguib Mahfouz