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44 pages 1 hour read

James Hilton

Goodbye, Mr. Chips

Fiction | Novella | YA | Published in 1934

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Chapters 14-18Chapter Summaries & Analyses

Chapter 14 Summary

Returning to teaching, Chips keeps his room at Mrs. Wickett’s across the street and maintains a light workload. Nevertheless, for the first time in his life, he feels absolutely “necessary;” his new indispensability to Brookfield is, to him, the most sublime feeling life can offer. He finds that he can repeat his old jokes and Latin puns to a ready new audience, and his new, sometimes irreverent witticisms about such things as the cafeteria food only add luster to his legend. With Chatteris’s illness and death in 1917, Chips serves for the first time, and for the rest of the war, as Acting Head, a role he performs diligently though he feels he is not quite equal to the task at his age.

On Sundays, it now falls to Chips to read aloud the names of Brookfeldians slain, a task which sometimes brings him to tears. One week, he includes a tribute to his old friend Herr Staefel, Brookfield’s former German master, who has just been killed at the Western Front. Many are shocked that Chips would mourn an “enemy” alongside the school’s patriotic dead but grant him the latitude due to his age and eccentricity. In an “increasingly frantic” world, Chips clings to his notions of dignity, decency, and generosity, all the while knowing that Brookfield would tolerate such wartime sentiments from few others than him. Chips’s mannerisms—his halting, slightly “asthmatic” delivery, the “umphs” that punctuate his speech—are widely mimicked but deeply beloved, and his humorous, slightly subversive stance on jingoism and all things military is enshrined with a forgiving new adjective: “pre-War.”

Chapter 15 Summary

One moonlit night, as air-raid sirens shatter the tranquility of one of Chips’s Latin lessons, he tells his students to remain in the classroom, which offers as sturdy a shelter as any in Brookfield, and proceeds with his lecture. As loud bombs rain nearby, Chips counters with a steady stream of calming jokes, including a deft quote from Julius Caesar about the Germans’ “pugnae” (fighting). Afterward, news of Chips’s coolness and wit under fire spreads widely, further burnishing his legend. In November of 1918, at a school dinner celebrating the Armistice, all of Brookfield rises as one to cheer and applaud for Chips, revering him as a “symbol of victory” (59). That night, with the war at an end, Chips steps down as Acting Head and teacher to begin his retirement in earnest.

Chapter 16 Summary

In the 15 years since his final retirement in 1918, Chips has seldom left his home near Brookfield. He went abroad once, to the Riviera, but the unseasonably chilly weather only drove him deeper into his sedentary habits. With his warm fire, books, and tea, the cold seasons pose no hardships. He looks forward to summer, which brings visits from old boys, many of whom have gone on to illustrious, dynamic lives. He enjoys these visits more than anything in the world and always wonders about other past students, whose names still echo in his mind in the exact order of the old roll calls. The wider world now interests him less and less: The developments of the post-war era have largely dismayed him, especially in Europe and the British Empire, but England, and especially Brookfield, still comfort him with their stability and longevity. The school culture of Brookfield has even improved in some ways; there is a more sincere friendliness between students and teachers, though Chips takes mild umbrage at some new familiarities, such as masters allowing the boys to call them by their first names.

During the General Strike of 1926, Brookfield students do their part to ease privations by loading vans with food. When the strike is resolved with no violence, Chips feels a great sense of pride for both Brookfield and England as a whole. He conveys his optimism, even into the Depression years, with his unfailing wit for which he has become locally famous; listeners find that he can always be counted on to find the laughter in almost any situation. After 1929, he stops visiting London to attend old boy dinners and increasingly becomes a homebody. Unlike many, he has made only the safest investments, so the Depression does not hurt his finances; he has more money than he needs and freely donates to school funds and the Brookfield mission. His health and faculties continue relatively unimpaired, and his sense of humor loses none of its dash. His questioners, young and old alike, are frequently rewarded with one of “Chips’s latest” witticisms.

Chapter 17 Summary

In 1933, on a foggy November afternoon, Chips huddles by the fire in his front parlor, feeling that he may have caught a “chill” at the Armistice Day service 15 years earlier: Ever since, he has not felt quite himself. Wistfully, he marvels at the rich “pageant” of his memories; all the things he has done and those he has not done and never will now, such as flying in an airplane or going to a “talkie.”

At a quarter to four, he is surprised to receive a visitor, a small first-year boy named Linford, who timidly asks for “Mr. Chips,” who, he says, has asked for him. Older boys, Chips guesses, have told him this as an “old leg-pull,” so Chips plays along, saying he has summoned the boy to share tea with him. He tells Linford that Brookfield will soon feel like home to him and confides that he himself was quite scared when he first came to the school, more scared than he has ever been, before or since. To Chips’s amusement, the boy misunderstands, thinking Chips was a student then. After chatting warmly with him for a while, Chips escorts him to the door, where he shakes hands with him and bids him goodbye. The boy’s farewell (“Goodbye, Mr. Chips”), the same as Katherine’s on the eve of their wedding, brings tears to his eyes (69). Then, Katherine had been teasing him for his seriousness; no one, he thinks, would call him “serious” today. Feeling exhausted by the boy’s visit, Chips sinks back into his chair, too tired to light his pipe as he usually does at twilight. Drowsily content, Chips is glad to have met Linford but thinks how “odd” that the boy should have said goodbye just as Katherine did, so long ago.

Chapter 18 Summary

When he awakes, Chips is surprised to find himself in bed, being watched over by Dr. Merivale, who says jovially that he gave them all a “shock” by fainting. Still very tired, Chips makes out the figure of Mrs. Wickett in his room, along with the headmaster, Cartwright, and Buffles, the science master. Momentarily puzzled by their presence at his bedside, he soon shrugs it off, trying to sleep. In a hazy state full of dreams, faces, and voices, fragments of memory, including his Latin puns, snatches of music, and cheers and laughter, press around him, punctuated by the lilting bells of Brookfield.

At one point, he hears the headmaster, in the present time, say to Merivale what a “pity” it was that Chips never had any children. This rouses him a little, and he tries to respond, saying with a chuckle that he has had children, thousands of them, “all boys.” With that, the “chorus” of students’ names sings in his ears again, in “final harmony,” more sweetly and comfortingly than ever, and Chips bids them all to come close, “for a last word and a joke […] wherever you are, whatever has happened, give me this moment with you... this last moment... my boys...” (72). Mr. Chips drifts off to sleep, for the last time.

The next day, before the bells ring for breakfast, Brookfield is in mourning. The school, Cartwright says in a speech, shall always remember Chips’s “lovableness.” The narrator questions this, noting that all things, in time, are forgotten. However, Linford will always remember and forever tell the tale of how he said goodbye to Mr. Chips the night before he died.

Chapters 14-18 Analysis

Chips’s return to part-time teaching during the war underscores the theme of The Power of Humility; his eccentricities and humble, long-standing commitment to Brookfield allow him to play a crucial role in bolstering the school’s spirit during the war. Chips feels needed for the first time in his life, though it is far from the hardest he’s ever worked. In a sense, his main contribution to Brookfield now is psychological: He is on his way to becoming a sort of figurehead, like the aged, “doll”-like Queen Victoria when he saw her at her jubilee in 1897. Eventually, his presence alone inspires jollity and reassurance; audiences laugh before he even finishes his jokes. He still tries, sometimes, to stir his listeners’ consciences, as when he publicly mourns the old German master along with other Brookfeldians slain in the war.

By now, however, his softheartedness, like his eccentricities, has become assimilated and enshrined as a local treasure: something to admire rather than emulate, like the mercy of saints. He is a “dear old boy” who “gets away” with odd statements (58), like his mild criticisms of war and jingoism. Chips does not really mind; unlike Katherine, he has never aspired to be a gadfly or activist. While his more humble aspirations limit his ability to change his listeners’ minds about the war, they enable him to remain a fixture of Brookfield long past his intended retirement. Chips, though never a soldier, is revered in Brookfield more than most who did serve, owing to his heroic calm during a bombing raid on the school. After a certain age, Chips finds himself venerated more for what he is than for what he has done. He has not fought battles, made great discoveries, written masterpieces, or even been a brilliant teacher. Instead, he is a hero of the everyday, one of many but revered by the locality to which he has devoted himself: a humble, stoic fixture of tradition in the face of an uncertain modernity.

Chips’s insular ambitions are mirrored by his turn inward and homeward following the war. The world outside England, with its ceaseless unrest, has “profoundly disappointed” Chips, even after the war, which was supposed to settle things. He believes his country has done enough; perhaps, like him, England herself should retire from the outer world. After the peaceful resolution of the General Strike of 1926, Chips is delighted that England has “burned her fire in her own grate again” (63). Chips’s own grate becomes the locus of his retired life: It is where he reads, dreams, remembers, and plays host to his many Brookfield guests. A “chill” received on Armistice Day has largely made him a homebody, symbolic of the wistful, isolationist dreams of many a Briton after the Great War.

In J.D. Salinger’s A Catcher in the Rye, Mr. Antolini, another prep-school teacher, tells the novel’s protagonist, “The mark of the immature man is that he wants to die nobly for a cause, while the mark of the mature man is that he wants to live humbly for one” (Salinger, J.D. A Catcher in the Rye. Little, Brown and Company, 1951). Through his example, Chips teaches this lesson to his students as well. His steady, unostentatious dedication to Brookfield and the ideals of the past has, in its small way, become a pillar of a way of life that Katherine, Ralston, and others see as antiquated. Fittingly, even Chips’s death is undramatic and unobtrusive: He simply drifts off to sleep in the presence of a small group of friends, and his passing is not discovered until later. Meanwhile, the cherished objects of his life’s devotion are his last sights and sounds: the spectral faces of his many students and the “choruses” of their hallowed names, none of which he has forgotten.

Goodbye, Mr. Chips, narratively a gallery of brief tableaux spotlighting the milestones of Chips’s life, displays a humanistic interest in memory itself. As Chips’s account reveals, the memories of a single life are utterly unique and meaningful yet no semblance of their full vividness or multiplicity can ever be preserved for long. The beautiful but arbitrary “choruses” of his students’ names remind Chips of the ineffable combinations of experience itself, which are different for each living mind. Entire worlds die minute by minute as the minds that encompass them gutter and fade. Chips’s greatest tragedy, aside from losing Katherine, is that all his inexpressible memories of her, and Brookfield, will someday be lost. The death of the young soldier who still remembered Katherine from the soccer game reminds him of this. James Hilton’s novella hints at this continual, universal loss, by enshrining in fiction a few luminous memories of a small, specific place in the mind of an aging man who sees himself as the keeper of a dying flame.

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