53 pages • 1 hour read
Luis Alberto UrreaA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Dorothy and Irene struggle to maneuver the Rapid City in the middle of a war zone. When they land on Utah Beach, a sergeant tells them to follow the supply trucks and reminds them to put their helmets on. The women grit their teeth as bullets ricochet past the truck. Dorothy tells Irene that they need to learn how to shoot their weapons, so they practice in the woods by the hotel. Dorothy gets restless and tells Garcia that she wants to kill Germans, and he agrees to help her with this endeavor.
While Dorothy practices weaponry with Garcia, Irene soothes herself by taking long baths and reading magazines. One day, Irene decides to clean out the inside of the Rapid City. As she cleans on her hands and knees, she remembers how her fiancé always accused her of being “precious.” As if he can hear her, she says aloud, “I’m here, aren’t I? Do I look precious to you now?” (216). Standing in the doorway, Dorothy overhears her. The two women talk about the distance that has grown between them, and Dorothy confides that she does not know how to handle her own anger. The next day, they receive word from the Red Cross headquarters, allowing them to go to Cannes for a week to recuperate from their recent traumas.
Irene struggles with nightmares due to PTSD. Every night, she dreams that the German soldier is chasing her. Dorothy tells her that their vacation in Cannes will help. They fly to Cannes, and Dorothy tells Irene that she wants to get a beret like the one that Colette wore. Irene does not remember Colette, which frustrates Dorothy, but she tries to let it go. Irene buys a black beret and Dorothy buys a red beret. They check into the hotel, which is on the beach and features a pool and expensive food and drinks. Both women start to feel better as they relax.
The next day, they are sitting on the beach and drinking beer when Hans and Smitty arrive, surprising them. Dorothy goes off with Smitty so that Irene can have time alone with Hans. Irene and Hans spend the rest of the day together. They have sex and talk in their room about finding each other after the war is over.
Irene spends the next week with Hans. One day, they walk along the dock, and Irene sees someone selling crates of octopi to people. Irene feels bad for the octopi and tells Hans that she wants to free them. Hans buys all the octopi for her, and they take the crates to the edge of the dock and release them back into the ocean. In their room, Hans tells Irene that he wants to rename his plane “Good Night, Irene” (239) after how she signs her letters to him.
On their last day together, Irene tells Hans never to say goodbye to her. She kisses him goodbye and winks at him as she puts a pair of her silk underwear in his pocket. On the plane, Irene confesses to Dorothy that she loves Hans, and she fears that she will lose him in the war. Dorothy recommends that she keep moving forward and try not to think about it. She tells Irene to be content with the week that they had together even if it ends up being the last time she ever sees Hans. Irene wonders how he found them in Cannes, and Dorothy admits that she wrote to him and asked him to come. When they arrive back at their base, they meet a woman named Holly, who has been assigned to the Rapid City and is their new Third Girl on the Truck. She tells them that she is engaged to Rusty.
Everyone prepares for Rusty and Holly’s wedding. Rusty tells Irene and Dorothy that Holly has been his girlfriend since they were 15 years old. He wants to marry her so that if he dies, she will be taken care of as an officer’s wife. He does not tell them that his plan is to send Holly back home as soon as he can. Dorothy and Irene promise Rusty that they will look after Holly on the truck. Dorothy surprises everyone by showing them that she has learned how to drive a tank. Rusty and Holly are married a few days later. Irene also receives a letter from Hans, but the censors have redacted most of what he wrote. The next day, they go to Belgium.
While they drive the Rapid City to Belgium, Irene writes to Hans constantly, knowing that his work is getting more dangerous every day. She treasures the letters she receives from him, even if they are marred by excessive censoring.
In Bastogne, the troops swarm around the Clubmobiles to enjoy the warm coffee and the companionship that the women provide. At night, Holly cries for Rusty, and Dorothy and Irene try to comfort her. They huddle around the fire to keep warm and wrap their feet so that they will not get frostbite. Even with the threat of lurking German soldiers, Irene runs through the woods on most days. She does not realize that German snipers watch her every day, but they do not want to shoot her because they find her to be interesting and beautiful.
A week before Christmas, Holly and Dorothy go to another town to buy Christmas treats for the men. Irene stays behind. When they are gone, Bastogne shuts down because it is under siege by the Germans. With her friends gone, Irene must comfort the troops by herself during the Battle of the Bulge.
Irene sets up her supplies in the basement of the hotel since she knows that the hotel itself could collapse from the force of bombs and explosions. She prays that Dorothy, Holly, and Hans stay safe. On the fifth day of the battle, Irene helps a soldier to clean his soiled pants. On Christmas Eve, a group of soldiers brings a tree into the basement and decorate it with yarn and wrapping paper from the gifts that their family members sent them. As the night goes on and the bombs continue exploding outside, the men grow sad. One man plays Christmas songs on the guitar but soon grows too depressed to continue. Several men start to cry, so Irene starts to sing “O Holy Night,” and the men ask her to sing it repeatedly. Three days later, the American forces push back the Germans, and the battle ends. Dorothy and Holly come back to Bastogne and reunite with Irene.
In the sky above Bastogne, Hans chases down a German Luftwaffe with his fighter plane. He talks to Irene as if she is next to him in the plane because it comforts him. He shoots down a couple of the planes before he takes a hit. He notices his blood on the windshield of the plane and realizes that the shot has wounded him, but he does not feel any pain. Hans tries to get his parachute on but cannot move his legs. He forces himself out of his seat as the plane dives, and he falls into the sky.
Dorothy and Irene’s friendship shifts significantly after they survive the battle in the French town, and in the aftermath of the experience, it becomes clear that they deal with their trauma in very different ways. Irene processes her trauma through self-care, pampering herself by taking long baths, styling her hair, and drinking white wine in the evenings. Her behavior enrages Dorothy, who prefers to process her trauma by preparing herself for the next time she will face similar dangers. For this reason, she tells Garcia that she wants to kill Germans; she believes that doing so will help to empower her in the midst of a perilous situation, eliminating the helplessness she felt when the German soldier chased the two women through the French town. She also endeavors to process her lingering grief and anger over her own brother’s death. By contrast, Irene struggles to understand the nature of Dorothy’s anger because she does not share her friend’s obsession with taking direct action.
Fortunately, however, their Female Friendship and Camaraderie is strong enough to overcome these differences, and when they take a week of leave together in Cannes, their friendship grows again, even though they do not always understand each other’s motives and actions. For example, when Dorothy tells Irene that she wants a red beret like Colette and Irene does not remember the female resistance fighter at all, Dorothy refrained from explaining “that Colette had changed everything for her” (222). In Dorothy’s mind, Colette and her red beret represent the shifting Gender Roles in World War II, and the exchange implies that Dorothy herself aspires to be like Colette, who takes an active fighting role in the war and refuses to let men dictate what she can and cannot do. Yet, despite Dorothy and Irene’s very different personalities, Dorothy shows how deeply she cares for Irene by inviting Hans to meet them in Cannes. Although they do not yet know it, the week that Hans and Irene have together is the last time they will ever see each other, and Hans’s imminent death is heavily foreshadowed when Irene asks Dorothy, “What if I lose him? What if this is all there is?” (241). When Dorothy sternly tells Irene that she must be satisfied with the time that she had, the exchange highlights the extreme circumstances that all people involved in the war effort had to face on a daily basis; thus, Urrea uses this brief yet intense romance to acknowledge the myriad examples of sacrifice and loss that both soldiers and civilians suffered during the ravages of World War II. As Dorothy tells Irene, it is important to “move ahead. Keep rolling. Don’t look back” (241) because this mindset is the only practical way to survive.
Urrea therefore makes it a point to develop a multifaceted approach to the theme of Mental Health Issues and Wartime Traumas, and this aspect of the novel is further expanded when Irene must face the Battle of the Bulge without the support of her friends. Forced to draw upon her own inner strength to survive the ordeal and fulfill her duties to the troops, she reveals her true vulnerability when she prays to God, “Please spare me once again. I know, I know—you’ve been more than generous so far. But . . . just once more?” (264). Despite her own terror, Irene keeps the soldier’s spirits up by singing Christmas carols to them on Christmas Eve as they cry in the dark, and Urrea juxtaposes her calming care for the soldiers with Hans’s chaotic final battle in the sky, creating a poignant counterpoint that emphasizes both the deadly action of the battle and the unbearable tension of the noncombatants who huddle below. This stylistic decision also creates a sharp reminder of the love that connects the two characters. Hans speaks to Irene as he fights the German Luftwaffe because she “is the sum total of his prayer. He is always talking to Irene, even when he doesn’t know he is” (271). Even as Hans realizes that he is about to die, he continues to talk to Irene because the thought of her gives him comfort in his final moments. Thus, with this deeply emotional scene, Urrea honors and elevates the efforts of the Clubmobile women far beyond the mundane nature of their primary daily duties and confers upon them the status of wartime angels, for their efforts console despairing soldiers even when they themselves are absent from the scene.
By Luis Alberto Urrea
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