58 pages • 1 hour read
Lisa Marie PresleyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide contains repeated references to addiction, suicide, abortion, and sexual assault, including a detailed description of sexual assault of a minor.
Co-author Riley Keough begins the book describing how her mother, Lisa Marie Presley, always struggled to write her memoir. Lisa “didn’t find herself interesting” and struggled to understand “what her value to the public was other than being Elvis’s daughter” (xi). Plagued by self-doubt, she finally asked Riley to help her. Riley agreed, but a month later, her mother was dead.
Riley was still in a state of mourning when she received the taped interviews her mother had done in preparation for writing. Listening to them “was incredibly painful,” but hearing her mother’s voice brought Riley’s own memories back, too. The tapes described many details of Lisa’s childhood growing up in Graceland, her relationship with Elvis, and her young adulthood. However, parts of Lisa’s story were also missing. Riley explains that her mother “was constitutionally incapable of hiding anything from [her]” (xiv); while this was Lisa’s “biggest flaw” in many respects, Riley was able to use her intimate knowledge of her mother’s life to fill in the holes. By synthesizing both their memories, Riley hopes her mother will become “three-dimensional” and realize “her burning desire to […] both understand herself and be understood by others in full, for the first time in her life” (xiv).
Lisa Marie Presley describes her father, Elvis Presley, as “a god” who could “change the weather” just by shifting his mood. Lisa was “super connected” to her father, and Elvis “was totally devoted” to his only daughter. However, even as a young child, Lisa “feared” her father’s intensity and did everything she could to gain his approval.
Lisa’s mother, Priscilla Ann Presley, met Elvis when she was just 14. When Priscilla found out she was pregnant, she worried that gaining weight “wouldn’t be a good look for […] Elvis’s wife”; she only ate eggs and apples and even considered trying to cause a miscarriage (6). Lisa wonders if the fact that her mother didn’t want her “might be what’s wrong with [her]” (7). When the new family left the hospital, the baby Lisa was immediately greeted by the press and taken back to Graceland.
Riley remembers being a little girl and watching her mother fix her makeup. She describes her mother as suffering from “a profound sense of unworthiness,” which Riley could never fully understand (8). She describes “a long history of young girls becoming mothers” in her family and wishes she could be a mother to her own mother and grandmother (8). Riley relates the history of Graceland, Elvis’s famed Memphis estate built in 1939 and purchased by Elvis in 1957 for $102,000. His mother, father, and grandmother moved into the 10,000-square-foot home, and Elvis followed a few months later with other members of his “entourage.” In 1967, Priscilla got pregnant, and they added an upstairs nursery that became Lisa’s room throughout her childhood. In the South, Riley explains, success consisted of providing an “opulent” home for one’s entire family, and this is what Graceland became for Elvis.
Riley remembers spending time at Graceland as a child. Even though it was open to the public for tours, it was “just [their] home,” and Riley notes the “strange and incredible thing” of having “your family’s history preserved forever in the place where it all happened” (12). When staying at Graceland, Riley, her mother, and siblings would often stay upstairs, which wasn’t open to the public and has remained unchanged since Elvis’s death. They would sleep in Elvis’s bed, and Lisa would look through Elvis’s books, reading the passages he’d underlined. Many of these books were self-help or spiritual texts, and the marked passages illustrated “a sense of the fundamentally broken feeling he shared with [Riley’s] mom” (32).
As a child, Lisa’s bedroom at Graceland was on the top floor next to Elvis’s suite, and she was permitted a “super special” “one-on-one access” to her father (12). Lisa describes her father as “very Southern” and remembers him being funny even when he was angry.
Riley reflects that Elvis used to replace the letter “L” with the letter “Y” when he spoke to his daughter, calling her Yisa instead of Lisa. When Keough had her own daughter, she found herself doing the same thing and realized how much of her grandfather had been passed down to her through her mother. Although she has “never lived in Memphis,” “something inside of [her] has” (17).
Lisa describes Graceland as “its own city” with Elvis as “the chief of police” (17). As a girl, she ran “wild” with her friends, tearing up the lawn in their fleet of golf carts, battling in the dark with pool sticks, and threatening to set her father on anyone who tried to make her behave. Elvis generally slept during the day, but once, Lisa remembers being summoned to his room in the middle of the afternoon. Assuming she was in trouble, Lisa went accompanied by two friends. However, instead of scolding her, Elvis gave Lisa and her friends each a beautiful, jeweled ring; he “just wanted […] to hang out […] and talk,” and Lisa felt guilty for thinking otherwise (22). She was just four years old when her mother left Elvis and moved with Lisa to Los Angeles and she missed her father terribly.
Elvis and his mother, Gladys, also shared an exceptionally close relationship. However, Gladys “drank herself to death worrying about” her son, and without his mother, Elvis was left with his “self-destructive demons” (23). Lisa reflects that she also inherited this desire to “numb out.”
At Graceland, Lisa’s grandfather, Vernon, was the only one who tried to impose some kind of order, insisting that Lisa should have a bedtime and not “eat cookies all day and night” (27). Nevertheless, Lisa enjoyed her days playing wildly until her father called her upstairs to spend time with him. Sometimes, Elvis would take Lisa and his entourage into town to see a movie or visit the amusement park, shutting the place down so they could have it to themselves. Elvis “loved to have fun” and “wanted everyone else to enjoy everything” (28). He “always had [Lisa’s] back,” and he was very protective of her, forbidding things he worried were dangerous. When Lisa rode a motorcycle behind his back and burned herself with the muffler, she “felt like [her] life was over” when she had to face her father’s disappointment (30).
Graceland’s front gates were always surrounded by fans, and Lisa would often taunt them as she drove by on her golf cart. Sometimes, she would take fans’ cameras and promise to take a picture of Elvis for $20. They would give her the money, and she would return the camera with a photo of the floor or a door. When Elvis got bored of being cooped up, he would lead a “convoy” of golf carts down Elvis Presley Boulevard while the assembled fans screamed. As a girl, Lisa loved watching Elvis perform. He would lead her onstage with him, and then someone would escort her to her seat. Although she loved the performances, she hated when her father turned “the limelight” on her. She dreaded being introduced at shows, but she did enjoy other aspects of Elvis’s celebrity, such as the pride she felt when he showed up at one of her parent-teacher conferences.
Riley reflects that any turn of fate in Elvis’s life could have meant that “there would be no Elvis Presley” (38). In this alternate reality, she muses that her family might have lived in Mississippi and been truck drivers or furniture makers. She is sure her mother “would have ended up in jail” (38).
Lisa lived most of the year in Los Angeles with her mother, and she was deeply attached to her nanny, a Japanese woman called Yuki Koshimata. When Yuki left for the weekend, Lisa would sob uncontrollably. However, the “true emotional trauma” came when Lisa had to leave Memphis and return to LA. She “loved everything about” Memphis and spending time with her father. Occasionally, a black car would pull up at her LA school, and Elvis’s people would fly Lisa to wherever her father was. This made her feel like her “life was the best life ever” (39).
One year, Lisa begged Elvis to convince her mother to let her stay in Memphis instead of returning to LA for the start of the school year. Elvis called Priscilla but couldn’t change her mind. He cried when he told Lisa she had to return to LA, but he never spoke poorly of her mother. Lisa muses that her parents “did a fantastic job maintaining a united front and a real friendship bond” after their divorce (40).
Lisa describes Elvis as having a certain “intensity” and “magnetism” that could be inspiring or terrifying. He would have violent, angry outbursts when “he had run out of something” (44). One time he canceled a trip to the local amusement park, shouting and throwing things “until he found someone who would give him a fix” (44). Eventually, he got what he needed, regained his temper, and Lisa went to the amusement park with her father. She remembers riding the roller coaster with him, pressed against the gun holster on his side. She knows that “that sounds terrible” but insists her father wasn’t “crazy”; “he was just from the South” (44). This incident took place about a week before Elvis died.
The Preface and Chapter 1 of From Here to the Great Unknown introduce the memoir’s unconventional structure and begin to articulate some of its key themes. Riley Keough uses the preface to explain her role in telling her mother’s story and contextualize some of the insecurity and self-doubt that plagued Lisa throughout her life. The text is a compilation of transcribed interviews Lisa completed in preparation for writing her memoir, Riley’s own memories of her mother’s stories, and moments from her own childhood. The first chapters are written primarily in Lisa’s voice as she describes her childhood in Graceland and the trauma of losing her father. Riley adds her own select memories, offers bits of context, and provides a broader generational perspective on her mother’s experiences. As the memoir progresses, Riley takes on more of the story, and her mother’s voice begins to play a supporting role until eventually it fades completely. In this way, the text’s structure contributes to the generational nature of Lisa’s story, illustrating The Inescapability of Legacy and Family Inheritance as Riley traces the repeated patterns that emerge through four generations of her family.
The first chapter details Lisa’s early childhood growing up in Graceland. The stories that fill the chapter are frequently rambling and fragmented, giving a sense of intimacy to the text. Elvis is hardly ever referred to by name but simply as Lisa’s “dad.” The complexity of their relationship is immediately apparent as Lisa describes their intense love and adoration for one another while also confronting her desperate need for his approval. In one incident, she “felt like [her] life was over” when she disobeyed her father and had to face his disappointment (30). This intense fear of disappointing her father speaks to the “profound sense of unworthiness” (8) that Riley always sensed in her mother. As a girl, Lisa “would do anything [Elvis] wanted […] just to make him happy” (23). From an early age, much of Lisa’s self-worth was derived from the fact that she was Elvis’s daughter, and she struggled to assign herself value outside of this context. Pleasing her father became, in part, a way of staving off her feelings of worthlessness.
The opening chapter illustrates the ways in which Lisa was forced to navigate public scrutiny from the very moment she was born, foregrounding The Dangerous Effects of Fame and Living Life in the Spotlight as a key theme in the text. Even leaving the hospital as a newborn baby, the press bombarded Lisa, and Elvis often introduced her at concerts, something Lisa “abhorred.” As Elvis’s daughter, Lisa had fame and notoriety thrust upon her, but accepting the attention “was not something that came to [her] inherently” (37). The tension she felt in her complicated relationship to fame would become a lifelong struggle for Lisa.
Together, Lisa and Riley’s reflections on their family history centers The Inescapability of Legacy and Family Inheritance. Examining four generations of Elvis’s family reveals the repetition of loving parent-child bonds, substance abuse, and toxic behavior in relationships. Elvis and his mother, for example, shared an incredibly close bond that was mirrored in Lisa’s relationship with her father and again later in Lisa’s relationship with her son Ben. Patterns of addiction and toxic behavior also repeat frequently—all of which Lisa and Riley recount with a sense of inevitability that suggests the difficulty of escaping family influence and patterns of behavior.
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