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58 pages 1 hour read

Lisa Marie Presley

From Here to the Great Unknown

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Chapters 6-7Chapter Summaries & Analyses

Chapter 6 Summary: “Ten Years”

Riley begins the chapter by noting that her mother “wasn’t in a place where she could recount all the great, fun times in her life” when she recorded the interviews that would become this book (157). In the interviews, Lisa “focused mostly on the trauma,” leaving out much of the 10 years following her divorce from Michael Jackson—happy years for Lisa in which “she created a magical life for [Riley] and [her] brother and was surrounded by a large group of devoted friends” (157). Riley recounts her own memories and what she remembers her mother telling her about this period.

While the family lived in Florida, Riley remembers watching her mother soothing her baby brother. At that moment, she began to understand “the depth of [Lisa’s] maternal instincts” and also to suspect “that Ben was the love of [her] mom’s life” (159). Both of their parents worked hard to create “joyful childhoods” for Riley and Ben, but Ben and Lisa “shared a very deep soul bond,” just as Lisa had with Elvis and Elvis had with his mother (159). Lisa found Ben to be so much like Elvis that “it scared [her],” and she recognized “a generational fucking cycle” repeating in their relationship. With their family history of addiction and substance abuse, she believed “Ben didn’t stand a fucking chance” (160).

After divorcing Michael Jackson, Lisa began suffering from panic attacks and moved her family to Florida in an effort to avoid the paparazzi. Although Danny had been hurt by Lisa’s betrayal, he remained involved in the children’s lives and came to Florida to help. Lisa “felt immense guilt” for leaving Danny and wanted to get back together, but he was too afraid of getting hurt again. Lisa muses that she grew up with “no prototype to follow” regarding family life and stability (164). She never believed that she and Danny would stay married forever, but they turned out to be “a different kind of soulmates” and would always play an important role in one another’s lives (164-65).

During the day, Lisa and Danny recorded music in the garage while Ben and Riley played together. In the evenings, the four of them spent time together as a family, going to the movies or going out for ice cream. Eventually, Lisa recovered enough to return to California, where they settled into a house in Hidden Hills. The “rustic” house was located on five acres 30 miles west of LA, far away from the world of celebrity. Ben and Riley were allowed to “[run] amok” just like Lisa had done during her childhood in Graceland. Lisa “curated” the home to be “her version of Graceland” for her children, a place where they could play outside for hours in their own imaginary worlds (167). During this period, Lisa also created a “dreamlike communal life” in which she and her children “were never alone” (168). A large staff occupied the house, and some of Lisa’s and Riley’s friends also moved in. Lisa ruled over everything with “a Gaia-like quality” of “mystical intuition” (169). Riley and Ben were happy playmates. As Riley grew up, she began to get annoyed with her little brother, but he was so lovable that she could never stay mad at him for long. They attended a private school in Woodland Hills, but Lisa would often let them stay home if they just asked. Danny was more strict and tried to homeschool them for a time, but Lisa was always the one truly in charge.

Priscilla had a new child who was just a few years older than Riley, and this helped Lisa form a new bond with her mother. Reflecting back, Riley believes her mother worked to put the past behind her so that her children could enjoy Priscilla as a grandmother. Priscilla’s mother also lived nearby and embodied “the quintessential grandmother” in a way that Priscilla did not, and the whole family would have large dinners at her house every Sunday. Riley was thankful for her large family and loved the trips and holiday gatherings with dozens of cousins. They were “a normal family, if famous” (174) and Riley felt this normalcy for “a solid two decades” (175).

Lisa used to take Riley with her to photoshoots and fittings, and Riley loved to play in her mother’s “massive closet.” Lisa also took Riley to parties, sometimes pulling her out of bed to come meet one celebrity or another. Riley would often “fall asleep to the sound of a party” (178), with her mother and father tucking her in, “some nights a bit tipsy and wild” but part of “the closest family you could imagine” (179). Holidays were celebrated extravagantly; “nothing was low-key,” and Lisa “wanted every moment to be extraordinary” (180). However, Riley would still occasionally find her crying alone, listening to Elvis’s music.

Lisa struggled with her music career. She was talented but “didn’t feel like she had real control over her music” (180). Mostly, people wanted her to sing covers of Elvis’s songs, which she refused to do. At shows, she was often approached by Elvis impersonators, and she struggled to be “taken seriously.” Often, when the record company would send tracks back for her to approve, they were “more countrified” to “[target] Elvis fans” (183). Nevertheless, Lisa loved touring and connecting with her and her father’s fans, and Riley and Ben loved the excitement of traveling on the tour bus. When she was working on songs, Lisa would play them for her children and tell them what they were about. Although Lisa wasn’t using drugs at that point in her life, Riley remembers one song, “High Enough,” that was “very clearly about addiction” and indicated that “storm clouds were gathering even then” (185).

Lisa married actor Nicolas Cage in 2002, but the relationship was “very short-lived.” Nic used to come to the house in a different Lamborghini every day, and they would all take weekend yachting trips to Catalina Island. On one trip, Lisa and Nic got into a fight, and Lisa’s $65,000 engagement ring ended up at the bottom of the ocean. He bought her a second ring, but their marriage lasted only 108 days.

During Riley’s childhood, Lisa also maintained a house on the Big Island of Hawaii. For Riley’s 16th birthday, they traveled there with a large group of friends, and Lisa threw her daughter a party on the beach. The party went on all night; Riley, who “could never last as long as [her] parents” (192) went to bed after three o’clock in the morning, leaving the music playing and her father naked in a lawn chair, drinking champagne with some of Lisa’s security guards.

After her brief marriage to Nicolas Cage, Lisa met Michael Lockwood. She “desperately wanted a normal life” and felt like Michael might finally be able to deliver it. Her impending fourth marriage caused her to reexamine her relationship with her own mother and really “try to heal what had been done” (192). Lisa wrote a song for Priscilla, and the two grew genuinely close for the first time. Michael and Lisa were married in Japan in 2005. At the rehearsal dinner, Lisa began to panic and asked Riley to walk outside with her. At 16 years old, Riley wasn’t sure about the source of her mother’s anxiety, but looking back, she wonders if Lisa “knew somewhere in her that this was the beginning of the last chapter” (195). The next day, they had a beautiful wedding, and everyone took the train north to the Gora Kadan hot springs.

Now that Lisa was settled with Michael, she “desperately wanted more children” (196). After several rounds of IVF, she became pregnant with twins and moved into a house in Montecito, hoping to create “a sort of fairy-tale life” with her new babies (196). Lisa felt a “deeply spiritual” connection to her daughters, and she had a sense of what they would be like before they were even born. In 2008, she gave birth to Harper and Finley. Riley was 19 and immediately smitten with her little sisters. She often slept on a cot at the babies’ feet and constantly helped care for them. Even though Riley and Ben had “perfect, amazing” childhoods, Lisa wanted to do even better with the twins. She decided to sell the house in LA and give her daughters a childhood in the English countryside.

Lisa was fully committed to her second chance at motherhood, but in a “heartbreaking” turn of events, her addiction “showed up and burned everything down” (199). With everything run by her staff, Lisa started to feel out of control of her own life. When she discovered that some of her staff members, who “were also her best friends,” were being a little too loose with their business credit cards, Lisa once again began to feel betrayed and “unlovable” (200). One by one, Lisa sent away almost everyone “she had known and loved” over the last 10 years until she was left with just her children, her husband, and Danny. Lisa reflects that she learned from Michael Jackson to “push people the fuck away” (201). While she sometimes came across as “really mean” or “angry,” it was always a defense mechanism to “protect [her]self from pain” (201). After her daughters were born, she “woke up” to the reality that “[a] lot of people were invested in having [her] quiet and manageable” (202).

No one knew that she had begun to abuse the opioids she was prescribed after her C-section delivery.

Chapter 7 Summary: “The Bus from Nashville to LA”

Lisa suggests that everyone “want[s] to be high” because “[d]rugs or drinking make you feel great” (205). The only way to avoid addiction is to “have something bigger […] than that feeling of being high” (205). For years, Lisa was “focused” on finding life’s “answers.” She had just turned 40 when she had her twins and experienced her “first oh-my-God high from a painkiller” (205). She began to isolate herself and slowly “dislodge[d] and dismantle[d]” the pillars of her life that kept her away from drugs. First, she took the drugs to cope with the pain after her C-section, but soon, she was taking them to help her sleep. Throughout her life, she had had an intuition that “it would all be over for [her]” if she started abusing drugs, and she avoided even Advil or Tylenol. She resisted the addiction that ran in her family, but they were there “like a shadow, the whole time” (206).

Shortly after the birth of the twins, Lisa moved her babies and her new husband to England, where she set about creating a new, “quaint life.” She bought a 15th-century home on 50 acres and “got very into gardening” (208). She staffed the property with a “skeleton crew” compared to the days in Hidden Hills and settled in to live “a very sweet little life in the countryside” (210). However, unbeknownst to her friends and family, she was abusing pills. Generally, Lisa and Riley were able to resolve any arguments quickly, but one night, they fought, and Riley noticed a “new meanness” in her mother that surprised and unnerved her. Eventually, Lisa admitted her opioid abuse to her family and announced she was enrolling in a rehab program in Mexico. However, she cut the treatment short with the excuse that she needed to be back in England for the twins to start back at school. Riley describes “a tacit awareness” among Lisa’s family regarding the possibility that she “didn’t want to get sober” (213).

Eventually, Lisa decided that moving to England was a mistake. She was lonely and isolated and decided to move to Nashville and make a new record. This plan made Riley feel “better,” but evidence of Lisa’s growing addiction continued to mount. One night, Riley found her mother crying in the bathtub with a black eye and a bloody nose from falling while on drugs. This incident sent her back to rehab, but nevertheless, she “was slowly falling apart” (214). Unbeknownst to the rest of the family, Ben was struggling, too.

Drinking and partying were common in Riley’s family, and Ben always “remained jovial, fun” when he drank. However, one night, something “didn’t feel right” as he pushed for Riley to leave a club. At the time, Riley thought it was strange that her brother was so eager for her to be gone, but in retrospect, she realized he was using drugs and didn’t want her to know. As the “only one who wasn’t an addict” in her family, Riley gained a reputation as a “narc,” and Lisa often chided her for being “too harsh” on Lisa or Ben (216). Riley was becoming increasingly worried about her brother. However, he never drank during the day and would often clean up his act for weeks or months at a time.

Lisa, meanwhile, had started seeing a therapist and attending Alcoholics Anonymous meetings. However, leaving Scientology was hard for her; she felt like “everything was gone,” and she “used the drugs as a coping mechanism” (218). She began taking as many as 80 pills a day and often combined the opioids with alcohol. After reading that cocaine could help with opioid addiction, she began to use cocaine. What started as “recreational” drug use had become “an absolute matter of addiction,” and when Lisa stopped using, withdrawal symptoms threatened to kill her. Riley believes one of the main reasons her mother struggled to get sober was her “shame about becoming an addict with two young children” (219). She prided herself on being “a great mother” and admitting she had an addiction felt like losing that achievement. Lisa would often take all four of her children to Graceland, where they would sleep in Elvis’s bed while public tours were conducted downstairs. Riley describes this family time as “magical,” but she knows her mother was there out of a “desperate” need to connect with her father and feel some comfort and protection.

Back in LA, Riley received a call from her mother telling her something was seriously “physically” wrong. She refused to go to a doctor, worried the state would take away her twins. After a lengthy text exchange between Lisa, Ben, and Riley, Ben flew to Nashville and drove his mother and baby sisters back to LA, where Lisa was immediately admitted to the ICU with heart failure. In the middle of this “chaos,” Lisa told her husband that she wanted a divorce. Once she was released from the ICU, Lisa attended court-ordered rehab, but the drugs they gave her to wean her off the opioids often made her even more high. She didn’t recognize Riley when she came to visit and decided to have bariatric surgery to finally end the fat shaming she faced her whole life. Riley worried that having surgery while still in rehab was a mistake, but suggesting this to her mother started a “massive fight.” Lisa was “very aware of” the “celebrity phenomenon” that consisted of “bending” people to their will (225). She had long believed people like her father and Michael Jackson suffered because no one ever said “no” to them. However, now she was doing exactly the same and shutting out anyone who opposed her.

After she was released from rehab, Lisa became “incredibly depressed.” Riley, who was appointed the court-certified monitor to be present when Lisa spent time with her twin daughters, soon had her whole family—her sisters, brother, mother, and father—all living with her. Together, they had “had this amazing, colorful, beautiful, abundant, fun, joyful life,” but then, things became “unbearably dark” (227).

Ben was the kind of person who “could annoyingly be great at everything” (227). He dabbled in many things, but things quickly became “uninspiring” to him. He dreamed of living “a simple life somewhere,” but he felt saddled by “the responsibility of never leaving [his mother’s] side” (228). Ben loved Japan, and when Riley went to film a movie in Tokyo, he went with her. They spent a “beautiful” month together, taking ceramics classes and eating their way across the city. The whole time, Ben coveted a pair of Riley’s yellow Nike sneakers, and she repeatedly promised to buy him a pair.

During this period, Riley met her future husband, also named Ben. To differentiate between the two, the family began referring to Riley’s brother as Ben Ben and her boyfriend as Big Ben. Unbeknownst to the family, Ben Ben’s addiction to alcohol was worsening along with his depression. However, Riley didn’t believe it was “dangerous,” and Ben seemed to bounce back quickly from depressive episodes. Ben was especially affected by his mother’s hopelessness. As “the fiercest of family leaders,” Riley explains that her mother’s emotional tone “dictated” that of the rest of the family—Lisa “was bottoming out” and taking the rest of the family with her (228). Ben and Lisa shared a special bond in which “seeing each other in pain was impossibly hard for them” (232). Ben began drinking more to cope with his pain, but he seemed okay and didn’t share the depth of his depression with his sister.

The next year, Lisa moved with Ben and the twins into her own house. Riley hated visiting because the “house felt so heavy” (233). Lisa’s moods were so “powerful” that the space felt “haunted” or “cursed.” Ben finally went to rehab but then returned to “that terrible house” where he had to watch his mother “getting high on the post-rehab cocktail” (233). One day, Lisa had a seizure, and Ben had to call the paramedics. Lisa recovered, and the seizure was a wake-up call that caused her to finally “truly sober up,” but Ben changed after the traumatic incident. Riley noticed that he was quieter and more withdrawn, and she made an effort to “check on [her brother] more than usual” (234).

Lisa, Ben, and the twins had to move out of their house for a few weeks while a mold problem was managed, and one night, Ben went back to the house to throw a party for his girlfriend. Something worried Lisa and she kept texting her son, asking when he would be home. At around 3:30 am, Ben went upstairs, saying he was looking for a beer.

Chapters 6-7 Analysis

In Chapters 6 and 7, Riley largely takes over the telling of Lisa’s story, balancing her family’s traumatic experiences with her own reflection on the happier moments she shared with them. Riley explains that her mother “focused mostly on the trauma” she experienced in the interviews for her memoir and skipped over some of the more joyful periods of her life (157). Riley uses her own memories to fill in the blanks as well as memories from her mother’s storytelling. Lisa’s contributions become shorter and less detail-oriented as the text progresses. Her less specific latter narrative contrasts against the vividness of her recollections of her childhood and young adulthood, suggesting the importance these early periods held for her throughout her life. The slow handoff of the text from Lisa to Riley echoes the generational nature of the story and underscores the text’s thematic interest in The Inescapability of Legacy and Family Inheritance.

Lisa’s idealization of her childhood with her father in Graceland motivates her to create a similarly magical childhood for her own children even as she battles addiction and depression. Chapters 6 and 7 detail the “dreamlike,” idyllic period of Riley’s childhood, followed by Lisa’s eventual descent into addiction. After divorcing Michael, Lisa dedicated herself to motherhood. She shook off her desire to be “low-key” and embraced extravagance. Her childhood was the most wonderful period of her life, and she aimed to create “her version of Graceland” for her own children (167). Lisa’s attempts to give her children a beautiful life—away from The Dangerous Effects of Fame and Living in the Spotlight—reflect a desire to perpetuate a positive generational legacy, despite her growing fears that her son shares her own tendencies toward addiction. 

Just as Lisa paralleled her connection to Michael Jackson and her relationship with her father, she also compares her bond with Elvis to her bond with her son, Ben, who emerges as a more central figure in these chapters. The text includes a significant amount of foreshadowing of the struggles awaiting the family as Lisa and Ben’s addictions escalate. In describing Ben, for example, Lisa explains how her relationship with him mirrored the “generational fucking cycle” of her relationship with Elvis and his relationship with his mother. In the face of this cycle and the tendency toward substance abuse and addiction, Lisa notes that Ben didn’t stand a fucking chance” (160). Riley’s descriptions of her brother also allude to his eventual death by suicide. Ben was “an angel”; he was “sweet, soft, and gentle, an old soul” with “curly ringlets” who was universally loved (159). These descriptions suggest a child who is almost otherworldly, who isn’t destined for life on earth.

Riley uses figurative language of gathering “storm clouds” to foreshadow the end of the family’s joyous years in Hidden Hills. Although Lisa was generally happy during these years, she still struggled with the unprocessed grief of losing her father, pointing to the challenge of Coming to Terms With Pain and Loss. She battled feelings of distrust and a lack of self-worth, which ultimately caused her to self-sabotage. She remained plagued by a “desperate” need to connect with her father and often took her children to Graceland, where they would sleep in Elvis’s bed. For Riley, this was a “magical” family experience, but for Lisa it represented a desperation “to feel protected, desperate to connect with her father” (220). Her attempt at a successful music career was a constant battle to be seen as herself and not merely as Elvis’s daughter. She struggled to be “taken seriously,” and producers often tried to make her music appeal more to Elvis’s fans. They wanted her to sing covers of her father’s songs, quietly reaffirming the idea that all her inherent value came from her proximity to Elvis.

Riley provides implicit links between her mother’s self-worth and her inability to find people she could truly trust. When Lisa learned that some of her staff were stealing from her, she once again began to feel “unlovable” and taken advantage of. She felt that “[a] lot of people were invested in having [her] quiet and manageable” (202) and began to push people away as a defense mechanism to “protect [her]self from pain” (201). She suddenly found herself isolated in her growing addiction. Although she had long resisted the temptation of substance abuse that ran in her family, the tendency toward addiction was there “like a shadow, the whole time” (206).

As Lisa’s addiction worsened and she got closer to the end of her life, her likeness to Elvis becomes more and more apparent in her memoir. In the opening chapters, Lisa describes her father as a larger-than-life personality whose moods could “change the weather.” In later chapters, Lisa exhibits a similar strength of presence, swaying the emotional climate of those around her. Riley notes that after finishing rehab, Lisa’s depression was so palpable that her home felt “haunted” or “cursed” and “dictated” that of the rest of the family’s mood. The joy and magic of the previous decade evaporated and were replaced by “darkness.”

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