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38 pages 1 hour read

Stephen King

Firestarter

Fiction | Novel | Adult | Published in 1980

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Character Analysis

Charlie McGee

Content Warning: This section discusses the stereotypical portrayal of a disfigured person.

At the beginning of the novel, Charlie represents innocence. She is very much a child, scared and wholly dependent upon Andy. Charlie is characterized by fear and feels overwhelming guilt at having to use her pyrokinetic ability, which her parents have stigmatized. In order to protect Charlie from harming herself, Andy and Vicky felt it necessary to imbue a deep sense of shame and guilt around using her ability. This affects Charlie throughout the novel. It compromises the use of her ability and isolates her in a self-enclosed world.

As she comes of age, Charlie moves from a state of fear and innocence to being a self-aware and independent youth who is capable of harnessing her power and deciding her own course of action. She gains control of her pyrokinetic abilities, the symbol of her burgeoning maturity and self-awareness.

Charlie’s innocence contrasts with her destructive capabilities. King uses these two polar-opposite elements to portray a highly conflicted character, one who is unable to be at home in the world. Charlie feels deeply and instinctually acts moralistically, such as when she hears the misogynistic thoughts of Eddie Delgardo and sets his shoes on fire. Her innate sense of justice moves her to action. Andy encourages this when he instructs Charlie to kill as many people as she can at the Shop, casting their conflict as “a war” (369). Charlie’s agency and resilience also become clear at the novel’s end, when she finds her way to the Rolling Stone offices to reveal the Shop’s experimentation and end their criminal activities.

Charlie’s duality, with her wide-eyed innocence and the ability to create widespread destruction, creates tension. Throughout the novel, Charlie is used by both her father and the Shop as a weapon. The Shop dehumanizes her, seeing her as an object and not a person. Charlie, in gaining control over her power and letting go of the fear and shame it carried in her childhood, becomes self-actualized. She transforms from a dehumanized object into an individual with a singular purpose. Charlie loses her innocence but gains self-assurance.

Andy’s revelation that Rainbird has been lying to and manipulating her tests Charlie in an unprecedented way. Throughout the entirety of her life she has relied upon her father, and in his absence transferred some of this trust to Rainbird. Charlie turns away from Rainbird and in this process loses another father figure. When she loses her actual father moments later, Charlie is completely alone. In this way, she is able to navigate the world without relying on anyone else; the loss of both paternal figures signals her entrance into young adulthood.

Andy McGee

Andy is Charlie’s father and the novel’s most paternal force. Through his memories, the reader learns of his late wife, Vicky, and the Shop’s menace and experiments. Andy provides a living illustration of the negative consequences of using psychic ability. His continual deterioration foreshadows his death and increases tension. Though Charlie doesn’t weaken from using her abilities, Andy’s deterioration implies that her powers come with a cost. Her guilt, instilled by Andy, increases her burden.

Andy has created a “complex” about her powers and is the only person who can fully trigger them. He grants Charlie permission to use her power at the Manders farm, and again at the end of the of the novel so that she might escape the Shop. This breaks down her barriers of resistance and allows her to exercise her power under her own judgment, a key step in her coming-of-age. However, this also complicates Andy’s character. His encouragement of Charlie to use her pyrokinesis to kill and aid their escape at the Manders farm turns her into a weapon, which is exactly what the Shop attempts to do.

Andy’s paternal role in Charlie’s life imbues him with authority. Through him, King explores the failures of authority, even when well-intended. Andy represents the model of Western authority—paternal, male, with purportedly benevolent interests for those in his care. Yet King’s portrayal is damning. Andy is deteriorating, panicked, forcing his will upon others in order to find security. Despite teaching Charlie to feel guilt and shame at using her powers, he instructs her to use them whenever he needs her to. He cares deeply for Charlie, but his authority is flawed. Throughout the novel, authorities both malevolent and benevolent are depicted as failures.

John Rainbird

Rainbird is an assassin. In the novel, he forges a relationship with Charlie and gains her trust. As an assassin, Rainbird is in a particular position to observe death, and seeks the meaning behind it. He experiences existential anxiety that motivates his most debased actions. King gives Rainbird quirks, such as shoe collecting, but he is primarily defined by his overriding mission to learn what happens immediately after death.

In characterizing him, King uses racialized stereotypes of Indigenous people. For example, Rainbird is stoic, and has a spiritual or supernatural connection with nature.

Rainbird is presented as a malevolent being throughout the book. He is heavily disfigured, yet does not hide it. He prefers to see people’s discomfort, believing this gives him control over them. In this way, King portrays another stereotype, that of the disfigured, evil villain.

Rainbird’s interest in Charlie amplifies his malevolence. His intentions toward Charlie are ambiguous, though they are distinctively couched in a sexual manner. This brings unease and a sense of revulsion to Rainbird’s interactions with her. King uses Rainbird to invest tension in the quietest of scenes, leaning upon his function as an agent of malevolent force.

Rainbird is a foil to Andy, or a character who illuminates another character through contrasting qualities. Like Andy, Rainbird is a father figure to Charlie. But unlike Charlie, he gaslights her, using forms of psychological manipulation to bring her closer to him.

Captain “Cap” Hollister

Cap represents the typical figure expected to occupy elevated governmental positions—he is white, conversative, and male. Even his name, a contraction of Captain, suggests power. He is an aging man who is misogynistic and anti-gay. King uses free indirect discourse to examine Cap’s thoughts and how Cap racializes and stereotypes nonwhite people like Rainbird. Cap’s views suggest that he is inflexible to change. He speaks and acts definitively because he expects to be listened to. As he approaches retirement, he sees no reason to upset the status quo, even though he is troubled by the Lot Six trials.

Throughout the early part of the book he seems untouchable. However, he is aware of the decline of his ability, which represents the moral deterioration of the institution he commands. Given his early presentation as a paragon, Cap’s deterioration in the latter half of the novel becomes all the more striking. He reflects King’s vision of the failing authoritarian system; his rapid deterioration is the rot that King pictures at the heart of the government.

Ultimately, Cap may evoke sympathy. The details of his life build a compassionate picture of a person losing control of their mind. In this way, Cap is a foil to Rainbird. The details offered about Rainbird do not create sympathy but reinforce his malignancy. Though both men represent malevolent force, King distinguishes between the two. Cap is serving his role, while Rainbird is working on his own agenda. In this way, King evokes the different kinds of evil that he sees operating within government authority.

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