73 pages • 2 hours read
August WilsonA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
The game of baseball represents Troy’s lost dream, and the rules of baseball frame the way Troy understands his own life. When Troy discovers that Cory is not working at the A&P, he issues his son his first strike and warns him not to strike out. Cory earns his second strike when he pulls Troy off of his mother after Troy grabs Rose’s arm. When Cory receives his third strike, he finally confronts his father. Troy fights back, and Cory loses the fight. Each time, Cory has attempted to challenge his father and lost. Troy sees manhood as the one-on-one battle between a pitcher and the person swinging the bat. If Cory loses, Troy is still in the game. He can still win, and his life isn’t over. Similarly, Troy likes to insist that he could still hit home runs against some of the new young pitchers and becomes annoyed when Cory argues that he can’t.
According to Troy’s philosophy of life, the rules also allow for taking risks and stealing bases. When explaining his affair with Alberta, Troy tells Rose that everyone is born with two strikes against them. Death or failure could come at any moment with one mistake or badly calculated choice. Troy justifies the affair by claiming that he had been playing the game safely for his entire marriage. He was standing still, weighed down by the responsibilities of marriage and fatherhood. He saw the chance to steal second base and make the game exciting again, and he took that chance even though he was risking everything. When Alberta dies and Rose rejects him, Troy does lose everything. Troy takes similar risks when he complains at work or when he takes the job as a driver without a license, but those risks pay off.
The building of the fence around the Maxson house seems to be an endless project, one that Cory is supposed to help Troy complete. At first, it seems as if Troy is building the fence because he wants to protect his property and Cory is shirking his responsibilities by choosing football practice over working on the fence. As Cory points out, however, Troy also avoids working on the fence by going over to the Taylors’ house every weekend to, as we later learn, see Alberta. Bono reveals that Rose was the one who asked for the fence, suggesting that she wants it to keep the people she loves from leaving. Troy, who already feels trapped by the safety of his life, is not interested in boxing himself in. Cory is also much more invested in escaping through football to want to spend time on the fence. Instead of working to build a fence to keep the family in, Troy builds fences between himself and those who love him. Throughout Cory’s childhood, Troy keeps his son out by making Cory afraid of him and refusing to give him his approval.
In the second act, just before Troy confesses to Rose about Alberta’s pregnancy, Bono comments on the wood that Troy has chosen for the fence. Bono, who has a healthy relationship with his wife, doesn’t understand why Troy feels the need to use such hard wood and make the construction job much more difficult than it needs to be. To Troy, though, a fence must be sturdy and durable. He jokes that he plans to live forever, so the fence must also last. This comment speaks to the hard barriers that Troy erects around himself, and the barriers that he sees holding him back as a Black man in the United States. He does not know how to bend or change to meet another person’s needs, and the only way he knows how to hold his family together is through force. While Rose understands what it means to hold onto someone you love, Troy can’t see this as anything but confinement.
Troy finally resolves to build the fence when Alberta dies. He realizes that while Rose may have wanted a fence to keep him in, a fence is also designed to protect what is within. Troy only makes the effort to protect his home and family when he loses everything on the outside, but building the fence does not win Rose back. She stays but refuses to acknowledge Troy as a husband. After the fence is finished, Troy drives Cory out so his son cannot seize his role as the man of the house. The fence, made from rigid wood rather than soft pine, is Troy’s method of attempting to control his family and force them to follow his rules. At the end of the play, death comes for Troy right there within the fences surrounding his property. Once Troy is gone, within that fence, Rose can finally grow her own garden.
Troy likes to exaggerate and tell tall tales, and in the first scene of the play, Troy claims that he met the devil when he was unable to get credit to purchase furniture for the house. The devil took the form of a well-dressed White man who offered to extend credit to be repaid at the sum of $10 a month. After 15 years, Troy is afraid to stop paying for fear that the devil will take his soul. Rose calls out Troy for lying, asserting that Troy hasn’t been paying anyone $10 a month. Rose exclaims, “Anything you can’t understand, you want to call it the devil” (20). In a sense, Rose is correct. Troy doesn’t understand why White men have power and privilege that he does not have. He doesn’t question why the devil would offer him credit because he knows how badly he needed it.
Troy also sees the devil in his father’s cruelty. He claims that he always wondered why the devil never came for his father, but on the last day he saw him, he saw the devil in his father’s eyes. Troy expects to be in trouble because he is supposed to be doing his chores. It is a normal expectation within the rules of his childhood that his father would hit him for disobeying, but at the moment Troy sees the devil in his eyes, his father stops seeing him as a son and sees him as a rival instead. In his final altercation with Cory, Troy accuses his son of having the devil in him as well. Like his father, Troy sees Cory as a rival rather than a son, and Troy doesn’t recognize that this is the same devil he saw in his own father.
Throughout the play, Gabriel claims that he is fighting and chasing off hellhounds because “the devil’s strong. The devil ain’t no pushover” (46). Gabriel reconfigures the idea of heaven and hell as strict punishment and reward and instead believes that it is his responsibility to open the gate to heaven. At the end of the play, Gabriel believes that once he blows his trumpet, Troy is free to go into heaven. This signifies that although Troy does evil, hurtful things to those who love him, he is not a villain. Like any human being, Troy is complex and the product of his upbringing. After Troy’s death, Cory feels haunted by his father, but Rose tells Cory that his father was simply a flawed person who tried to do his best with his life.
By August Wilson