43 pages • 1 hour read
Karin SlaughterA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The videotapes symbolize the book’s primary theme, The Futility of Trying to Escape the Past. These tapes have the power to concretely bring the past into the present, which is the last thing that Callie or Leigh wants. This power of the videotapes to bring the past into the present is seen most tangibly when Callie hooks up with Sidney, and Sidney sadistically plays the old videotapes of Buddy raping Callie so that Callie has to listen to her own assault: “Buddy, please, it hurts too much please stop please… Her own voice, fourteen years old. Hurting. Terrified” (334). Through Callie’s horror, the reader is transported into the moment, and the past becomes the present.
The videotapes speak to the sisters’ need for control over the past. As long as other people hold the videotapes—Andrew/Trevor, Reggie, Sidney, Linda—Callie and Leigh lack control, and the tapes can be used against them, to threaten them, blackmail them, or inflict emotional distress. It’s symbolically significant that Leigh is only able to reclaim the videotapes until after the women have confronted their pasts (Leigh by confessing to Callie, and Callie by killing Andrew/Trevor). When Linda hands over the original tapes to Leigh, she is finally empowered and in control. The past can now stay in the past—but only because it’s been dealt with.
For Callie, animals are a source of calm, comfort, and protection in the book. She is prone to taking in strays and works at a veterinary clinic; it’s clear she regards the animal world as a refuge from the traumas she has experienced. The comforting nature of the animal world is embodied in human form by Callie’s employer, Dr. Jerry, the kind-hearted veterinarian who looks the other way when Callie steals from him and always gives her a job, even when she disappears for months on end. The fact that Dr. Jerry, the human embodiment of Callie’s dear animal friends, is the person who equips Callie with her deadly weapon against Andrew/Trevor thus becomes even more poignant. It’s through her animal friend that Callie is able to tame the real beast: Andrew/Trevor.
This is the book’s argument—in the world of women, it’s not animals that pose the greatest threat, but men. Men are presented as the real animals—wild, untamed, violent—and indeed, Andrew/Trevor is frequently likened to an animal. Callie, talking to Dr. Jerry, refers to him as a dog. Later, Callie thinks about killing Andrew/Trevor in terms of putting him down—language normally used for animals, not people. Even her method of killing him reflects his animal nature: She administers a fatal dose of a drug used to euthanize animals at the veterinary clinic. Even Andrew/Trevor’s mother, Linda, refers to him as an animal when she says, “I’m thanking you, Harleigh Collier. As far as I’m concerned, you put one animal down for me. Your sister put down the other” (433).
The motif of drug addiction is consistently seen in the book through Callie’s character. Her “origin story” of how she developed a substance use disorder is unfortunately a realistic one: As a teenager, she had a cheerleading accident and was then prescribed opioids, which led to addiction. Callie’s addiction is depicted in graphic terms, including scenes of her shooting up. The stark physicality and despair these moments evoke underscore Callie’s mental state: “Callie had given up on hope ages ago. She was a junkie, and she would always be a junkie” (107). This lack of hope leads Callie to thoughts of dying by suicide: “She could get a front-row seat to Kurt Cobain and Amy Winehouse talking about a what a douche Jim Morrison could be” (118). Here, Callie is referencing famous people who died drug-related deaths at a young age. Callie’s drug addiction serves as a constant reminder of the trauma this young woman has gone through. However, the book is careful not to assign “blame” to the sexual abuse itself—of course, many people who experience abuse do not go on to develop a substance use disorder. Nonetheless, Callie’s drug addiction adds to her overall vulnerability.
By Karin Slaughter
Brothers & Sisters
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Fiction with Strong Female Protagonists
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Horror, Thrillers, & Suspense
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Mystery & Crime
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New York Times Best Sellers
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Psychological Fiction
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Safety & Danger
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The Best of "Best Book" Lists
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Truth & Lies
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