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30 pages 1 hour read

Nathaniel Hawthorne

Ethan Brand

Fiction | Short Story | Adult | Published in 1850

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Themes

The Dangers of Amoral Intellectualism

The moral implications of unbridled intellectual curiosity are a common theme in the Dark Romanticism Movement, and feature in Hawthorne’s short stories “Rappaccini’s Daughter” (1844) and “Ethan Brand.” Ethan Brand’s obsession with intellect and the evil that he has committed to achieve it is central to the story and to his conviction that he has committed the Unpardonable Sin.

Ethan Brand epitomizes Enlightenment thinkers who championed the use of reason and empirical observation as the primary means of acquiring knowledge about the natural world, rejecting superstition, religious authority, and blind faith. In the story, the titular character’s quest is based on a paradox—he attempts to answer a spiritual question through purely rational means. Ethan Brand’s search is doomed from the start as he searches for the Unpardonable Sin as if it were a physical object that can be found and analyzed. By demonstrating Ethan Brand’s mental decline during his 18-year quest, Hawthorne illustrates the futility of applying rationalism to spiritual matters that are essentially mysterious and unknowable.

Ethan Brand’s descent into depravity is prompted by amoral intellectualism. Through the protagonist’s memories, Hawthorne underlines that Ethan Brand “became a fiend […] from the moment that his moral nature had ceased to keep the pace of improvement with his intellect” (Paragraph 68). He was content with his life and at peace with God, humanity, and nature until he started to obsess over the idea of finding the Unpardonable Sin. His quest ultimately led him to perceive his fellow human beings as merely “subject[s] of his experiment” (Paragraph 67). The reference to Ethan Brand’s “psychological experiments” on Esther that “wasted, absorbed, and perhaps annihilated her soul” (Paragraph 49) hints at the extent of his moral depravity in the search for answers.

The Dark Romanticism Movement critiqued scientific research and experiments that pushed the limits of knowledge while disregarding ethical considerations. Ethan Brand’s experiments on those he meets on his quest highlight this dangerous tendency. Nevertheless, Hawthorne’s portrayal of Bartram in the story suggests the author is not opposed to intellectualism within reasonable bounds. Created as a foil to Ethan Brand, Bartram exhibits opposing traits to his predecessor. While the protagonist was prone to overthinking as he tended the lime-kiln, Bartram “trouble[s] himself with no thoughts save the very few that were requisite to his business” (Paragraph 8). An insensitive and unimaginative man, Bartram’s lack of reflectiveness makes him almost as immune to ethical and spiritual considerations as Ethan Brand. Meanwhile, his intelligent yet compassionate son Joe epitomizes the ideal balance between the spiritual and the intellectual. Through Ethan Brand’s fate, the author warns against the dangers of divorcing intellectual pursuits from moral considerations. While the pursuit of knowledge is laudable, Hawthorne suggests that it must be tempered by a recognition of moral responsibility and empathy toward fellow human beings.

Spiritual Damnation and Pride

One of the central conflicts in the story is Ethan Brand’s internal struggle with himself because of his abhorrent experiments. He believes—or convinces himself—that he has committed the Unpardonable Sin that he has sought for years and that he will face God’s punishment for it when he dies. However, while the narrator explores Ethan Brand’s inner thoughts, he but does not explicitly state that he has committed the Unpardonable Sin. In fact, the narrator implies that his belief that he had committed the Unpardonable Sin might be a manifestation of guilt, pride, or both.

The strongest evidence that Ethan Brand is in fact damned comes from the story’s supernatural elements. His laugh, for example, has a preternaturally chilling effect on other people and even on the environment. The villagers are disturbed by his laugh when they meet him on the hillside, and the narrator describes “the silent forest” as “holding its breath until some fearful thing should happen” (Paragraph 62). Conversely, after Ethan Brand dies, the mountains and forest seem to be at peace, with Mount Graylock being “glorified with a golden cloud upon his head” and the earth and sky becoming radiant (Paragraph 75). Furthermore, when Ethan Brand is about to jump into the lime-kiln, there are strange blue flames that “[dance] madly, as within a magic circle” (Paragraph 70). The image evokes a highly recognizable depiction of hell and echoes an earlier description of Ethan’s eyes “gleam[ing] like fires” (Paragraph 16), as though he has infernal flames inside him. The presence of the lime heart inside the skeleton also hints that Ethan Brand’s heart truly had become marble.

Nevertheless, there are many suggestions that Ethan Brand has not “succeeded” in his quest. The description Ethan Brand offers of the Unpardonable Sin is notably vague; he says it is “[t]he sin of an intellect that triumphed over the sense of brotherhood with man and reverence for God, and sacrificed everything to its own mighty claims! The only sin that deserves a recompense of immortal agony!” (Paragraph 38). This aligns the sin with a search for forbidden knowledge, echoing the “Original Sin” that Christianity teaches resulted in humanity’s expulsion from Eden. However, Christianity also teaches that Jesus’s death renders that sin void. Furthermore, the wording is ambiguous: Ethan Brand does not directly say that his sin was the amoral pursuit of knowledge but rather suggests that it flowed from that pursuit. The lack of detail as to the Unpardonable Sin’s nature renders it harder to determine whether Ethan Brand in fact committed it, but the symbolism of the old dog chasing its short tail suggests that doing so might not even be possible (again harkening to Christian ideas of mercy and redemption). Both of their tasks are futile and only end in needless exhaustion. Ethan Brand himself notices this parallel, moving afterward “as it might be, by a perception of some remote analogy between his own case and that of this self-pursuing cur, he broke into the awful laugh, which, more than any other token, expressed the condition of his inward being” (Paragraph 62).

This passage implies that Ethan Brand knows that his pursuit of the Unpardonable Sin was pointless and that this knowledge fills him with despair. In fact, what is clear throughout the story is that Brand wants to believe that he has committed the Unpardonable Sin. This may partly stem from feelings of guilt; he “quail[s]” when he encounters Esther’s father, implying that he is not actually so heartless as he claims. To admit that he did not “find” the Unpardonable Sin would be to admit that he abused Esther and others for no reason. However, pride also factors strongly in his insistence. His reaction to the ordinary foibles of his old neighbors suggests that he wants to see himself as uniquely evil:

No mind, which has wrought itself by intense and solitary meditation into a high state of enthusiasm, can endure the kind of contact with low and vulgar modes of thought and feeling to which Ethan Brand was now subjected. It made him doubt—and, strange to say, it was a painful doubt—whether he had indeed found the Unpardonable Sin (Paragraph 43).

Similarly, Ethan Brand earlier insists he would commit the same “sin” again despite his evident misery. This is notable because “blasphemy against the Holy Spirit” (Matthew 12:31-32), the only sin that Christianity teaches is unpardonable, is usually interpreted to mean a stubborn, prideful, and knowing rejection of God—in effect, a mindset that precludes repentance. The irony of the story is that if Ethan Brand is damned, it’s not because of anything he has done; it’s merely because of his insistence that what he has done is unforgivable.

The Loneliness of Social Detachment and Rejection

Works of Dark Romanticism frequently use isolation and loneliness to create suspense and tragedy. In “Ethan Brand,” the titular protagonist isolates himself to seek knowledge, but loses all connection to others in the process. Because he is convinced that he has committed the Unpardonable Sin, he has detached himself from his fellow humans, including his fellow villagers. This, in turn, has caused them to reject him for his strange and cold behavior.

When Bartram and Joe first encounter Ethan Brand, he says, “You offer me a rough welcome, […] [y]et I neither claim nor desire a kinder one, even at my own fireside” (Paragraph 11). He is extremely lonely, but due to his guilt and conviction, does not want or think he deserves companionship.

When the villagers appear at the hillside to ask him about the Unpardonable Sin, Ethan Brand rejects them, telling them that they should be more concerned with their own sins: “Leave me, […] ye brute beasts, that have made yourselves so, shrivelling up your souls with fiery liquors! I have done with you. Years and years ago, I groped into your hearts and found nothing there for my purpose. Get ye gone!” (Paragraph 44). He detached himself from others during his search for the Unpardonable Sin and, upon its completion, he refuses to connect with others, despite his loneliness. The village doctor angrily replies:

Why, you uncivil scoundrel, […] is that the way you respond to the kindness of your best friends? Then let me tell you the truth. You have no more found the Unpardonable Sin than yonder boy Joe has. You are but a crazy fellow,—I told you so twenty years ago,—neither better nor worse than a crazy fellow, and the fit companion of old Humphrey, here! (Paragraph 45).

This implies, along with the villagers’ reactions to him, that Ethan Brand’s isolation is not completely his fault. Many of the villagers have rejected him because they see him as strange and insane. The theme of societal rejection is also present in Hawthorne’s novel The Scarlet Letter. And the theme of a religious figure with a conviction that the villagers find strange and threatening is also present in “The Minister’s Black Veil.” The villagers do not understand him, and they do not want to understand him.

One of the only villagers who tries to truly sympathize with Ethan Brand is Bartram’s young, sensitive son Joe, who looks at him sympathetically as they leave the lime-kiln for their hut. The narrator states that Joe “looked back at the wayfarer, and the tears came into his eyes, for his tender spirit had an intuition of the bleak and terrible loneliness in which this man had enveloped himself” (Paragraph 66).

Ethan Brand ignores his loneliness, however, believing that he does not need or deserve it now that he has found the Unpardonable Sin. This leads him to kill himself, surrendering himself to the fire, which he embraces as a “familiar friend” and the only friend he will accept (Paragraph 72).

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