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30 pages 1 hour read

Nathaniel Hawthorne

Ethan Brand

Fiction | Short Story | Adult | Published in 1850

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Character Analysis

Ethan Brand

Ethan Brand is a former lime-burner who left Mount Greylock and the village 18 years before to find the “Unpardonable Sin.” He is also a subject of curiosity and terror for Bartram, Joe, and the villagers. He returns and tells Bartram and the villagers that he has found the Unpardonable Sin in his own heart. He reveals that the Unpardonable Sin, of which he is guilty, is an intellectualism that had alienated him from the fellowship of other people and from reverence for God. It is an intellectualism that led him to perform a cruel psychological experiment on Humphrey’s daughter Esther, which he fears might have “annihilated her soul” and which he is convinced has damned him eternally to hell (Paragraph 49). He feels an extreme guilt for his actions, to the extent that he does not believe himself worthy of redemption and willingly throws himself into the lime-kiln to confront his fate in hell.

Despite the horror of his situation, Ethan Brand has soberly accepted his fate and readily awaits his punishment. He sees his punishment as a just, correct, and, ultimately, natural consequence of his misdeeds and believes that his physical and spiritual deaths will complete his, and God’s, work. He hopes that his finding of the Unpardonable Sin will help prevent the villagers from idolizing knowledge to the detriment of his fellow man like he did, but also resigns himself to isolation and rejection as punishment for his sin. He also isolates himself from the villagers because he sees them as half-hearted and because he does not see himself as capable of regaining his relationship with them. His last name signals his sin and isolation: He has been “branded” (or has branded himself) as a sinner too wicked for God to redeem or for others to associate with.

Ethan Brand is an example of the highly anxious and religiously attuned figure that commonly appears in Nathaniel Hawthorne’s works. He embodies both the self-reflective terror and the somber resolution of the acceptance of doom that occurs in more radical and strict Calvinist traditions, an acceptance of God’s complete, untampered will regardless of what happens to him in the next life. His characterization is important to shaping the themes of The Dangers of Amoral Intellectualism, Spiritual Damnation and Pride, and The Loneliness of Social Detachment and Rejection, as all these themes focus on his complex spirituality and psychology.

Bartram

Bartram is a gruff lime-burner who took over the lime kiln after Ethan Brand left. He is a strong, rugged man who values hard work and traditional masculinity, and has little tolerance and patience for things that he does not understand. His young son Joe accompanies him and helps him with his work, and he tries to instill toughness and other masculine values in Joe. His insensitivity and traditionally masculine values make him impatient with his son’s softness and timidity, and he tells him early in the story that he will never be a man and that he has too much of his mother in him (Paragraph 4).

Bartram likes to present himself as a tough, fearless man above any panic or nonsense, but he feels anxiety and terror around Ethan Brand due to his strange behavior. He dismisses Ethan Brand as a madman, both failing and refusing to understand Ethan Brand’s “finding” of the Unpardonable Sin. Bartram’s response to Ethan Brand’s completed quest contributes to the theme of Spiritual Damnation and Pride, bringing the idea of Ethan Brand truly finding the Unpardonable Sin into question while also wondering if there is something strange occurring with him.

Bartram is also a foil for Ethan Brand. While Ethan Brand is obsessed with the pursuit of knowledge and is willing to throw his soul and human connections away for it, Bartram is content with his hard work as a lime-burner and raising his son to be a strong, respectable man and has no interest in Ethan Brand’s strange ideas, considering them mad. This allows Bartram to be somewhat relatable to the audience as a regular newcomer observing the oddities around him.

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