77 pages • 2 hours read
Orson Scott CardA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more. For select classroom titles, we also provide Teaching Guides with discussion and quiz questions to prompt student engagement.
Colonel Graff—yet unnamed—decides that Ender is the one they’re looking for, though his plans for Ender remain mysterious. They order a doctor to take out Ender’s monitor—a device inserted in the back of Ender’s neck that has followed him for the past three years. In the doctor’s office, Ender assumes he “washed out” as a Battle School candidate, like the other children whose monitors are removed. He’s more relieved than disappointed, thinking maybe “Peter [his brother] won’t hate me anymore” (1). Despite the doctor’s claim that the monitor is designed to be temporary, Ender has a severe reaction to the monitor’s removal, and the doctor shouts for a nurse to pin him down.
Ender returns to class a while later, dazed and feeling the effects of the monitor’s absence. The other kids notice his missing monitor and mock him for washing out, calling him a Third. Ender has two older siblings—a brother named Peter and a sister named Valentine. Ender’s parents received special government permission to have a third child, ostensibly hoping that Ender would be the “one” they need. After school, a bully named Stilson and his friends corner and threaten Ender. While Stilson’s cronies hold him, Ender—taking control of the situation—laughs them off: “You mean it takes this many of you to fight one Third?” (5). The boys release him, and Ender knocks Stilson to the ground with one kick. While the others are too shocked to move, Ender kicks the unmoving Stilson a few more times, then leaves the boys with a warning against challenging him. At the bus stop, Ender cries, thinking that without the monitor, he acts no differently than Peter.
When Ender gets home, Valentine is empathetic to Ender’s monitor removal. Ender, his sister, and the agents watching Ender are most concerned about how Peter will react now that the monitor isn’t constantly recording Ender’s surroundings. As soon as Peter notices, he mocks Ender and corners him in a game of “buggers and astronauts” (8), assigning Ender as the bugger. The children’s game is a smaller scale version of the intergalactic war the humans wage against the real buggers: aliens who threaten humanity’s existence. However, unlike the real war, the astronauts in the child’s game attack the bugger team relentlessly without an opportunity for retreat. Peter forces Ender to wear a bugger mask, then knocks him to the ground, pressing his knee into Ender’s stomach and suffocating him. Peter creates a show of proving that he will kill Ender one day and boasts he could get away with killing Valentine too. Valentine intercedes as a witness and argues that Peter can’t make both of his siblings’ mysterious deaths look like accidents. Peter dissolves into delirious laughter, saying, “I can make you guys believe anything. I can make you dance around like puppets. […] Biggest suckers in the solar system” (10).
Mother and Father come home later and take news of Ender’s monitor well. Silently, Ender understands the deeper social implications of having a third child wash out. Later that night, while Ender lies awake in bed, Peter returns from the bathroom and stands at the door, assuming Ender is asleep. Ender thinks Peter will take his chance to kill him, but instead Peter stands by his bed and whispers that he’s sorry and didn’t mean what he said—he loves his little brother.
Ender isn’t hungry at breakfast the next morning. A man in an International Fleet (IF) uniform named Colonel Hyrum Graff knocks on the Wiggins’s door. Graff informs the family that Stilson is hospitalized and asks Ender why he kept kicking Stilson after he fell. Ender says he didn’t want to, but “[k]nocking him down won the first fight. I wanted to win all the next ones, too. So they’d leave me alone” (14). Graff then offers Ender a place in Battle School, an institution in outer space where young students train to become soldiers and commanders in the bugger war. Mother and Father already gave their consent when they agreed to Ender’s conception, so now the final decision lies with Ender. Graff dismisses the family from the room and talks to Ender privately. Graff candidly explains that leaving for Battle School wouldn’t be easy, and it isn’t Ender’s best chance for happiness. Graff assures Ender that, though his parents love him, his absence won’t affect them so deeply as time passes. Ender’s father grew up Catholic and his mother Mormon, but both renounced their faiths to assimilate to the world’s increasingly strict demands. Graff suggests neither completely shelved their faith—Father secretly baptized each child after their births, which created tension against Mother’s Mormon tendencies—but they’re still quietly ashamed of having a Third child. Graff explains, “They love you. The question is whether they want you here. Your presence in this house is a constant disruption. A source of tension” (17). Graff goes on to describe Battle School and suggest that the next big bugger attack looms ahead. Ender says he would rather stay home, but he agrees to attend Battle School. Graff and Ender leave immediately, and Ender’s family calls out their farewells as he steps into the car.
The novel’s first pages firmly establish its futuristic, highly technological, and drastically altered political setting characteristic of the science fiction genre. The first chapter begins the story’s worldbuilding with a singular monitor inserted in Ender’s neck. An unnamed military official—presumably, Graff—mentions how he has “watched through his eyes” and “listened through his ears” (1), which he could have only achieved through the monitor tracking Ender for three years. In this society, everyone relinquishes their privacy—and, as in Ender’s parents’ case, their religion and beliefs—for humanity’s survival. Such action requires an incredible amount of trust in the military, which Graff and other personnel acknowledge could have massive repercussions. Authorities advertise the monitors as harmless, bearing minimal side effects, and global compliance as heroic sacrifices for the common good, but such extreme measures walk a thin line between necessary and dangerously invasive. Hints of skepticism slip through the doctor’s dialogue after he removes Ender’s monitor and Ender has an extreme reaction: “They leave these things in the kids for three years, what do they expect? We could have switched him off, do you realize that?” (3). Due to overpopulation, the government also regulates the number of children a family can have. The government granted Ender’s parents special permission to have a third child, which others disdain and which results in repressed familial shame. These concerns about government intervention open the door to a larger conversation about the ethics of making sacrifices for the greater good as the story progresses.
The first chapters also introduce Ender’s character and worldview, which hold major thematic implications for the narrative. Though he is extremely talented and intelligent, he mostly wants people to leave him alone. He doesn’t care about popularity among his classmates, though he does take pride in their imitation of his tactics when a classmate sends him a mocking electronic message: “Even as his secret enemy called him names, the method of delivery praised him” (3). Ender hates bullies, but his circumstances attract them. With the monitor off, Stilson and his friends surround Ender, who now has no choice but to fight. However, Ender first fights intelligently and—using a similar tactic in a later important scene—convinces Stilson his best interest lies in fighting Ender one-on-one. Ender hates violence, but once he commits, he goes further than anyone else dares: “I have to win this now, and for all time, or I’ll fight every day and it’ll get worse and worse” (5). He’s willing to break unspoken honor codes to finish the enemy, which demonstrates how quickly his personality and philosophy can rapidly flip from good-natured and gentle to dark and deadly. However, he despises his dark side, weeping and wishing that bullies wouldn’t make him take that first step toward violence.
The second chapter explores dynamics between the three Wiggin siblings: They are all highly intelligent, but Peter relishes in using his genius to secure his own power. Valentine uses her intellect to keep Peter at bay: “Ender and I aren’t stupid. We scored as well as you did on everything. Better on some things. […] You’re not the smartest, Peter, just the biggest” (10). Though Peter expertly deflects, he also can’t completely deny that Valentine wouldn’t let him get away with their murder. Still, Valentine’s security measures don’t stop Peter from grotesquely detailing a plot to kill his siblings. He covers his assets by laughing off his morbid taunts as a game: “I can make you guys believe anything. I can make you dance around like puppets. […] Biggest suckers in the solar system” (10). However, later that night, while Peter assumes Ender is sleeping, Peter cries with apparently genuine regret, apologizing and saying he loves his brother. Throughout the book, both characters and readers struggle to determine when Peter is playing a game and when he is genuine: when he bullies his siblings, escalates to death threats, or suddenly betrays an emotional reliance on his siblings. Peter’s trickery establishes Ender’s experience with—and distaste of—games, setting him up to hate the mind games awaiting him at Battle School.
By Orson Scott Card
Action & Adventure
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Appearance Versus Reality
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Brothers & Sisters
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Fantasy
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Guilt
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Memorial Day Reads
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Military Reads
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Science Fiction & Dystopian Fiction
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Sexual Harassment & Violence
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Teams & Gangs
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War
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YA & Middle-Grade Books on Bullying
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