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44 pages 1 hour read

Kate Beaton

Ducks: Two Years in the Oil Sands

Nonfiction | Graphic Memoir | Adult | Published in 2022

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Background

Authorial Context: Kate Beaton

Kathryn “Kate/Katie” Beaton is part of a large family from Mabou, Cape Breton, in Nova Scotia, Canada, a province influenced by Gaelic-speaking settlers. Cape Breton, once a producer of coal, steel, and fish, is now a deindustrialized city where there are fewer opportunities. Beaton’s grandmother’s generation left to work as maids in Boston, while her mother’s generation went to Windsor, Ontario, to find work in the auto industry. This generational distancing of families and destruction of local communities is interwoven into the region’s folk songs (as depicted in Ducks on page 11).

After Beaton graduated from Mount Allison University with degrees in history and anthropology, she left for the Alberta oil sands, which later inspired Ducks. While she always loved art, she didn’t start making comics until she worked at a museum in Victoria, British Columbia. Her comics, posted online in the early 2000s, eventually became a webcomic called Hark! A Vagrant, which ran from 2007 to 2018. This comic won the 2011 Ignatz Award for Outstanding Online Comic and many others. Because Beaton grew up in a town with a bookmobile instead of a library, Beaton was unfamiliar with many contemporary comic artists, and her art and pacing styles became uniquely her own. Later, Beaton moved to Toronto and New York, where she joined Pizza Island, a women’s cartooning collective. Eventually, she moved back to Cape Breton, got married, and had two children. Apart from Hark! A Vagrant and Ducks, Beaton has also written and illustrated two children’s books, King Baby and The Princess and the Pony.

The impetus for Ducks came from the loss of Beaton’s sister, Becky, a prominent character in the graphic novel. Becky died of cancer in 2018, and Beaton notes that the “medical establishment [failed] to take Becky’s symptoms seriously” (Thielman, Sam. “How Kate Beaton Paid Off Her Student Loans.” The New Yorker, 23 Sept. 2022). This extends to mental health as well, and Beaton realized there was a gap in the depiction of oil sands workers and their experiences as migrant workers in an isolated, hypermasculine environment. Ducks explores this environment’s impact on her as a young, white woman while also observing its effect on workers, nature, and local Indigenous communities. Initially appearing as “test comics” on Hark! A Vagrant, Ducks eventually morphed into a 400+ page standalone graphic memoir.

Social Context: Alberta Oil Sands and Worker Health

The Alberta oil sands are a major part of the oil industry, not just for the province, but for Canada as a whole. As such, it is viewed as a source of steady employment, especially for members of “have-not” communities like Katie Beaton’s hometown in Cape Breton. While oil workers are well compensated, they also experience high levels of stress and negative impacts on their mental health. A 2019/2020 study by University of Alberta sociologist, Sara Dorow, revealed that most shifts lasted 6 to 12 hours per day, and rotations ranged from 6 to 21 days (McDermott, Vincent. “Life in Oilsands Camps Taking Mental Health Toll on Commuter Workers, Finds U of A Study.” Edmonton Journal, 31 Oct. 2021). While some oil companies provide mental health resources, many workers do not use them, citing concerns regarding confidentiality and retaliation. Death by suicide and drug abuse are open secrets, and workers often report going to work even when injured or sick. This environment is also exacerbated by the skewed gender ratios of oil industry workers; while work camps are very ethnically diverse, most workers are men. Discrimination and sexual harassment are common issues for female workers, who are outnumbered by their male colleagues. These stressors are exacerbated by being away from communities and loved ones, especially missing milestone events. While steps have been taken to improve these issues, including a buddy system, much work remains to be done.

All of this is reflected in Ducks. Many of the men Katie encounters and befriends are affected by their hypermasculine environment; they openly objectify, harass, and assault women, bully coworkers, and tease men who show emotional care or “softness” toward their children at work. Ryan, who experiences a mental health crisis, mocks the mental health pamphlet he is given but tells no one he is seeking help. Cocaine and alcohol abuse are prevalent, but there are no mandatory safety meetings that address these problems because they are illegal activities. Mandatory physical safety videos become a running joke, and a low rate of lost-time incidents is celebrated by management but does not reflect the darker reality, like when a man throws himself from a crane during a fatal heart attack to protect his coworkers. All of these examples demonstrate how this isolated, dangerous, and stressful environment can turn happy, polite men into monsters. As a young woman, Katie experiences objectification, propositions, harassment, and rape. Her mental health improves away from the oil sands, but she is forced back to Alberta for money, highlighting the cyclical nature of the oil sands and their negative impact on mental health.

Social Context: Environmental Impact of the Oil Sands

The Canadian oil sands are a naturally occurring combination of sand, clay, minerals, water, and bitumen (a heavy, viscous oil that must be refined and extracted before use). These oil sands are mostly found beneath the vast boreal forests of Alberta, Canada. For contemporary usage, it must be mined, which means forest clearing and creating tailings ponds that separate the various components of the oil sands to extract the bitumen. This is then transported via pipeline to refineries elsewhere.

Originally, the oil sands were used by First Nations people (including the Cree and Dene) to waterproof their canoes. Western explorers eventually found an early method for extracting bitumen. By the early 20th century, oil sands were used for road surfacing, and by the 1920s, the first oil sand separation plant was constructed near Fort McMurray in Alberta. Research into oil sands and bitumen continued, and the industry took off in the 1950s. Today, the Alberta oil sands is “the world’s largest industrial project” and “the world’s third-largest proven oil reserve at 170 billion barrels” (Leahy, Stephen, and Ian Willms. “Alberta, Canada’s Oil Sands Is the World’s Most Destructive Oil Operation-and It’s Growing.” National Geographic, 11 Apr. 2019).

However, this comes at a significant environmental cost: Oil sands plants have turned swaths of Alberta’s forests into barren landscapes, and Alberta’s many tailings waste ponds are so deadly that they kill birds (including ducks, the memoir’s titular fowl). Acid rain and air pollution affect a region about the size of Germany, and while depleted land is supposed to be replanted, only minimal lands have been so, and they are given over to bison rather than used to regrow trees.

Birds, including heavily endangered species, are not the only ones affected by this environmental devastation. Fish, caribou, moose, and bison are also affected, which also affects the Indigenous First Nations communities culturally tied to the land. These communities, whose traditions include hunting and living off of the land, have a complicated relationship with the oil sands industry; located primarily in Fort McKay, they are now surrounded by oil sands plants, which have rerouted waterways and poisoned groundwater with heavy metals. The electric lines, constant air cannon blasts, and industrial scarecrows also contribute to dangers and stressors. Cancer rates have also risen, and high levels of carcinogenic compounds have been found in lakes far from the mines, leading many to believe that regulations are not as stringent or honest as they seem.

However, many Indigenous communities in the area are impoverished and turn to oil sands companies for jobs. Some activists believe this dependence is created purposefully; Indigenous communities may be more likely to agree to oil sands expansion if they rely on them. However, opposition to oil sands companies is difficult. When First Nations communities objected to planned oil pipeline construction through their land, the industry pressured Prime Minister Justin Trudeau to approve it anyway. Even when the oil industry eventually declines, the environmental impact will endure, and clean-up costs are estimated at over $100 billion (Kusnetz, Nicholas. “Canada’s Tar Sands: Destruction So Vast and Deep It Challenges the Existence of Land and People.” Inside Climate News, 21 Nov. 2021).

While Beaton only briefly touches on these impacts of the oil sands plants, she makes a point to include Indigenous perspectives in Ducks. She includes excerpts from videos by Celina Harpe of the Fort McKay Cree community to highlight these issues and emphasizes cancer risks by mentioning her own back welts, her sister Becky’s death, and Leon’s slow death from cancer. As for environmental impacts, Katie and her colleagues scoff at the new mining techniques that are supposedly healthier, and she notes the disastrous oil spill that killed 500 ducks in the tailings pond. She also questions the efficacy of scarecrows and recorded gunshot noises to scare birds. In this way, Beaton acknowledges both the importance of diminishing the oil sands’ negative impacts on the natural environment and the communities who live, work, and honor their ancestors and traditions there, another type of forgotten “shadow people.”

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