51 pages • 1 hour read
Goodman Sara ConfinoA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section discusses racism, anti-gay bias, miscarriage, and death.
Marilyn Kleinman, age 20, is home from college for the summer of 1960. On Saturday, she attends synagogue with her parents, though she finds the sermon boring. She makes eyes at the rabbi’s son, Daniel Schwartz, and both discreetly leave the service to meet in the lobby. Marilyn flirts with Daniel, and he brings her to his father’s office, where they kiss. Marilyn leans against a pane of stained glass, which breaks, causing her and Daniel to fall into the synagogue service in front of everyone. Marilyn’s father, Walter, is horrified and drags her out of the service.
Back at home, Marilyn’s parents confine her to her room. Her mother, Rose, brings her meals. Rabbi Schwartz, his wife, and Daniel arrive, and Marilyn comes downstairs so that the two families can talk. At his parents’ insistence, Daniel awkwardly proposes to Marilyn, but she refuses him because she does not really know him and is not interested in getting married yet. Both sets of parents are furious. Marilyn insists that there is no reason for them to marry: She cannot have become pregnant from kissing. Rose faints.
That evening, Marilyn’s parents provide her with an ultimatum. Either she can marry Daniel, or she can go to Philadelphia and spend the summer with her strict great-aunt Ada Heller, who works as a matchmaker for Jewish families. Ada’s companion, Lillian Miller, will be away for the summer, so Ada needs an assistant to help with her work. If Marilyn goes and behaves well all summer, her father might consider allowing her to return to college in the fall. Marilyn reluctantly agrees that a summer with Ada is better than marrying Daniel.
Marilyn takes the train to Philadelphia, where a young Black man named Thomas meets her at the station. He is a medical student who knows Ada well and does odd jobs for her. Thomas brings Marylin’s bags to the car, where she meets Ada, a fashionable 75-year-old woman who has “platinum blonde hair peeking out from under a baby blue Hermès scarf” (29). Ada immediately confiscates Marilyn’s red lipstick for herself.
Ada drives extremely fast back to her fancy duplex. She tells Marilyn some rules: She is not to date anyone or borrow Ada’s belongings. She reveals that Rose once spent a summer with her, which surprises Marilyn. Marilyn meets Ada’s little dog, Sally, who dislikes her. Upstairs, Ada forbids Marilyn from entering any room besides her own bedroom and the bathroom. Lillian’s room is next door to Ada’s. Lillian is away because her mother is dying. Marylin explores her austere room and finds a photograph of Rose kissing a younger Ada on the cheek. It was taken a year before Marilyn’s parents married. Marilyn writes a brief letter home, asking her mother to send her books, a radio, and a new tube of lipstick.
At dinner, Marilyn tells Ada about her kiss with Daniel, which Ada finds very funny. After dinner, the two go for a walk in the park. There are several young men playing tennis there, and Ada asks Marilyn to get their names, numbers, and consent to go on dates with young women who are looking for husbands. As Marilyn walks toward the court, she trips on a rock and falls into a bush. One of the young men, who introduces himself as Freddy Goldman, helps her to her feet. She finds him handsome, but she ignores her feelings and asks the young men for their information. To persuade them, she says that if they go on three dates with women of Ada’s choosing and do not find one that they like, they can go out with her instead. When Marilyn returns to Ada triumphantly, Ada admits that she threw the rock that tripped Marilyn up, hoping it would help her get the men’s attention.
Back at Ada’s house, Marilyn writes about her day in her notebook. She loves writing, and Rose has always supported her interest, but Walter disapproves. Marilyn wonders why Ada never married, especially since she is a matchmaker. The next morning, Ada wakes Marilyn early, as clients will arrive soon. Each meeting involves a mother and her daughter (or, less often, her son), seeking Ada’s help finding a marriage partner. Marilyn brings everyone coffee and takes notes to get a sense of what the young person is looking for in a match. Ada gets a good idea of what people are like with just a few careful questions. Marilyn has the afternoons off. She admires Ada for running her own business, which is something she has not seen women do in the past.
On her first afternoon after work, Marilyn goes for a walk around the neighborhood. Ada lives in a Jewish area next to an Italian part of the city. When Marilyn asks for directions to the Liberty Bell, she meets another young Jewish woman named Shirley, who immediately recognizes her as Ada’s great-niece. Shirley tells Marilyn that her family and Ada usually spend most of the summer at the Jersey Shore, so they will probably see each other there soon. Marilyn is happy to have made a friend and buys herself more lipstick, which Ada once again confiscates.
The next morning, Marilyn tells Ada about meeting Shirley. Ada disapproves of Shirley’s family because they are new money and social climbers. The first clients of the morning are a mother and her tall, gawky daughter. The mother is very rude about her daughter’s appearance and is desperate for her to get married. Ada sends Marilyn and the mother to the kitchen to make coffee, and when they return, she has given the daughter a quick but effective makeover using the lipstick she confiscated from Marilyn. The pair leave, and Marilyn and Ada agree that the mother treated her daughter terribly. Ada instructs Marilyn to go buy more lipstick, specifying that she should get a lighter color, not red.
Marilyn takes the trolley to a department store to buy lipstick. She tries to see the Liberty Bell, but it is closed for renovations. When she gets home, Ada is talking quietly on the phone to someone she calls “darling.” Marilyn thinks that her tone sounds like she is talking to a lover, but Ada tells her nothing.
Ada takes Marilyn to the department store again, this time to buy her a summer wardrobe for the Jersey Shore. Everyone in the store treats Ada like royalty. In addition to dresses, pants, and blouses, Ada buys Marilyn two bikinis. She then takes Marilyn to the Liberty Bell, determined to show it to her even if it is closed for renovations. Ada charms the guard and convinces him to let them see the bell and let Marilyn touch it. Marilyn is impressed.
Marilyn’s mother sends a letter saying that she has sent books and a radio to Ada’s house on the Jersey Shore. A few days later, Ada drives Marilyn and Sally down to Avalon, a small beach town just past Atlantic City. For most of the summer, women and children spend their time there, with men visiting on the weekends. On the drive down, Ada suggests that Rose is not happy in her marriage. Marilyn is surprised, but she realizes that she has never seen her parents being affectionate.
The author introduces the theme of Romance and Making Matches through the contrasting characters of Marilyn and Ada. Marilyn embodies a more modern, unconventional approach to romance, much to the chagrin of her parents and community members. Her flirtation with Daniel in the synagogue is an act of personal romantic desire rather than evidence of a commitment to societal expectations. Although their romantic encounter causes a stir for both families and leads to Marilyn’s parents sending her to Philadelphia, she remains uninterested in pursuing marriage with Daniel. This interaction establishes Marilyn as a character who sees more for herself than rigid gender expectations and the domestic trappings of marriage.
In contrast, Ada initially appears to be Marilyn’s foil: She is practical and seemingly unromantic. However, she is exceptionally good at and dedicated to making romantic matches in the Jewish community. As a professional matchmaker—a line of work typically done by women—she has a real talent for understanding what people need in their lives and especially what they need in a partner. Despite her unmarried status, she takes her matchmaking work seriously and sincerely wants to create matches that will make people happy. She has been successful in her business for 40 years, something Marilyn admires. While her own romantic life remains a mystery at this point in the novel, her profession reflects a broader commitment to facilitating successful marriages for others. While her line of work is invested in promoting traditional marriage—something she doesn’t heed—Ada also has modern sensibilities and opinions, which allow her and Marilyn to find common ground throughout the novel.
Living a Nontraditional Life emerges in this section through Ada’s and Marilyn’s characterizations. As Marilyn notes, it is very unusual to see a woman running her own business during this time. Her role as an independent, unmarried businesswoman in her seventies defies the conventional expectations of her gender and age. In these early chapters, Marilyn does not yet have any sense of just how nontraditional Ada is romantically, though there is some foreshadowing. Her phone call with a potential lover and her unwillingness to let Marilyn explore any upstairs rooms are both hints that will become more important in the story later. Throughout the narrative, Marilyn’s disdain for traditional roles and gender expectations is clear. In a time and community where getting married is seen as a woman’s primary duty, Marilyn’s reluctance to conform to these expectations and her passion for writing mark her as a strong-willed character who resists hegemony and values autonomy. This non-conformity sets her apart from the normative path that society and her parents have laid out for her, emphasizing her desires over traditional societal norms.
The theme of Family and Duty appears through the characters’ actions and their societal perceptions. Ada’s critique of Shirley’s family for what she perceives as a crass approach to social class underscores her investment in preserving cultural values and social propriety. As a matchmaker, she is invested in upholding the institution of marriage and helping her Jewish community flourish through partnerships that maintain traditions and cultural values. Despite these investments, she is the first person in Marilyn’s life who acknowledges that marriage expectations are not always ideal, implying that Rose is unfulfilled as a housewife. Her critique of the limitations of marriage on women establishes a fundamental tension between Ada’s outward investment in aiding the institution of marriage while critiquing it and suggesting that Marilyn should want more for herself. As Marilyn already finds the expectations of family and duty limiting, Ada begins to advocate for alternatives for her.
Marilyn’s family, especially her father, Walter, views marriage as a necessary duty rather than a personal choice. Walter only sends her to college so that she will find a husband; he is not invested in her education. The societal pressure for Marilyn to marry Daniel to maintain her family’s reputation and avoid scandal regardless of her and Daniel’s feelings on the matter further highlights the very expectations that Marilyn resists. As Ada begins to subtly suggest other options, Marilyn becomes increasingly confident that personal happiness is something she must continue to prioritize.