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89 pages 2 hours read

Miguel de Cervantes

Don Quixote

Fiction | Novel | Adult | Published in 1605

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Part 1, Prologue-Chapter 9Chapter Summaries & Analyses

Part 1, Prologue Summary

In a short Prologue, Cervantes complains about the difficulty of writing prologues. He believes that his book is good, but he worries that—because he first thought of the idea while in prison—the ideas will be as confined and restricted as his prison cell. He states he is unusual as a writer because he does not have any poetry he can use to introduce his fictional creation to the world. A friend, he explains, has spoken to him about a number of different ways in which he can begin Don Quixote without the effort of writing any poetry, including adding invented quotes from nonexistent authors and pretending they are famous. Most importantly, his friend tells him to share his ideas with the world without making them overly complicated or obscure. This simple idea, Cervantes explains, will function as the Prologue of the novel. Then, he provides a number of invented quotes referencing the characters in the novel. 

Part 1, Chapter 1 Summary

A Spanish gentleman is growing old in his crumbling country villa. As he nears the age of 50, he complains that he has too much time on his hands. Rather than reading his favorite stories about chivalric knights and their fantastical adventures, he decides he will have an adventure of his own. He will become a knight errant, he decides, meaning he will become a knight who travels the world in search of people in need. After cleaning an old suit of armor and creating a helmet from cardboard, he goes to his elderly horse and gives it a new name, Rocinante, and he will be known as Don Quixote of La Mancha. Realizing that every knight needs a beautiful woman to whom they can dedicate their great deeds, he decides he will dedicate his successful adventures to a local peasant girl named Aldonza Lorenzo. Quixote has never met her, but he renames her Dulcinea del Toboso, giving her a suitable title as the object of his knightly affection.

Part 1, Chapter 2 Summary

A short time later, Quixote dresses in his armor and mounts Rocinante. He ventures out on his first adventure. Worried he is not officially a knight, he decides to discuss the issue with the first person he meets. Quixote imagines the stories that might be written about his imminent adventures. He describes the July morning in the same lofty, romantic language he remembers from the books he loves so much. After traveling all day, he arrives at an inn as the sun sets. In his mind, however, the unremarkable inn is transformed into a great castle. Two sex workers stand outside the inn, but Quixote sees them as royalty. He addresses them in his most formal, polite manner. They laugh uncontrollably.

The innkeeper appears and helps Quixote from his horse. The women remove Quixote’s tarnished armor, though he insists they leave his helmet on his head because he worries his homemade cardboard helmet will fall apart. Inside the inn, Quixote eats fish and stale bread. He needs the two women to place the food into his mouth because his hands are occupied with holding together his makeshift helmet. Despite the low quality of the food, Quixote imagines he has eaten a large, delicious meal. He ignores the laughter of the inn’s patrons. 

Part 1, Chapter 3 Summary

After his meal, Quixote asks the innkeeper to knight him. In Quixote’s mind, the innkeeper is a fellow knight. The innkeeper is confused but, intrigued by his strange customer, agrees to knight Quixote. After the ceremony, Quixote removes his armor and places it beside a well. He intends to stay up all night to maintain a vigil, as is tradition. A farmer and his mule pass by. When the farmer tries to move Quixote’s armor from the well, Quixote attacks him. He knocks the farmer unconscious with his lance and then fights off the man’s friends. As these friends throw rocks, the innkeeper steps in. He finishes the knighting ceremony and sends Quixote back out on the road in the early morning light.

Part 1, Chapter 4 Summary

Leaving the inn, Quixote decides to return to his house to change his clothes. He also decides he needs a squire to assist him. As he passes along a road, he hears someone moaning in pain. Investigating the sound, he discovers a farmer has tied a 15-year-old boy to a tree and is now whipping the boy. Quixote is horrified. He challenges the farmer to a duel. The farmer ignores the challenge. He claims he employs the boy as a shepherd, and the boy is being punished for failing to pay attention to his flock. Quixote does not care. He insists the farmer pay the boy whatever wages are owed. The farmer promises he will pay the boy at some point in the future. When the boy objects, insisting the farmer will simply continue whipping him as soon as Quixote leaves, Quixote happily assures the boy the farmer will keep his word. When Quixote mounts his horse and rides away, the farmer immediately begins whipping the boy again. He whips him harder than ever before.

Quixote rides away, ignorant of the boy’s pain and satisfied with the good deed he has performed. As he passes by, he mistakes a group of merchants for knights. Remembering the way in which knights acted in his favorite books, Quixote grabs his lance and insists the men agree with him that Dulcinea is the world’s most beautiful woman. The men are confused. They do not know Dulcinea. Quixote insists they acknowledge her beauty. The merchants joke that they would agree that even the world’s ugliest woman is the most beautiful if the alternative is to be attacked. The man’s joke only enrages Quixote, who lowers his lance and charges at the merchant. However, Rocinante loses his footing, and Quixote is thrown from his horse and feels pinned down by the weight of his armor. The men leave Quixote bruised and embarrassed on the side of the road. 

Part 1, Chapter 5 Summary

Still in pain, Quixote sits on the side of the road. He remembers passages from his favorite books to pass the time. He calls out to a passing farmer as though the man were Marquis de Manuta, a character from one of the fictional adventures. The farmer recognizes Quixote and tries to shake him free from his delusion about knights and adventures, pointing out that he is not the Marquis but simply named Pedro Alonso. Quixote dismisses Pedro’s claims and insists he will soon be recognized as a great knight. As the sun sets, Pedro escorts Quixote home. There, a priest named Pero Perez and a barber named Master Nicholas are waiting for him. They are Quixote’s friends, and they discuss his strange behavior with Quixote’s niece and his housekeeper, both of whom blame Quixote’s love of books for his recent delusions. As Pedro carries Quixote into bed, Quixote insists his wounds are the result of a fantastic fight against 10 giants. 

Part 1, Chapter 6 Summary

While Quixote sleeps in his bed, his guests examine his books. Quixote’s niece and his housekeeper believe the books should be sprinkled with holy water, but Pero Perez and Master Nicholas take their time to study each book, wondering whether the best solution is to burn the books to save Quixote from his literary fantasies. They separate the books into various categories based on author, subject, and style. They also select their favorite books. Eventually, they grow tired of sorting through the books and leave the remaining collection in a group marked “unknown,” agreeing these can be burned. 

Part 1, Chapter 7 Summary

Quixote wakes up and immediately begins shouting. He charges around his house with his sword drawn, announcing he is a knight named Reynald of Montalban. When he exhausts himself and returns to sleep, the housekeeper begins to burn the books selected by the priest for destruction. Meanwhile, Pero Perez and Master Nicholas agree to seal the remaining books in the library and tell Quixote a magician has placed a spell on the door.

Two days later, Quixote wakes up and discovers his beloved books are missing. His housekeeper tells him the story about the magician. Quixote swears revenge against the magician. Over the next 12 days, Quixote tries to convince Pero Perez and Master Nicholas to join him on an adventure. He also reaches out to a local farmer named Sancho Panza, encouraging the farmer to join him so he may be made a governor of an island in the future. Quixote gathers supplies and money to prepare for his next big adventure. Panza joins him as they leave the house in the middle of the night without saying goodbye. 

Part 1, Chapter 8 Summary

Quixote and Panza arrive in a field. In the distance, Quixote sees dozens of windmills. He convinces himself the windmills are giants. He lowers his lance and charges at the windmills but only succeeds in breaking his lance. After, he explains to Panza that the evil magician changed the giants into windmills as a trick. They ride away and Panza eats his dinner on horseback. Later, Quixote makes a new lance from a tree branch, and they sleep in a forest. The next morning, Quixote comes across two monks and a coach with a woman inside, assisted by her footmen and a Basque coachman. He decides the monks are kidnapping the woman, who is actually a princess. Quixote and Panza attack the monks. Panza is beaten when he tries to steal the robe from one monk while the other rides away. The Basque coachman attacks Quixote. The narrator of the story loses his place and assures the reader it will be found soon. 

Part 1, Chapter 9 Summary

The narrator pauses the story to contemplate the missing section of the narrative. The story, the narrator explains, is based on manuscripts that were found in Quixote’s library and in a market in the town of Toledo. The manuscripts found in Toledo completed the story but needed to be translated from Arabic. The narrator returns to the story just as Quixote faces off against the Basque coachman but notes this part of the text may have been exaggerated by the Arab storytellers. The coachman knocks Quixote’s armor from his body, slicing off a part of Quixote’s ear in the process. Quixote responds with a severe blow to the coachman’s head but, in a moment of mercy, agrees to spare the coachman’s life so long as the woman in the coach agreed to meet with Dulcinea to deliver her the story of his great victory. 

Part 1, Prologue-Chapter 9 Analysis

Don Quixote opens with an introductory Prologue from the perspective of the narrator, Cervantes. The Prologue is part of the novel’s complicated relationship with truth and reality. Just as the protagonist Quixote struggles to discern delusions from reality, Cervantes weaves a complicated web of fiction and nonfiction. The story itself is fiction, but Cervantes insists he has pieced together the true account from a number of sources. He does not claim the story is completely accurate, but his declarations about how much he has strived for the truth help to blur the lines between fiction and non-fiction until the audience is not sure whether even Cervantes himself is part of a complex and self-aware literary work.

Cervantes is not just the author of the work but a character with an agenda and an arc. Like Quixote, he wants to bring the chivalric knights into the modern age, but also like Quixote, he is accosted at every turn by problems that may or may not exist. Like Quixote, Cervantes is capable of inventing enemies to blame for faults that are entirely his own creation. Cervantes’ relationship with the truth is further blurred when he explicitly provides a list of fake poems and epigraphs after describing his friend’s advice not to bother actually researching famous people. Cervantes tells his audience he wants to tell the truth, then describes how he will lie, then proceeds to narrate a novel in which truth and reality are constantly thrown into doubt.

The opening chapter of Don Quixote establishes the protagonist’s motivation. Quixote is disillusioned with the world. He is not rich, but he is also not poor; he has a small amount of land but no real fame or fortune. As the other characters tell him, he has the freedom to spend his life pursuing whatever leisure intrigues him the most. But for Quixote, this life is not enough. He is bored and listless. As he veers through middle age without a wife or children, he discovers he has no sense of purpose or direction. His thoughts are complicated by his taste in literature. While modern life might seem dull and uninteresting to Quixote, his books are filled with exciting stories about knights and chivalry. Most importantly, these knights have a purpose. They travel the world on their adventures and live their lives according to an ancient code.

To Quixote, this sense of purpose is appealing. He does not appreciate the knights because they are rich, famous, heroic, or successful. He envies the knights because their lives have a sense of direction and importance he has never experienced. When Quixote sets out on his adventures, he is not trying to save a specific person or gain any specific treasure. He simply wants to bring meaning to his life and to do that he looks to the past and to a period in history he believes was markedly different than his own.

Quixote’s nostalgia is nuanced. As Pero Perez explains to him, the past described in the books is not real. The knights may have some loose relationship with real people, but their stories should not be considered fact. Quixote rejects this claim. To him, the chivalric tales are as real as they need to be. This disagreement establishes one of the key differences between Quixote and the other characters that causes them to label him as “delusional.” To the other characters, the fact that these stories of knights are fiction means they can be safely dismissed. For Quixote, however, these books contain an ideology that cannot be dismissed. He claims the knights were based on real people, but this claim does not matter. The knights represent a nostalgic past Quixote wishes to bring into the present. He does not want to exactly replicate their adventures, nor can he. Instead, he wants to spread their moral code throughout the world and reinvigorate a society he believes has become hollow and listless. To Quixote, the truth is an irrelevant consideration. Reality is whatever he wants it to be and whatever gives him pleasure and purpose. 

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