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53 pages 1 hour read

Bethany Joy Lenz

Dinner for Vampires: Life on a Cult TV Show (While also in an Actual Cult!)

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Background

Literary Context: The Celebrity Memoir and the Cult Memoir

Dinner for Vampires combines two subgenres of memoir: the celebrity memoir and the cult memoir. Bethany Joy Lenz is best known for her role as the neighbor Haley James Scott on the WB/CW teen drama One Tree Hill, which ran from 2003-2012. While her memoir describes her experiences on the show with her costars and criticizes some aspects of the production and actions taken by the production team, it doesn’t fit the model for a traditional “tell-all” memoir about her experiences in the limelight or reveal shocking details and secrets about the cast or crew. Instead, Joy focuses on her own experiences and personal growth outside of the show. In this way, it shares common ground with other celebrity memoirs like Open Book by Jessica Simpson and Storyteller by Dave Grohl. The marketing and cover design of Dinner for Vampires uses a similar early-90s motif and color scheme to the bestselling celebrity memoir I’m Glad My Mom Died by Jennette McCurdy, the child star of iCarly

The memoir, like Joy’s life at the time, is split between her time filming on location in Wilmington and her time in a cult. It documents her decision to leave the cult after One Tree Hill ended, following the structure of other cult memoirs like The Program by Toni Natalie and Talking to Strangers by Marianne Boucher. Like these books, Dinner for Vampires describes how Joy was lured into the cult, her time in it, and how she escaped. In its dual focus between cult and celebrity life, Dinner for Vampires shares common ground with Troublemaker by Leah Remini (2015), an account of Remini’s history with and attempts to divest from the Church of Scientology paired with details of her experiences on the hit CBS sitcom The King of Queens.

Socio-Historical Context: Charismatic Christian Movements in the United States

Bethany Joy Lenz was born in the 1980s and raised in the context of the burgeoning evangelical, charismatic Christian movements in the United States. Her parents had been part of what is called the “Jesus movement” in the late 1960s and early 1970s which capitalized on the popularity of counter-culture movements of the time and presented Christianity as similarly revolutionary and counter-cultural, embracing the values of love, hope, and peace. In the 1980s, around the time when Joy was born, the evangelical movement utilized trends of marketing and merchandizing to spread its message. Joy describes, for instance, having a Melody doll that sang a Christian spiritual when its string was pulled. An understanding of the history and culture of 1980s evangelical Christianity provides the spiritual context for Joy’s experiences.

In Protestant Christianity, of which evangelical Christianity is a part, it is not necessary to pray in a church or with a formally ordained spiritual leader (such as a priest or pastor) to communicate with God. In some practices, members of the movement gather together in homes or other informal spaces for Bible study or prayer sessions with lay leaders. It was this Bible study practice that first introduced Joy to what would become the cult. She notes that the cult represents an extreme form of the practice not representative of all peoples’ experiences. The leaders of the group used an idiosyncratic interpretation of evangelical Christianity to control its members.

Joy describes the Family as a “cult,” rather than “high-demand group” or “high-control group,” which are more technical and less stigmatizing ways of describing new religious movements with beliefs outside of the mainstream. In the Author’s Note, she says that “cult” “portray[s] my personal experience” (ix). Cults are commonly associated with extreme rituals due to sensationalized portrayals in the media. Joy asserts that the Family cult did not promote unusual behaviors, but did use the language of evangelical Christianity to isolate its members from the outside world and exert control over them.

Cultural Context: One Tree Hill

One Tree Hill was a teen drama that ran on the WB/CW network from 2003 to 2012. It was shot in Wilmington, North Carolina and set in the fictional town of Tree Hill, North Carolina. The show follows the life and times of two half-brothers, Lucas (played by Chad Michael Murray) and Nathan (James Lafferty), and their friends and neighbors. The show followed a similar model of other popular teen dramas of the time like The O.C., Dawson’s Creek, and Friday Night Lights in its focus on teen relationships and semi-realistic portrayals of their lives, incorporating contemporary musical soundtracks featuring popular indie musicians.

On the show, Joy played Haley James Scott, Lucas’s best friend and neighbor. In Season 1, Haley married Nathan while still in high school and in Season 3, they had a “vow renewal.” In Dinner for Vampires, Joy comments to her costar that she “was married to James” longer than she was married to her husband in real life (247).

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