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Lu XunA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Epistolary technique refers to the telling of a story through the use of letters or other documents, such as diary entries or email exchanges. In “Diary of a Madman,” the diary is a device through which the “madman” narrates his perceptions of reality. At the beginning of the story, the “madman” has apparently “recovered” from his mental illness and has taken up another government position. The diary is an artifact through which the reader can access the “madman’s” thoughts, although it limits the aperture through which one can view the narrative’s reality.
The diary forces the reader to examine, analyze, and question the perspective of the “madman.” Although the “madman’s” older brother rejects the diary as delusional, he never presents an alternative version of events. Lu Xun creates a lingering sense of uncertainty around the “madman’s” perceptions, whether or not he sees the world more clearly than his neighbors, and whether he ever had a mental health condition in the first place.
Allusions are references to an object or subject that exists outside the text. They rely on readers’ prior knowledge to enhance emotion or clarify significance. Mr. Gu is an allusion to the Chinese character “Gu,” which is not only a family name but also means “olden times” or “antiquity.” Mr. Gu is a character who never appears in the text; he is only mentioned by the “madman” as a man whom he exploited long ago.
Mr. Gu’s exploitation by the “madman” alludes to the historical plight of villagers at the hands of government officials and village leaders. While the “madman” admits his wrongdoing, he also justifies it by saying it was “long ago,” attempting to diffuse the blame for historical oppression. The theme of historical weight on current problems is further explored by the “madman’s” reading of history, as well as the relationship between injustice and generations.
Imagery is a technique that writers use to paint pictures in readers’ minds so they can more easily imagine a story’s situations, characters, emotions, and settings. The text uses animal imagery, specifically dogs, wolves, and hyenas, to illustrate how humans can change their primitive ways. Wolves and hyenas are dangerous wild animals that feed on the flesh of others. Dogs, on the other hand, are loyal members of the family. Lu Xun invokes the theory of evolution to argue that just as hyenas and wolves may evolve to be dogs, so too may humans evolve to be better versions of themselves.
If humans fail to change, the “madman” argues, others who are more advanced may come along and eradicate those who refuse to change with the times. Evolution operates both as a means to elicit change within society but also as an admonition of Chinese culture. Lu Xun looks abroad to foreign ideas of science to diagnose and treat the social ills he sees within his own society.
A metaphor is a direct comparison between two unrelated things and often generates a dramatic or poetic affect. Lu Xun uses metaphors to emphasize the danger that the “madman” feels around him, and therefore to heighten the narrative tension. The “madman” reflects, “I realize all the poison in their speech, all the daggers in their laughter” (III). Here, Lu Xun transmutes physically harmless sounds into threatening objects—poison and daggers. The metaphor implies that even ordinary conversation and laughter have been weaponized and directed toward the “madman.” Although it remains ambiguous whether the villager’s hostility toward the “madman” is real or the product of paranoia, the metaphor emphasizes the “madman’s” perception of reality and his overwhelming fear.
Allegories of Modern Life
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Appearance Versus Reality
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Challenging Authority
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Chinese Studies
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Community
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Fear
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Mental Illness
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Nation & Nationalism
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Order & Chaos
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Power
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