44 pages • 1 hour read
Koyoharu GotougeA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
In Demon Slayer, blood is a motif and a symbol that has both positive and negative connotations and is related to the themes of Perseverance Through Hardship and The Power of Familial Bonds. At several points in the first chapter, Tanjiro repeats the refrain that happiness ends when there is “the smell of blood in the air” (12). In these moments, blood is used to foreshadow violence—specifically, the demon that attacks Tanjiro’s family and the subsequent hardship Tanjiro and Nezuko will face on their quest to turn her human again. Blood thus symbolizes impending danger; it is a demon’s blood that turns Nezuko into a demon herself. It also symbolizes the familial bond between Tanjiro and Nezuko. As siblings, they share a bloodline, and this connection helps them transcend the usual antagonistic relationship between human and demon. As the manga progresses, the reader will learn that Tanjiro and Nezuko’s bloodline is important in another way.
As a recurring motif in the anime, blood splatters are also associated with danger. The frequent, graphic use of blood when demons attack contributes to the dark fantasy of the Demon Slayer world, where demons are an immense danger to humans. Blood in this context shows how vulnerable humans are to demon attacks. However, blood is also associated with human strength. Makomo’s talk of total concentration breathing explains how it can heighten a demon slayer’s blood flow, making them strong enough to fight demons. Overall, blood is a complex motif and symbol that has multiple, complex meanings that mirror the complexity of the human experience.
Citizens of rural Japan in Demon Slayer, especially those from older generations, insist on the reality of folktales detailing demons in the woods. In these stories, demons symbolize the threat of evil against humanity. Shōnen manga like Demon Slayer often rely on tropes of good and evil: In this paradigm, the demon slayers symbolize good and the demons symbolize evil. The human characters accept this paradigm as fact. Civilians like Saburo and Tanjiro’s deceased grandmother believe this, as does Giyu, a veteran demon slayer. Giyu claims “a human who becomes a demon cannot go back” (36), that the species are diametrically opposed; He speaks as someone who’s witnessed demons kill their own families. While most humans hold this reductive view of demons, Tanjiro has a complex view guided by his treatment of Sympathy as Strength. He does not see demons as inherently evil: He sees the good in Nezuko, and this faith allows Nezuko to maintain her humanity. This framework complicates the role of demons in the manga and introduces the idea that no entity is fully good or evil.
Masks are a motif and a symbol associated with the Demon Slayer Corps; they serve both a practical and a symbolic purpose. Masks protect the identities of demon slayers and those associated with them, who would otherwise be targets for demons looking to kill them. Despite being a retired demon slayer, Urokodaki wears a tengu mask to protect his identity from demons like the Hand Demon—who bear him ill will for trapping them on Mount Fujikasane. While this mask physically protects his identity, it also symbolizes a protective force, as tengu were often guardians of nature in Shintō folkore.
Urokodaki utilizes this symbolic protective force when carving fox masks for his students. He personalizes each mask: Sabito’s mask bears a scar that mirrors his real scar, while Makomo’s mask bears the same flower design that covers her robes. The mask carved for Tanjiro bears a sun, like that on his hanafuda earrings. While this volume does not address Tanjiro’s relationship with the sun, the power of the sun becomes important to him and Nezuko in subsequent volumes. As for the Japanese fox (or kitsune) that inspires Urokodaki’s masks, it is a mythological figure that has been used in Japanese literature and theatre for over 500 years. Kitsune are shapeshifters that serve as messengers between humans and Inari Ōkami, a deity in the Shintō belief. They connect two worlds and are symbolically linked to Tanjiro, whose sympathy for demons creates a bridge between the human world and demon world.
Ironically, the masks meant to protect Urokodaki’s last 14 students led to their deaths. The Hand Demon began recognizing the masks and associating them with Urokodaki’s tengu mask, which was carved in a similar way. In this respect, Urokodaki’s mask—a physical means to shield his face, his emotions—hides his grief. He later admits that his harsh treatment of Tanjiro stems from this grief, as he didn’t want another student to enter the final selection and die.
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