57 pages • 1 hour read
Mick HerronA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide mentions alcohol and substance use disorder, suicide, and terrorist acts.
An electrical issue disrupts the London transport network. Among the confused passengers is an elderly man and former spy named Dickie Bow. He has no ticket or destination, but he is following a man whom he refers to as “the hood.” As the passengers disembark the train for a bus, Dickie follows the hood through the crowd. Dickie’s “hardcore days” are over; he drank heavily, and his memories are muddled. He is convinced, however, that the hood is a Russian spy. On the bus, he sits several seats back and misses his old life. He is convinced that he recognizes the hood from his time in Berlin, just after the fall of the Berlin Wall. With his cell phone in his hand, Dickie thinks about who he could call about this figure. He suspects that no one will listen to him. He thinks about other people who have been rejected or pushed aside from the intelligence services, remembering how some of them have fallen under the watch of Jackson Lamb and the slow horses of Slough House. Dickie knew Lamb from their time in Berlin, which they referred to as the Spooks’ Zoo. Dickie feels an urge to send a message. He dies on the bus.
Slough House is in the London Borough of Finsbury. The building is drab and damp. Inside, Roderick Ho sits alone in his office, behind a bank of computers. In another office, “two unfamiliar faces” reside (11). Elsewhere in Slough House, Min Harper and Louisa Guy share an office. River Cartwright has an office of his own. Above him, on the topmost floor, two offices belong to Catherine Standish and Jackson Lamb. The office of Jackson Lamb is a filthy mix of “takeaway food, illicit cigarettes, day-old farts and stale beer” (12).
Unlike most days, Jackson Lamb is not in his office. He is in Oxford, searching for information about Dickie Bow’s last bus journey. He travels to Reading and poses as Dickie’s academic brother. Lamb asks the bus station manager if he can sit on the bus where Dickie died, and then tries to remember what he knew about Dickie. The circumstances of Dickie’s death seemed strange to Lamb, prompting him to examine Dickie’s place of death. He finds Dickie’s cell phone and speaks to the driver, who mentions a hat that may now be in the lost property department. Lamb returns to Oxford and seeks out the lost property office. Lamb claims the black fedora from the bus and wonders why it might have been left behind. Next, he checks the phone: Neither of the numbers in the contacts results in anything. Lamb reads a draft message. The single word Cicadas shocks him.
In Slough House, the two new people look around. They know that Slough House is “openly acknowledged to be a dumping ground” (16), a place to send unwanted employees to encourage them to quit. Marcus Longridge is in his mid-forties, and Shirley Dander is in her mid-twenties. They each have a vague suspicion of what the other has done to deserve the ignominy of Slough House. If they are going to share an office, Marcus suggests, then they might pass the time better by talking. Quickly, the conversation turns to their indiscretions. Shirley punched an older colleague who was sexually harassing her. She was accused of having “issues” by the HR department, and so was sent to Slough House. Their conversation turns to the other occupants of Slough House, beginning with Lamb. Shirley is dismissive of Lamb, though Marcus suspects that he “knows where some bodies are buried” (25). They discuss the others. Ho is fiercely anti-social, while Min and Louisa seem to be in a sexual relationship. Catherine, Marcus believes, has an alcohol use disorder. Marcus knows that River was responsible for a calamity during a training exercise which caused a busy station to be shut down. He was sent to Slough House rather than fired because his grandfather was an important spy. Shirley claims that she was not fired because she told HR that she was a lesbian but declines to answer Marcus’s question about whether she is gay.
Min and Louisa take a walk through St. James’s Park. Lousia knows about a recent budgeting scandal in MI5 that could open the door to their rehabilitation at the service’s headquarters, Regent’s Park. Min suspects that the inquiry is making Lady Diana Taverner, the second desk of MI5, very angry. James Webb meets Min and Louisa, nicknamed Spider. Webb shares a secretive assignment, which may last three weeks. Ingrid Tearney, the head of Regent’s Park, is away, so Diana Taverner is in charge. Min and Louisa have a low opinion of Webb’s importance; he betrayed River, which caused River to be sent to Slough House. Webb explains that Min and Louisa will report to him, but the description of the vetting work seems more in line with the work normally assigned to Regent’s Park’s in-house “skeleton-rattling department,” known as the Dogs. Webb confesses that Regent’s Park is in a chaotic state, so he must rely on Slough House. A Russian delegation is coming to London, including a billionaire named Arkady Pashkin. Min and Louisa will need to vet his staff. Webb asks mockingly about River. Min dislikes Webb; though he has no real affection for River, he feels a sense of solidarity with his fellow slow horse. Taking a pink cardboard folder from Webb, Min and Louisa stroll around the park. Louisa thinks about their recent affair and the activity in Slough House, which makes her believe that “Jackson Lamb now [has] serious dope on Diana Taverner” (37). They watch a black swan on the lake. Louisa notes that such birds symbolize “a totally unexpected event with a big impact […] that seems predictable afterward, with the benefit of hindsight” (38).
Ho posts on social media under an assumed identity built from “links and screenshots” (43). In the office above, River reflects on the woman who once used the desk next to him. In recent months, River thinks, Lamb seemed briefly reinvigorated. River is performing “gruntwork” by examining old records in search of identity theft targets. River visits Catherine Standish. They discuss Lamb, whose recent activity seems very out of character. Ho may know what Lamb is doing, so they visit him. Ho dislikes River, but he is indifferent to Catherine. He refuses to divulge anything about his meeting with Lamb but, under some flattery, he agrees to tell Catherine, who reveals that Lamb was seeking a Service personnel file for Dickie Bow. The file is unremarkable, other than noting Dickie’s talent for following targets. When Lamb returns, River and Catherine ask Lamb about Dickie Bow. Lamb teases Catherine about her alcohol use disorder but cannot hide his surprise from her. Catherine presses Lamb about Dickie as Marcus enters with a folder for Catherine. Lamb dismisses them all. Then, a moment later, they hear Lamb accidentally smash his computer monitor and swear.
On the 77th floor of a London skyscraper, Min and Louisa study the view. They see an airplane in the distance. Since this is where the meeting will be held, they must study all possible threats. They both harbor “secret hopes” that they might be allowed back to Regent’s Park from Slough House. Privately, Louisa worries what might happen if only one of them were invited back to Regent’s Park.
Later, all of Slough House gather in Ho’s office to watch a grainy CCTV video of Dickie’s last movements. They follow a bald, hatless man referred to as Mr. B as he boards a train after disembarking the replacement bus on which Dickie Bow died. Lamb orders Min to find more footage from other stations, and Min reveals that Webb has reassigned he and Louisa to “babysit […] a visiting Russian” (62). Though River puts himself forward for the assignment, Lamb gives it to Shirley. When they are alone in Ho’s office, River accuses Lamb of needing the slow horses. Lamb speaks about his suspicion that Dickie was killed by an “untraceable poison.”
The prologue provides important context for the second novel in the Slough House series. In Slow Horses, Slough House was presented as the dead-end of intelligence work, highlighting the theme of Britain and Bureaucratic Decay. The slow horses themselves were on the lowest rung of the espionage ladder, deliberately cast aside to hide their shortcomings. Dickie Bow’s quiet death, however, shows that there is a fate worse than Slough House for intelligence operatives. Despite his work in Berlin during the Cold War, the novel later reveals that he was sent out into the professional wilderness as part of a scheme concocted by the Soviet spies. Like the inhabitants of Slough House, however, Dickie can never cast espionage aside: He follows the familiar face to his death because buried deep in his psyche is a set of rules which must always be followed. Despite his advanced age and meager resources, he follows the bald man through muscle memory and training. The fate of Dickie Bow shows how the world of intelligence buries itself into the minds of all those involved, highlighting The Link Between Identity and Performance as the performance of espionage has simply become Dickie’s identity. Dickie’s inability to escape a world that has cast him aside foreshadows how the Cold War will return to haunt the modern world in the rest of the novel. At the same time, the fate of Dickie Bow is an ominous warning to the inhabitants of Slough House, showing that individuals who were once valued assets can be left to decay even while they wait for a moment to reassert themselves.
Slough House is introduced as the narration follows a cat entering the building and exploring the rooms. The narrative device itself is a comment on the lowliness and decay of Slough House: A normal house cat can seemingly stroll from room to room without any worry. Slough House is not a hyper-secure, secretive location. The front door is barely a deterrent to a curious cat, let alone an enemy spy. As such, the cat as a narrative device reintroduces the audience to the unimportance of Slough House while also providing an update on the characters. River sits in his office and stares sadly at the empty desk that once belonged to his colleague, Sidonie “Sid” Baker, who suffered a grievous injury but survived in Slow Horses. His grieving over an empty office foreshadows Louisa’s fate; at the end of the novel, a similar narrative device (a mouse, rather than a cat) will find her alone in her office, staring at an empty space. The cat as a narrative device provides updates, symbolism, and foreshadowing in a short space of time, efficiently bridging the previous book to Dead Lions as well as warning what is to come. The cat's casual stroll through the house mirrors the indifferent, almost nihilistic attitude of the slow horses themselves, too. Just as the cat enters with ease, the slow horses move through their meaningless tasks in Slough House, both physically and metaphorically wandering through their professional lives. The cat also symbolizes the randomness and lack of control these agents experience, caught in a system that neither values nor protects them. The cat’s movement in and out of spaces mirrors their own fleeting and unimportant presence within the greater framework of intelligence work.
Though they are part of Slough House, Louisa and Min are different at the beginning of the novel. While most of the slow horses are bitter and pessimistic about their futures, Louisa and Min have each other. Their living spaces are small but filled with the comfort and affection that they can provide for one another. They are both selected by Webb as part of the Pashkin assignment. Through their relationship, Min and Louisa have hope for their personal futures. Through this assignment, they have hope for their professional futures. In both senses, they have opportunities that the other slow horses do not. Despite this burst of optimism, Louisa cannot fully ignore her pessimistic tendencies, as she is concerned that only one of her or Min will be allowed back to Regent’s Park. She is already grappling with the consequences of being chosen ahead of her professional and romantic partner. Even in her brief reprieve of optimism, Louisa’s inner conflict about their future is significant; it shows how deeply ingrained pessimism is in the world they inhabit. Her fear that only one of them will be allowed back to Regent’s Park speaks to the broader idea of limited opportunities within the intelligence world. This reflects the slow horses’ overall predicament—offering a glimpse of hope but always colored by the harsh reality that those in Slough House are expendable. Louisa’s tendency toward self-destruction is evident in the way that she will not allow herself to be optimistic, but her fears also foreshadow the fact that she and Min will be separated.
Appearance Versus Reality
View Collection
Books on Justice & Injustice
View Collection
Challenging Authority
View Collection
Fear
View Collection
Good & Evil
View Collection
Hate & Anger
View Collection
Mortality & Death
View Collection
Power
View Collection
Revenge
View Collection
Teams & Gangs
View Collection
The Past
View Collection
War
View Collection