68 pages • 2 hours read
Gillian FlynnA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
As Libby comes to, she hears Crystal apologizing to Diondra and Diondra telling Crystal to get her gun. Libby cannot see, and Diondra sits on top of her, strangling her. Libby punches Diondra and manages to get free, but without being able to see, she falls down the basement stairs. Diondra closes the door, and Libby can hear Diondra and Crystal discussing which one should shoot Libby.
Libby searches through the junk at the back of the basement and finds a door that leads to a tornado shelter. She can hear Diondra and Crystal in the basement, but she has knocked enough junk onto the floor that they have a difficult time reaching her. Libby tries to climb through the vent in the ceiling and is halfway out when Crystal grabs her foot. Libby kicks her away, climbs out into the open, and heads for the woods. She does not have her phone, keys, shoes, or socks, and it is already dark. She hides in the woods while the women search for her with flashlights. At dawn, she begins to walk home.
Ben and Diondra are in the girls’ room while Calvin murders Debby and Patty. When everything is quiet, Diondra tells Ben that Michelle is dead. She steals the diary so no one will know about Michelle blackmailing Ben.
They find a gruesome scene in the hallway, and Diondra is excited; she thinks they really did summon the power of Satan. Diondra tells Ben that he will get the money from his mother’s life insurance policy, and they can move to California. People will see him as a victim now, not a child molester. They have to stay in town for now, and during that time, they can’t mention that they know each other. Diondra does not want to give birth to her baby in prison, and she makes Ben feel guilty about the possibility.
Diondra realizes Libby is not there and tells Ben to find her: She does not want any loose ends. Ben goes out to look for Libby, knowing that she likes to hide by the pond. When he shines the flashlight near the pond and sees her red hair, he shouts for her to stay where she is, then runs back into the house.
Diondra smears blood on the walls and hacks into Patty with the axe. She is crazy with bloodlust. Ben does not know who the man was, but Calvin wiped his fingerprints off of everything he touched before he left. Ben wipes up the footprints as well as he can and leads Diondra out of the house. On the way out, he thinks “Annihilation” (329).
Libby makes it to a gas station and calls Lyle to pick her up. When he sees her condition and hears her story, he takes her to the police station. Before they go, he tells her that the Angel of Debt—the man who helps people in debt die by suicide and stages their murders—has been caught. It is Calvin Diehl, and he has a signed letter from each of his victims, including Patty, stating that they went to him voluntarily. He confesses to Debby’s murder because it was never supposed to happen.
Diondra and Crystal set fire to their house and disappear, leaving no evidence behind. Two days later, a detective arrives at Libby’s house bearing two photocopied letters from Patty. One is to Calvin, explaining their deal, and the other is to Ben, Michelle, Debby, and Libby. In the letter, Patty says she did not lead a useful life but hopes that she can be useful in death. She assumes Diane will raise the kids with the money from her life insurance. She is proud of them, especially of Ben, and does not want him to think anything is his fault.
The letter guts Libby because things went so horribly wrong, and Patty realized it before she died. The letters make Libby appreciate how hard her mom tried to take care of them, and she tries to take comfort in that.
As he drives away from the Day farm, Calvin is angry with how wrong his job with Patty went. Before going to her house, he stopped at a bar and saw Runner. At the bar, he discovered that Runner is a lowlife and instead of making Patty’s death look like a suicide, he had decided to make it look like Runner killed her.
Calvin does not consider himself a murderer: In his mind, he helps people die with dignity to financially benefit their families. His clients get to specify how they want to die, and Calvin respects their wishes. Patty’s only request was that he not drown her. He stabbed her because it is a quick, relatively painless death and could easily be pinned on Runner. Debby’s murder was an unfortunate consequence because he cannot let anyone see his face. As he drives, he thinks he sees a red-haired girl running through the snowy field but realizes it is a vision of the girl he murdered from his guilty conscience: “[H]e was so angry at the child—he chopped up a little girl—so angry at the redhead woman, for screwing this all up, for not dying right. He killed a little girl with an axe. He shot off the head of a mother of four instead of giving her the death she deserved” (335-36). Calvin considers himself a people’s hero and cannot accept that he killed an innocent girl.
Diondra and Crystal are missing for 13 days after their disappearance. Lyle has been coming over to watch TV with Libby. He jokes that if “Libby Sticky Fingers” had swiped something with Diondra’s DNA on it (337), they could link her to the murders. Libby goes to the other room and produces two items—lipstick and a thermometer—that she stole from Diondra, both of which contain Diondra’s DNA.
The DNA on the items matches the blood on Michelle’s bedsheets; the police find Diondra in Amarillo, Texas, and arrest her. With Calvin’s confession and Diondra’s arrest, Ben has a chance of getting out of prison.
Libby visits him and tells him he could be out soon. Ben admits that he’s always felt guilty about letting the murders happen and not doing anything to stop them. Now, he feels like he’s served enough time for that. He asks what Crystal is like: “Is she, […] wrong. Bad?” (339). Libby thinks Crystal was trying to protect her mother and was mortified that she had slipped up when she mentioned the boy in Michelle’s diary. Ben is surprised that Libby is giving Crystal a pass, but Libby understands what it’s like to try to do something right and completely mess it up. Ben agrees; he thinks that describes his family pretty well.
Ben thinks about getting out of prison and running a farm. He feels 15-year-old Ben is a different person, and he alternately thinks of him as cowardly and brave. He was cowardly to let the murders happen. When he was arrested, though, he knew that staying silent and taking abuse was his strength, so he decided to do that for Diondra and their baby. He would stay silent in prison, and Diondra and the baby would be free.
Now, he believes that Diondra deserves to be in prison. He imagines that he might have killed her or run away with the baby if they had run away together back then. He wishes he could take care of Crystal and have a happy, functional life with her, but he knows that is unrealistic. Ben has always longed for a life he can’t quite have: “Sometimes he felt like he’d been gone his whole life—in exile, away from the place he was supposed to be, and that, soldier-like, he was pining to be returned. Homesick for a place he’d never been” (342). He decides that, if he gets out, he will try to take care of Libby. That is a realistic wish.
Libby thinks about everyone who was hurt by the murders and wonders if it is possible for those who are left to heal. She never heard from Diane, and now she is driving to her trailer park for a visit.
She finds Diane in the yard, and Diane hugs her. She is glad Libby is trying “just a little harder” to be a good person (346). The visit lasts two hours, and Diane tells Libby to come back on Saturday to help her install a countertop.
Libby drives to her family’s farm, a place she has avoided for decades. Another family, the Muehlers, lives there, and she sees Mrs. Muehler, a dog, and a little girl playing by the pond. Mr. Muehler is walking in the fields. Libby’s mind does not go to Darkplace when she looks at the farm; she only sees a peaceful spring day. When Mr. Muehler waves, Libby waves back and drives away.
The final chapters resolve the narrative of the past and connect those events to the present. Chapter 38 reveals the truth about Ben’s actions after the murders. The most poignant is his search for Libby; when he goes to the pond, he is looking for her to keep her safe and prevent her from going back into the house. In Libby’s memory, Ben is looking for her to kill her. Present-day Libby does not know it, but Ben’s actions assure the reader that he has always cared for and wanted to protect Libby. Chapter 42 is the first and only chapter that presents Ben’s point of view in the present day. This is significant because the other chapters in which present-day Ben appeared were told from Libby’s point of view, and the reader’s impressions of Ben were filtered through Libby’s thoughts, memories, and feelings. Now, Flynn presents Ben’s memory of himself as a 15-year-old and how he has changed. Ben understands the motivations of his younger self, but he now knows that he is not responsible for the murderers’ actions. He understands that Diondra should accept punishment for killing Michelle and feels that his 25 years in prison are adequate atonement for his inaction that night.
The final chapters introduce the perspective of a new character who provides the final key to the murders. Chapter 40 presents Calvin’s perspective after he kills Patty and Debby. It establishes Calvin’s mindset at the time of the murders and explains why he killed Debby and Patty in the manner that he did. This chapter comes directly after the revelation in Chapter 39 that Calvin is the Angel of Debt and is responsible for killing Debby and Patty. Flynn introduced the Angel of Debt in Chapter 3 when Lyle mentioned him at the Kill Convention. At that point in the story, the Angel’s existence was speculation and seemed unimportant to Libby’s story. Introducing the killer early on but presenting them as irrelevant or innocuous is a popular tactic in murder mysteries. The handwritten letters from Calvin’s victims remove speculation, and Libby and Ben can read the motivation for the murder in Patty’s own words. Calvin’s confession fills in the remaining details about Debby and ties up the loose ends of the events of 1985.
Flynn does not provide complete closure for Libby and Ben. Though they know all the details of the murders, have divulged all their secrets, and have worked through their fears, memories, and guilt, the road ahead for them is unclear. Both are poised to form new and lasting relationships both with each other and with others, which is something neither could do in the time since the murders. However, some key issues in their lives remain unresolved. At the beginning of the novel, Libby did not have an occupation or source of income. Lyle’s group funded her investigation of the murders, but now that that is complete, she remains unemployed. With the mystery of her family’s murders solved, even the Kill Club will most likely lose interest in her case, and she can no longer rely on their exploitation of her trauma to fund her life.
Flynn does not provide any leads to indicate what Libby will do. The difference between Libby at the beginning and the end of the novel is that by the novel’s end, Libby is not stuck in her role as a child survivor and victim. She has matured and accepts that she cannot change or entirely heal from the past. She has also accepted that her understanding of events was flawed and incomplete. Her emotional readiness to move forward implies that she will eventually find a means of self-support. This completes her hero’s journey: Libby returns to the starting point, but she has changed for the better.
Similarly, when the novel ends, Ben is still in prison. Since other parties have been found guilty of the murders, his guilt or innocence is no longer in question, but he will still have to undergo legal proceedings to get out of prison. In Chapter 42, he imagines his life as a farmer and a brother to Libby. The novel ends on a note of hope but implies that the main characters can never put the past entirely behind them and must continue to work to build the lives they want.
By Gillian Flynn