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56 pages 1 hour read

Ray Bradbury

Dandelion Wine

Fiction | Novel | YA | Published in 1957

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Pages 59-134Chapter Summaries & Analyses

Pages 59-82 Summary

Grandpa awakes smiling. He looks out the window and hears a boarder, the reporter Bill Forrester, mowing the lawn. To Grandpa, this represents the first true day of summer. Downstairs at breakfast, Grandma tells him that Bill will soon put in a new lawn that never needs mowing. Dismayed, Grandpa hurries out and explains that he loves the sound of the mowers in summer and counts mowing the lawn as one of the small joys of life. Learning that Bill paid $15 for the flats of new sod, which is also designed to keep the dandelions away, Grandpa hands Bill 15 dollars and begs him to throw the flats into the ravine. Reluctantly, Bill complies. During his afternoon nap, Grandpa again awakes to the sound of the mower and realizes that Bill is doing it just so Grandpa can enjoy the sound.

Meanwhile, Leo, the town inventor, goes to his garage and begins work on the Happiness Machine. He struggles with the design and construction for 10 days, stopping only in the evenings to visit neighbors’ porch get-togethers, listen to the sounds of laughter, and note what causes the mirth so he can add it to the machine. Finally, exhausted and malnourished from the marathon of labor, he enters the house, where his children, deprived for days of his attention, have resorted to fighting each other. He announces the completion of the device, and promptly faints. The next day, the machine delights everyone but Leo’s wife, Lena, who asks him if the machine has a cure for housework or for the bereavement at the death of a loved one. Leo says it doesn’t; Lena decides she doesn’t have the time to look at it. Soon, Leo and his family learn that although the Happiness Machine delights the folks who use it, they become sad and miserable when they must return to their ordinary lives afterward. On the verge of leaving Leo over his obsession with the machine, Lena finally tries it and realizes that the machine makes her yearn for all of life’s milestones at once: the real experiences, which would pall if she could have them all the time. When Leo tries the machine, it bursts into flames, and afterward, Leo announces to his neighbors that he’s been a fool, and that he already has the best Happiness Machine: his wife and children.

Pages 83-103 Summary

Each summer, the Spauldings place their area rugs on the lawn, grab wire rug beaters, and, as a group, slap the rugs with the beaters until a cloud of dust rises up. Led by Great-Grandma, the family laughs and coughs and points at the stains, which stand as a record of the year’s history. They hang the rugs on the wash lines and continue the beating. This scene is contrasted with the neat, tidy house of 72-year-old Mrs. Bentley. She has collected many mementos over the years and keeps them packed away in trunks. One mid-summer day, Tom and two girls named Alice and Jane visit Mrs. Bentley, who declares that she once was a girl just like Alice and Jane. When the girls accuse her of lying, Mrs. Bentley feels troubled, as though her childhood has been taken away. In the evening, she shows the children items and photographs from her childhood, but they disbelieve that the photo is of Mrs. Bentley. The girls rise and they thank her for the trinkets and the photo, then hurry away with her mementos. Mrs. Bentley, stunned, feels as if a piece of her life has been pilfered. She lies awake that night, wondering if the past is just an illusion. She realizes that, even if once she was young, she’s not anymore and can’t get her childhood back.

The next morning, the two girls return, hoping for more items from the little girl that they believe Mrs. Bentley tries to impersonate. The old lady, now aware that those items no longer fit into her current life, happily lets them rummage through trunks filled with the clothes, books, skates, and dolls of her youth. Then they help her lug the rest of it out back, where Mrs. Bentley makes a bonfire of her old possessions. For the rest of the summer, the two girls and Tom visit Mrs. Bentley when the ice cream wagon rolls past, and they all sit and enjoy cool refreshments. When the children ask, Mrs. Bentley insists that she’s 72, always has been, never had a first name, and never was young and pretty. Satisfied, the kids remain her friends. Later, Douglas and Tom compare journal notes. Douglas has accounted for all the major events thus far in the summer: the date of his first “Eskimo Pie,” the day he bought his new tennis shoes, the first day he ran barefoot on the grass. Tom tells Douglas about a recent insight, and Douglas writes it down: “Old people never were children!” Tom adds: “And it’s kind of sad […] There’s nothing we can do to help them” (103).

Pages 104-114 Summary

Charlie Woodman informs his friends Douglas and John that Colonel Freeleigh has a time machine. They go to the colonel’s residence, knock, and enter quietly. Inside sits an old, thin man who looks up, smiles, and welcomes Charlie. The boy asks the colonel to talk about Boston in 1910. Freeleigh ponders a moment, then remembers: “Why, Ching Ling Soo, of course!” (106) Freeleigh sat in the front row when the great magician Ching Ling Soo attempted to perform the famous bullet trick and catch a bullet from a fired gun in his teeth. When a volunteer fired the gun, Ching Ling Soo screamed and fell to the ground dead, his face a mask of red. Next, Charlie asks about Pawnee Bill. The colonel recalls being out on the prairie in 1875 with a man named Pawnee Bill, watching as a great cloud of dust, 50 miles wide, approached them, and a giant herd of 200,000 buffalo hurtled past.

Freeleigh pauses for breath, as if after a long run. He recovers and greets Charlie again, as if for the first time. Douglas starts to ask about the time machine, but Charlie cuts him off, saying, “My gosh, you’re dumb!” (110) John prompts the colonel to talk about the Civil War. Freeleigh remembers battles, but the war happened nearly 70 years earlier, and he can’t recall which side he fought on—he lived on both sides of the divide. Charlie asks if he recalls any great victories, but Freeleigh says that nobody wins in a war. He was at Shiloh and Antietam and saw the first puffs of smoke at Fort Sumter. Instead of war stories, he sings snippets from the old camp songs that the soldiers sang in the evening. Charlie looks at Douglas, who agrees that the colonel really is a time machine. Freeleigh asks what they mean; Charlie explains that it’s the moniker they’ve given him among themselves. The colonel ponders this silently. The boys excuse themselves and depart. As they step outside, the colonel leans out a window, calls to them, and says, “You’re right! Why didn’t I think of it before! A Time Machine, by God, a Time Machine!” (114) Late that night, Tom wakes to find Douglas scribbling in his journal. Douglas explains that, of all the transport available in town—the trolley, the neighbors’ electric runabout, Douglas’s tennis shoes—the best travel is back into the past with Colonel Freeleigh.

Pages 115-134 Summary

Miss Roberta and Miss Fern hurry up into their attic, slam the door shut, and lock it. Panicked, they hold each other, terrified. Their little electric runabout, the Green Machine, has gotten them into big trouble. They peer out the window, expecting to see the police, but instead they see young Douglas walking up to their front door to ask for a ride on the runabout. They ignore his knock, and he goes away. They recall the day when salesman William Tara arrived and proceeded to talk them into buying the runabout. Silent, comfortable, and easy to drive, it could take the two elderly ladies anywhere they wanted to go in town. They made the down payment and began cruising through the neighborhoods, sitting regally in the smooth two-seater with breezes gently cooling their faces. It was all wonderful until just that day, when they rounded a corner and knocked over Mr. Quartermain, who crumpled to stillness on the ground. Terrified, the ladies kept driving, got home, and are now hiding. Finally, the two sisters decide to go downstairs and make dinner. They agree to tell no one about the accident, and they also agree never to drive the runabout again. Later, Fern scans the evening newspaper and sighs with relief to see that there is no mention of the accident, and no harm done.

The next day, all the kids get free rides on the trolley. It’s the last day for the service; after today, motorman Mr. Tridden will get a pension, and a bus service will replace the trolley. Tridden drives Douglas, Charlie, and several other kids out past the city limits and onto an old track into the countryside. The trolley halts near a stream that flows past an old, abandoned bandstand. Tridden pulls out big picnic baskets that the kids help tote over to the stream’s edge. Everyone eats sandwiches and fruit, and Tridden tells stories about the old bandstand, with its musicians and the audiences promenading in their best clothes. The group piles back into the trolley, which rolls back into town, and they smell the arcing electric power and feel the brass railings for the last time. The boys agree that buses won’t be nearly as nice as the trolley. Men will soon pave over the tracks, but Douglas will always remember the trolley’s chime.

Pages 59-134 Analysis

In this portion of the book, the author describes some of the adventures that Douglas’s neighbors experience, along with incidents that reflect on the passing of the baton from the older generation to the young. As the story unfolds, each separate incident reveals a different facet of The Unstoppable Passage of Time and the inevitable change that comes with it. For example, Colonel Freeleigh’s stories of yore enchant Douglas and his friends with vividly described drama and immediacy. His tales enrich the kids while allowing him to revisit cherished moments in his own life. The boys’ respectful attention is a rare pleasure for an old man who has watched history unfold over many decades, seen loved ones die away, and now sits, lonely, with only his thoughts for company. Soon enough, he, too, will be gone, but the boys will retain some of him in their memories of his excellent anecdotes. This section of the novel reflects the novel’s ongoing tribute to the wisdom of older people and the theme of Memory as an Act of Preservation: a reminder that their many experiences are worth passing down to new generations. With each vivid recollection, that the colonel relates, Bradbury emphasizes that when faced with the fragile impermanence of all that is wondrous in life, it is important to cherish each lesson, risk, and triumph that life has to offer—to run to things and savor them before they are gone forever.

The whimsical nature of change is not limited to people, and as a longtime writer of science fiction, Bradbury takes care to inject an element of fantastical futurism into his otherwise nostalgic tale with the adventure of Leo Auffmann’s Happiness Machine. Blending elements of science fiction and magical realism, this section of the novel focuses on a quasi-magical contraption that is arguably ahead of its time even 100 years later; the episode stands as a cautionary tale warning against the modern tendency to fall in love with gizmos and other newfangled objects that sometimes cause more problems than they solve. This trend proves true as the Auffmann family’s obsession with the emotional highs of the Happiness Machine leaches their daily lives of appreciation for all the little joys that once made them such a happy, harmonious family. Thus, Leo ultimately recognizes that, in searching for happiness, sometimes people overlook the wonders that lie before them every day, including their own families. The escapade stands as an example of The Magic of Everyday Things, which Leo eventually returns to, forsaking the novelty of a Happiness Machine that robs people of the ability to find contentment in ordinary life.

Sprinkled throughout the novel are other, smaller examples of inventions that bring more harm than good, or threaten to bring an end to aspects of life that people have always cherished. Foremost among these is the grass that is designed to grow only so high and to prevent other “weeds” (like dandelions, for example) from taking over the lawn. Given that the dandelions of Green Town are the very essence of summer at its finest, Bill’s well-meaning attempt to save Grandpa from yardwork instead becomes an almost existential crisis that threatens to eliminate everything the old man most enjoys about the magical summer season. A summer without dandelions would mean a winter without dandelion wine or bottled memories, and thus, Grandpa’s reaction to the prospect is sheer horror and steadfast resistance to such “progress.” Yet although Grandpa manages to stave off the end of dandelion lawns, not every town fixture can survive the march of new inventions, and so the town trolley becomes one of the more notable casualties of The Unstoppable Passage of Time during the summer of 1928.

While Colonel Freeleigh finds a way to embrace the delights of his youth by sharing his adventures with young boys, Miss Fern and Miss Roberta make it a point to keep having youthful adventures and wild shenanigans even in their old age. To that end, they become famous for touring the town in their small electric runabout, which was the 1920s equivalent of a modern-day golf cart. Unlike Grandpa, they pointedly embrace the more exciting aspects of new inventions, and while Bradbury writes of their escapades with a fond tone that indicates his approval of such activities, he nonetheless uses the episode as yet another cautionary tale. When the ladies also are among the first to have an accident in such a vehicle, they deeply regret the mishap and decide they’re too old to risk enjoying the vehicle any further. In this chapter, Bradbury showcases his keen awareness of the societal upheavals—both great and small—that can result with the introduction of new technologies; many of his books, especially those that delve into speculative fiction, address these changes. Overall, however, the effects of technology in Green Town are felt on a very minute, personal level, and in this sense, Dandelion Wine stands as something of a deviation from other Bradbury titles such as The Martian Chronicles and Fahrenheit 451, both of which focus on the societal level.

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