60 pages • 2 hours read
Penelope DouglasA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Penelope Douglas is known for writing popular dark romance novels, and Corrupt is no exception. Her texts often delve into taboo subjects, such as incest, sexual violence, and bondage. The romance genre—including Douglas’s books—has experienced a sharp spike in sales and popularity, primarily due to BookTok and Amazon’s Kindle Unlimited program, which is where many romance novelists self-publish their work before finding a large enough audience to attract a traditional publisher. These dark romance novels usually center a white woman who is in a toxic yet protective relationship with a villainous and sometimes criminal man. There is always violence—toward either the woman or someone else—and explicit and taboo sex. The genre is deeply interested in power dynamics between men and women. The main character of Corrupt is a stereotypically beautiful white woman who has a deeply problematic relationship with a criminal. She has lots of explicit sex in often taboo places, such as a cathedral and a public sauna. In keeping with genre conventions, the novel is deeply invested in exploring the power dynamics between Rika and Michael.
The dark romance genre draws some of its atmospherics from the earlier genre of Gothic horror, popularized in the late 19th century in novels like Mary Shelley’s Frankenstein and Bram Stoker’s Dracula. These novels dramatized widespread, unspoken anxieties about cultural change. Victor Frankenstein’s monster, a human-like creature stitched together from multiple corpses and reanimated through the brand-new science of galvanism, represented the fear that new technologies were eroding the boundaries between life and death, human and non-human. This fear of tampering with the laws of nature is expressed in the book’s subtitle, The Modern Prometheus. Meanwhile, the female vampires in Dracula, with their predatory sexuality, represent turn-of-the-century fears of increasing independence and social mobility for women. Dark romance, similarly, voices 20th- and 21st-century anxieties about women’s sexual freedom within a culture still rife with misogyny and violence against women.
Many people find it ironic that women—who often experience harassment and violence in their daily lives—would find comfort and pleasure in reading books that delve into these traumatizing experiences in such explicit ways. However, many women report finding these books cathartic:
Women who read dark romance…[said] that they found the blood-soaked, sex-crazed genre to be a cathartic escape from their real lives. Dark romance recognizes that life is difficult and dangerous, especially for women, who face discrimination every day and are more likely to be killed by their intimate partner than by anybody else. But it also reassures readers that there is still a way to survive, fall in love, and, of course, have toe-curling sex. And it lets them fantasize about wielding so much twisted power over a man that they will be safe forever—and no longer have to worry about the shackles of propriety (Sherman, Carter. “Inside the World of Dark Romance, Where Serial Killer Is the New Sexy.” VICE, 23 May 2023).
As a result, the dark romance genre serves as a form of escapism from the horrors of daily life, and the genre—much like women’s lived experiences—does not show any signs of slowing down.
Devil’s Night—also known as Mischief Night—occurs on October 30, the night before Halloween. Typically, this is a night where children and teenagers commit minor pranks and vandalism. The night originated in Europe and became popular in the United States in the 1930s and 1940s, but “[s]ome historians even cite the rise of the Devil’s Night mischief to Black Tuesday on October 29, 1929—when the U.S. stock market crashed, causing the Great Depression. Tensions of war and extreme poverty could have caused an escalation in the number of incidents” (“Haunted History: Devil’s Night.” Detroit Historical Society). Up until the 1980s, the pranks and vandalism committed rarely escalated above toilet-papering or egging a car. However, some cities in the United States saw a steep escalation in the types of crimes committed on Devil’s Night:
Pranksters began setting fires in abandoned properties and homes and in 1984, the Detroit Fire Department extinguished more than 800 fires across the city—this would be the highest number of fires recorded. The arsonists often targeted empty homes and properties, but, intentionally or unintentionally, the fires spread quickly. Over the years, the fires resulted in injuries, destruction of property, and even death. What began as simple pranks committed by youth quickly escalated to city-wide arson (“Haunted History”).
While Devil’s Night is no longer as dangerous today, it still brings up feelings of chaos and fear.
The crimes the Four Horsemen commit in Corrupt are not harmless pranks: They are violent crimes. They prefer crimes involving arson, seeing as both Will and Michael commit arson at different points in the novel. However, they also assault people both sexually and physically. The Four Horsemen use Devil’s Night as an excuse for their darkest or more depraved instincts, the ones they know they need to hide behind a mask to commit.
By Penelope Douglas