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Langston HughesA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Ma and Cora’s garden symbolizes independence and autonomy for Black individuals. The story’s resolution portrays Cora living with Ma and Pa, managing to get along without income from the Studevants. Instead, they live off Pa’s earnings from collecting junk and the little garden Cora and Ma raise together. While Pa was earning his meager income from the beginning of the story, when Cora believed her survival depended on working for a white family, this is the first mention of the garden. Its introduction represents a rejection of her former beliefs. Cora has escaped the economic trap that was closed so tightly around her for most of her life. The garden itself represents more than the ideas of growth and bounty often associated with gardens, although this is another instance in which Cora finds purpose through nurturing. It’s unlikely the Jenkins family will ever experience a bounteous gain from the garden—they merely “get by”—but the garden allows Cora to take care of her basic needs, thereby giving her power over her own life.
Though white and Black people interact daily in the society Langston Hughes portrays, Cora sees them as occupying two different worlds. In Jessie’s world, she’s unable to find the love and support she needs from her family. Her mother thinks she’s stupid and is ashamed of her, and she has no bond with her father, who is always working or out of town. Cora, the one person who does provide Jessie with love and support, is separated from her by class and racial divides. The kitchen symbolizes the bridge between their worlds, where Jessie can cross those divides and receive affection. It’s also a space where Cora is allowed to indulge her maternal instincts, growing into a nurturing figure for Jessie. In the kitchen, Jessie blooms. She laughs, talks, becomes witty, and learns to cook because she and Cora can bond away from her family’s judgment and the influences of hate and shame. Like the garden, the kitchen symbolizes nourishment and care, a place where not only hunger but emotional needs are sated.
The concept of humility becomes a motif in the story through narrative repetition. Like shame’s thematic role in the story, an expectation of humility is used to preserve the existing power dynamic between Black and white communities. In the narrator’s repeated comments about Cora’s humility or lack thereof, the same sentence structure is echoed, emphasizing its thematic relevance.
In the first of four occurrences, Cora has just given birth to Josephine. The narrator states, “Cora was humble and shameless before the fact of the child” (7). The second occurrence comes at Josephine’s funeral, when the narrator says, “Cora was not humble before the fact of death” (8). In the third repetition, the reader is told, “The next week she went back to the Studevants. She was gentle and humble in the face of life—she loved their baby” (8-9). Finally, at Jessie’s funeral, Hughes writes, “[I]t was what she did, and how she did it, that has remained the talk of Melton to this day—for Cora was not humble in the face of death” (16).
Each time, Cora defies expectations for her behavior. Owing to institutional discrimination, many Black citizens feel they must be twice as good to avoid further victimization and oppression. Those who benefit from this power differential rely on expectations that Black people remain humble through their adversities. In this sense, humble actually means docile and controllable. Even in the event of her child’s death, Cora is expected to remain meek and accept misfortune as her lot in life. Instead, she curses God and screams so violently that onlookers are startled and horrified. Later, Jessie’s tragic death triggers Cora’s ultimate rejection of white society’s expectation that she remains humble.
By Langston Hughes